News From Charles Cramer

I got an email from Charles Cramer last week, meant to pass some of his news along right away, and then became very busy and forgot. (My excuse is a combination of having a ton of papers to grade and about 40 prints to make!) Anyway, better late than never…

The Ansel Adams Gallery in Yosemite Valley is having a show of Charlie’s work through May 27th. You can see some examples of his work from the show here. (I’m fond of most all of his photographs, but the luminous photograph of an aspen grove found in this series is one of my favorites.) If you are in the Valley during the next week and a half, be sure to stop by the Gallery and linger for a while  – if nothing else it sounds like a great way to spend some time during the midday non-shooting interval! (It would certainly be more edifying than what I usually do in the middle of my epic One-Day Bay Area to Yosemite and Back marathons: nap for an hour in my car!)

Charlie does workshops. He reports that almost all of them are currently sold out, but that are still some openings for a workshop in Santa Clara, California on June 26-28. Highly recommended – more information online. I’ve been fortunate to have Charlie share some of his vast knowledge of photography and printing with me, and I know personally how well he explains important concepts and techniques and how insightful he is when it comes to seeing and critiquing your photographs. He also has a great – though slightly twisted – sense of humor as well. If you have a chance to read his Photoshop Techniques booklet, you know what I mean.

Photography and Freedom of Speech… and War

Taking a break from the usual landscape stuff you’ll find here – don’t worry, it will be back soon! – I’d like to draw attention to a New York Times article posted today:  “Images, the Law and War” (You may need to “join” the site there to see it.)

I’m not going to take sides here – not at the moment, anyway – on the question of whether President Obama is right or wrong to withhold the release of additional photographs that reveal painful truths about our treatment of captives in Iraq and Afghanistan. I have an opinion, but I’d rather you consider the article and the underlying issues it illustrates for yourself. The article, in my view, does an admirable job of laying out the complex and conflicting values that collide in questions like this one.

It also provides clear evidence of the power of photographic images and their ability to affect those who see them.

Two Rocks, Tenaya Creek, Spring

Two Rocks, Tenaya Creek, Spring

Two Rocks, Tenaya Creek, Spring. Yosemite National Park, California. May 9, 2009. © Copyright G Dan Mitchell – all rights reserved.

Spring runoff water in Tenaya Creek flows over and around two rocks and reflects the colors of spring growth, Yostmite National Park, California.

Starting later than in most years, I made my first 2009 visit to Yosemite Valley on May 9. The plan was to arrive early on Saturday morning (accomplished), photograph spring runoff (accomplished) and dogwoods (accomplished) and spring trees and other foliage (accomplished) and then get a campsite for the night… Oops. The campsites were gone and I ended up a couple of spots too far down the waiting list. So, instead of staying over on Saturday night and shooting a bit more on Sunday morning, I did a round trip from the SF Bay Area. Ah, well – it is worth the drive to spend one spring day in the Valley.

In the late afternoon I wandered on up toward Mirror Lake. I’m not all that enthusiastic about photographing the lake itself, but along the way there are lots of interesting things – this time of year those include dogwood trees and Tenaya Creek, the subject of this photograph. Along the steeper section of the creek close to Mirror Lake, the water was quite high and washing over the tops of some pretty large rocks. When I spotted the greenish surface reflection coming from sunlit trees along the opposite bank of the creek I decided to put the two subjects together – and his was the result.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Morning at the Rhyolite School

Morning at the Rhyolite School

Morning at the Rhyolite School. Rhyolite, Nevada. April 1, 2009. © Copyright G Dan Mitchell – all rights reserved.

Morning light slants through the windows and across the floor of the old schoolhouse in the ghost town of Rhyolite Nevada.

Although it is not the most iconic structure at the ghost town of Rhyolite, Nevada (very close to Death Valley National Park), I’m intrigued by the ruins of the old Rhyolite School. It is one of the more intact structures – while the roof is gone, many of the walls are still standing, as is the main floor seen in the photo. I like to photograph both the exterior and interior of this structure. There is something compelling about the school with its missing roof and windows leaving the interior open to the sky, and this building makes me think about the lives of the people who lived here more than other buildings like the bank and railroad station.

I made this photograph in the early morning after photographing dawn light on the bank building and the distance Amargosa Valley and Mountains and, beyond that, Telescope Peak in Death Valley’s Panamint Range. The sun was still fairly low, providing the slanting light though the windows. If you look closely at the far windows you can make out some of the other buildings of Rhyolite.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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