Sharpness and Aperture Selection on Full-Frame DSLRs
Posted on 12 April 2007
Last month I wrote about a set of tests (“Full Frame Lens Test“) that I conducted with my lenses and my Canon 5D body. My object was simply to better understand how the camera/lens combinations would behave so that I could make better decisions about appropriate lenses and apertures while making photographs.
One discovery was that, compared to using a crop sensor DSLR, I can get excellent results when I shoot at smaller apertures with good lenses on the full frame body. I tended to avoid apertures smaller than about f/8 on the crop sensor camera, but there seems to be little or no real liability in using f/11 or even f/16 on full frame.
To illustrate I put together the following composite image. (The image appears in reduced form on this page. Click the link to see the full size version.)
The example includes five versions of a small section from near the center of a photograph taken with the Canon EOS 5D using the EF 24-105mm L IS lens at a 50mm focal length. The camera was on a tripod, MLU and a remote release were used, and the AF was turned off. The images are 100% crops – in other words, actual pixel size is displayed in these tiny excepts from the much larger original images. (You would virtually never view a print at this magnification. These are equivalent to tiny sections from a print that might be about 5 feet wide!) The images have been slightly sharpened in post-processing, but are otherwise unaltered.
I shot at apertures of f/4, f/5.6, f/8, f/11, and f/16. In terms of the sharpness of this portion of the image, I am quite certain that all five examples are plenty sharp for making prints. That said, there are some differences. To my eye:
- The f/4 and, to some extent, the f/5.6 versions are slightly but noticeably softer at this magnification.
- The f/8 and f/11 versions seem to me to have approximately equal sharpness. Some parts of the f/8 image seem slightly sharper, but other parts of the f/11 image seem sharper. In the end they are pretty darn equivalent, though I’d maybe give the f/11 a very slight edge overall.
- The f/16 image may be slightly less sharp than the f/8 and f/11 versions, but the difference would not be noticeable in a print, even a rather large one. In any case, f/16 appears sharper than either f/4 or f/5.6.
After doing this test I no longer hesitate to shoot at f/11 or f/16. Not only does this give me the possibility of getting greater depth of field when I need it, but it also means that I can compensate for corner softness on some lenses (e.g. the 17-40mm) by using a smaller aperture without fear of losing center sharpness.
(Addition: 4/23/07 – Other Canon L lenses seem to give similar results, including my 17-40mm f/4 L and my 70-200mm f/4 L.)
In response to a question in a photo forum I put together a sample image showing corner sharpness from the same original images used in the example above. (The earlier example shows 100% crops from near the center of the frame.)
(image temporarily unavailable)
Technical info: Shot using a Canon 5D with the Canon EF 24-105mm f/4 L IS lens at a 50mm focal length. In aperture priority mode, the aperture was changed manually between shots. Initial focus was with AF, which was then switched off before shooting the series. Camera was on a tripod and MLU and remote release were used. Shots were converted from RAW with ACR and no additional post-processing applied. Print made at this resolution would be approximately five feet wide. The crop is from the far lower left corner of the frame.
In addition to noting the softer image in the corner at f/4, also note that the image is a bit darker due to the expected increase in corner light fall-off (“vignetting”) at the largest aperture. Sharpest version in this series shot with a FF body seems to be at f/11 as in the center crop example above. But note that f/8, f/11, and f/16 are not very different in overall sharpness – and in the end any of these apertures would produce a very sharp print.
In response to another forum discussion, I have added another example, this time using the Canon EF 50mm f/1.4 lens and showing performance at f/5.6, f/8, f/11, and f/16. In other respects the test is the same as described already in this post. This image is seen to the right and below.
(image temporarily unavailable)