Low Strings, Rehearsal

Low Strings, Rehearsal
Low Strings, Rehearsal

Low Strings, Rehearsal. San Jose, California. September 27 ,2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Members of the cello and double bass sections of Symphony Silicon Valley at a September 27, 2013 rehearsal

And now, as they say, something entirely different. I am midway into a three-year project that has me photographing classical musicians in San Jose, California – primarily the Symphony Silicon Valley and the San Jose Chamber Orchestra. Symphony Silicon Valley is the direct descendant of the San Jose Symphony, a group that has been described as the longest running symphony orchestra in the western United States. The San Jose Chamber Orchestra is a smaller group that has a reputation for exciting and high quality performances and for promoting new works by living composers.

Since many of my usual photographic subjects are inanimate objects – as we like to say, “Rocks. Trees. Water.” – photographing performing artists is, in many ways, a very big change for me. This work is all about the people and, in fact, the point of the project is to tell the stories of these artists in a more complete way, showing and telling aspects of what they do that are not usually seen by the public and concert-goers. It was a bit of a stretch for me at first, walking around among performing artists and finding ways to see what they do photographically and record what they do and show who they are. However, I may have an advantage or two over some who might try to photograph such subjects. I have a lot of background in music, having taught it at the college level for many years, having been a performer myself at one time, and being married to a fine musician. There is as much music as photography in my life, and for this reason I believe that I am sensitive to aspects of the musical life that might not be apparent to other photographers who don’t have this background. Related to this, I have personal friendships among many in this world, which gives me a bit of an entre that has helped a lot.

I’ll likely share more of this work from time to time – from among the 2000 or more photographs that I have made so far. This photograph was made at a rehearsal of Symphony Silicon Vally in late September, 2013. Here the orchestra is preparing their performance of Prokofiev’s Lieutenant Kije Suite. (Folks who know the music might even be able to figure out where they are in the work – there is a hint in the photo.) For this shot I photographed from the balcony with a long lens in order to compress the perspective of this part of the stage occupied by some of the orchestra’s low string players.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

5 thoughts on “Low Strings, Rehearsal”

  1. Interesting analysis. I have an old Joni Mitchell album (live) where she remarks that “…no one ever asked Van Gough to paint another ‘Starry Night’, man…”

    I have great difficulty performing a piece without flubbing some aspect of it (though I think it’s less obvious to others), but with photography I can tweak and re-tweak to my heart’s content until I’m reasonably satisfied with the result. I’m thinking of adopting Pimsleur’s “spaced repitition” model to the musical endeavors. I suspect I may “over-practice” things.

  2. I wonder how many photogs are also musicians. I am not a professional by any stretch of the imagination, but I love to play JT and Steve Earle on my little acoustic guitar….

    1. A surprisingly large number. This is something that I and a few others have thought about quite a bit. I’m not sure that I quite have “the answer” yet as to why, but there are some factors that might “play” into it.

      • At least when it comes to instrumental music, there are some similarities (and some big differences!) between the relationship to the musical instrument and the camera and associated gear.
      • The concept of practice is something that quite a few photographers connect with – the understanding that doing a thing regularly and many, many times hones one’s instincts to the point that it becomes possible to rely more and more on intuition and to work quickly and efficiently… and to not have to over-analyze things in the moment of creation.
      • Both deal with this interesting relationship between supposed accuracy and precision and that seeming opposite of expressive and emotional power. In the end, both the musician and the photographer, while being devoted to understanding their tools, recognize that the tools themselves are not the point. Music is not about what piano or violin you use nor is it about how many right notes you get – and photography is not about what gear you use or how perfect your focus or exposures are.

      Of course, there are some pretty significant differences, too. A photograph can live apart from its creator, but a musical performance can be created based on the work of an artist who has been gone for many centuries. A musical performance is (or at least used to be) a live, one-time thing, never to occur again in the same way – and this creates a certain energy around those unexpected moments. That is not the case for a photograph at all.

      Dan

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