Category Archives: Photographs: Abstract

Photographs: Abstract, Photographs: Birds, Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Sudden Flight

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Sudden Flight
A flock of Ross’s geese takes to the air at the end of the day.

Sudden Flight. © Copyright 2012 G Dan Mitchell – all rights reserved.

A flock of Ross’s geese takes to the air at the end of the day.

As an afternoon of migratory autumn/winter migratory bird photography runs on into sunset and then twilight, it is inevitable that there will eventually be too little light to photograph the way I might during the daytime. But I usually continue until it is virtually dark — to the point that I may need a headlamp to stow my equipment when I finish. During that final low-light period I often end the cycle of increasing ISO and pushing shutter speed, and instead I drop ISO down to the minimum and let the exposure times lengthen, allowing me to work with motion blur from birds in flight.

We had positioned ourselves near a large flock of geese in a pasture, and they were gradually become more restless, beginning to take off in small groups and depart for parts unknown. Groups tend to depart together, and as they do they rise, with little or no warning, en masse and take to the air. It is hard to say what makes a photograph “realistic,” but I often feel that these masses of blurry birds may suggest the quality of these departing flocks at least as truthfully as stop-motion photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Abstract, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Autumn Reflections, Merced River

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Autumn Reflections, Merced River
Autumn reflections in the surface of the Merced River, Yosemite Valley.

Autumn Reflections, Merced River. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn reflections in the surface of the Merced River, Yosemite Valley.

Some years back, as is my annual tradition, I was in Yosemite Valley in autumn to photograph fall color and other aspects of the seasonal change. To be honest, I mostly avoid the Valley during the summer time. It is a spectacular place any time of year, but I’ll happily avoid the oppressive crowds and overly-hot weather and visit during the other three seasons.

I distinctly recall the circumstances of this photograph. It was morning, and there had been some light early snow. The sun was coming out in the morning, the temperature warmed, and the melting snow was dropping from every tree. As I walked across a bridge on my way to a different subject I happened to look down and see the patterns created as the droplets fell into the Merced River, creating expanding and overlapping rings. I was entranced. I stopped and set up, forgetting about my original goal, and focused on this subject instead.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Abstract, Photographs: Night, Photographs: San Francisco, Photographs: Urban/Street

Balloons

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Balloons
Night photography in San Francisco

Balloons. © Copyright 2015 G Dan Mitchell – all rights reserved.

Night photography in San Francisco.

On a summer evening back in 2015 a group of photographers met up on San Francisco for night of street photography. Actually, we began in the very late afternoon, paused for a group dinner before sunset, and then emerged from dinner before dark and began wandering through areas around the Chinatown district, looking for subjects and light.

I love to photograph the urban landscape at night, using handheld cameras and working quickly in street photography style. The particular location on this evening was a group decision, but any place with narrow streets, lots of shops open at night, and light spilling onto the sidewalks works for me. I photographed these balloons in a shop window, using a longer shutter speed and playing with motion blur.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Central California, Photographs: Imaginary Landscapes, Photographs: Nature

Winter Landscape

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Winter Landscape
A California winter landscape photograph reduced to its compositional fundamentals.

Winter Landscape . © Copyright 2019 G Dan Mitchell – all rights reserved.

A California winter landscape photograph reduced to its compositional fundamentals.

This photograph fits into a category I describe as “imaginary landscapes,” a type defined loosely by where it sits along the continuum between supposed representational reality and abstraction of landscape-derived materials. That might seem an overly-wordy way to describe it, but I’m always cognizant of the fact that no landscape photograph is truly objective or fully “real” — all photographs and certainly all landscape photographs necessarily are subjective. This could be due to something as basic (and obvious!) as the fact that the photographer chose to point the camera at some specific thing (and not at other things). It includes equipment choices( length of lens, aperture, etc.), basic interpretive choices (color or black and white, and how to handle either of those), and much, much more. In my “imaginary landscape” photographs I think I’m simply making this stuff more plainly obvious.

This one also illustrates, I think, something that figures into the landscape (but not just landscape!) photographs of virtually every photographer that I know of — the photograph is not just about the ostensible subject of the image. For most photographers other things also appeal — the shapes of things, their colors (a huge topic, by the way), how the components fit together, how things may be suggested rather than declared, and more. Allow me to make a musical analogy here. There’s a famous (or infamous) piece by composer/philosopher John Cage called 4’33”. In it a performer, takes the stage in the manner of any classical performer, then sits in front of a (usually) piano silently for 4′ 33″. One way to look at this is to recognize that Cage gave us every element of a musical performance but the one we think is central, thus forcing us to think about all of those “other details” and their central role in our perception of music. A photograph with no details (“the horror!”) may work in a somewhat similar (though not quite identical) way. Or maybe you just like the colors? ;-)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.