Category Archives: Photographs: Abstract

Photographs: Abstract

Serendipity

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Serendipity
A photograph of some colorful things.

Serendipity. © Copyright 2023 G Dan Mitchell.

A photograph of some colorful things.

This is just about color… unless you want to make it about something else. Such a photograph could be intentional (to the extent that photographs are “intentional” — read the second paragraph), but the level of serendipity in this one is high, hence the title.

There’s an odd idea that photographs are objective records — but that’s clearly not true. Even in cases where some sort of evidentiary standard is followed, decisions about aspects of what gets recorded and how it gets recorded are subjective. And beyond that limited use for photographs, once we get into the realm of images that are intended to express something, photographs are often far from objective records. One of my favorite expressions: “All photographs lie.” (I could refine that a bit, but there’s not space in this post.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Abstract

Light and Motion

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Light and Motion
Motion blur abstraction of colored light.

Light and Motion. © Copyright 2023 G Dan Mitchell.

Motion blur abstraction of colored light.

What this photograph contains is not exactly clear. I would be flattered if you thought that it resulted from something I did intentionally, but I can understand that you might also suspect that it could have been an accident. Perhaps I accidentally hit the shutter release button while handling the camera and, perhaps, it just happened to pan across something that produced interesting, angular patterns of light and color. Perhaps. One can never be certain.

I often have mixed reactions to camera-motion blur photographs. On one hand obscuring the objective subject is interesting, and often the resulting abstract patterns of color and light can be fascinating. On the other hand, some iterations of the technique have become cliches, and when I see them I sometimes think, “Not another one of those!” And then, someone does “one of those ” that catches my attention!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Geese in Motion

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Geese in Motion
Long exposure photograph of an airborne flock of migratory geese.

Geese in Motion. © Copyright 2023 G Dan Mitchell.

Long exposure photograph of an airborne flock of migratory geese.

A day of my wildlife photography typically begins and ends in darkness — I arrive and set up before sunrise and “don’t pack until it’s black.” During the earliest and latest times there’s often barely enough to light to make photographs, especially with the long lenses that I favor for this subject. In the early morning I often just crank up the ISO and do the best I can. But in the evening I frequently go the opposite direction in my final shots of the day — lowering the ISO and intentionally working with rather long exposures that allow the birds’ motion to blur.

Given the popularity of sharp pictures of birds — something that I often aspire to, as well — this might seem counterintuitive. But it occurred to me some years ago that the mass of blurred motion actually better evokes the wild seeming-chaos of these mass flights. They are not so much about any particular bird as they are about the half-seen motion of the group.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

Four Frames

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Four Frames
Reflections, San Francisco

Four Frames. © Copyright 2022 G Dan Mitchell.

Reflections, San Francisco

For me, one result of carrying a camera around is that I often realize that things we barely notice often turn out to be unbelievably strange. Urban buildings can take on an entirely different look if you start to pay attention to the reflections in their windows — the abstract patterns of shapes and colors, the hallucinogenic distortions, and the bizarre juxtapositions. This is yet another example of seeing things for “what else they are.”

I think that writing too much about the background of this photo risks ruining its effect — so I won’t. I will say that it contains quite a few of the “juxtapositions” I mentioned above. Refusing to give in to temptation, that’s all I’m going to say!

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.