The upper section of a trombone against the background of house lights
This is another photograph from my ongoing project photographing musicians and elements of the world they live and work in that might not be seen so frequently by the general public. For the most part, this project has me photographing people, but I am also interested in the objects in the environment of the performing arts musicians, which include things such as their instruments, the back-stage environment, theater lighting, vignettes of moments when they are not performing, and so on.
At times I have very close access to the stage during rehearsals (and during rehearsal breaks) and before and after concerts. I was able to make this and some similar photographs during one of the times when I could move around the perimeter of the stage and look across it and the objects filling it towards the lights of the “house” – the main audience area of the theater.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Members of the cello and double bass sections of Symphony Silicon Valley at a September 27, 2013 rehearsal
And now, as they say, something entirely different. I am midway into a three-year project that has me photographing classical musicians in San Jose, California – primarily the Symphony Silicon Valley and the San Jose Chamber Orchestra. Symphony Silicon Valley is the direct descendant of the San Jose Symphony, a group that has been described as the longest running symphony orchestra in the western United States. The San Jose Chamber Orchestra is a smaller group that has a reputation for exciting and high quality performances and for promoting new works by living composers.
Since many of my usual photographic subjects are inanimate objects – as we like to say, “Rocks. Trees. Water.” – photographing performing artists is, in many ways, a very big change for me. This work is all about the people and, in fact, the point of the project is to tell the stories of these artists in a more complete way, showing and telling aspects of what they do that are not usually seen by the public and concert-goers. It was a bit of a stretch for me at first, walking around among performing artists and finding ways to see what they do photographically and record what they do and show who they are. However, I may have an advantage or two over some who might try to photograph such subjects. I have a lot of background in music, having taught it at the college level for many years, having been a performer myself at one time, and being married to a fine musician. There is as much music as photography in my life, and for this reason I believe that I am sensitive to aspects of the musical life that might not be apparent to other photographers who don’t have this background. Related to this, I have personal friendships among many in this world, which gives me a bit of an entre that has helped a lot.
I’ll likely share more of this work from time to time – from among the 2000 or more photographs that I have made so far. This photograph was made at a rehearsal of Symphony Silicon Vally in late September, 2013. Here the orchestra is preparing their performance of Prokofiev’s Lieutenant Kije Suite. (Folks who know the music might even be able to figure out where they are in the work – there is a hint in the photo.) For this shot I photographed from the balcony with a long lens in order to compress the perspective of this part of the stage occupied by some of the orchestra’s low string players.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Abstract photograph based on stage rigging and theatrical lighting.
I know what I’m looking at in this photograph, but I wonder how apparent the subject is to other viewers, or if it appears completely abstract? The photograph was made backstage in the wings of a theater where I have recently been photographing a very different sort of subject. The “stuff” of the theatrical world intrigues me, and the stuff here is the rigging that is mounted high in the fly space above the stage: catwalks, lights, cables of various sorts, and much more. Intense lights were mounted very high above this backstage area, shining down through much of this other material, so I simply pointed the camera up, composed a shot that included the source of the light, and made a rather long handheld exposure, during which I intentionally moved the camera a bit.
The project that brought me to this theater is a long-term one to photograph professional musicians in situations other than just their concerts. I’m initially working with classical groups, but I may consider expanding the scope to include other sorts of music later on. While working on this project I attend a lot of concerts and rehearsals. Besides having an opportunity to photographically explore this other artistic world, I get to watch and talk with musical artists and hear a ton of wonderful music. This project is not yet at the point where I’m ready to share much of the photography, but stay tuned…
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
One of the things on my agenda when we spent a week in New York City last month was photographing “Così fan tutte: Some Assembly Required,” an unusual event based on Mozart’s opera. Over the course of four evenings at the Gershwin Hotel in Manhattan, a group of singers and instrumentalists and others revealed much that might otherwise not be apparent the opera by “assembling” a portion of the opera each night. The outline of the event was that each evening would begin with an informal rehearsal of a section of the opera, interspersed with commentary from participants, and then conclude with a straight-through reading of the section that had been rehearsed. Beyond that, many of those participating also “took it online” during the event, tweeting and blogging as it took place. (My wife played principal oboe in the orchestra, and I have to tell you it was very strange to get text messages from her during the “show!”)
Photographing the event presented some interesting opportunities along with some challenges. The challenges were mostly what you might expect – concert venues, especially during a “rehearsal” are often not lit with photography in mind, and the space in the Gershwin Hotel where this took place was a virtual nightmare of photographic problems. The walls are bright red! The lighting was very low. There were columns in the middle of the orchestra. All in a day’s work, right? (I mostly shot natural light, and was very glad to have a 135mm f/2 lens and a Canon 5D2 which produces quite decent images at ISO 3200.) The opportunities, however, were worth the challenges. For one, unlike an actual performance at which the noise of a camera is simply unacceptable and, in addition, one needs to be virtually invisible, because this was an informal event I was not only able to shoot as the performance took place, but I was also able to wander around more or less at will. And while performers can often be quite skittish about being photographed during a performance – it creates an unwelcome distraction for them – these performers were very relaxed about it and even seemed to want to be photographed.
I exposed hundreds of frames during the two nights I was there, and I’m only now finding the time to sort through them. I will almost certainly not post all of the photographs here individually, as I would do with a lot of my other work, but (below the “jump”) I will collect many of them in this post. Note that this work is ongoing – I’m starting with an initial set of ten photographs, but others will be added as I update this post later. Continue reading Photographs from “Così fan tutte: Some Assembly Required”→
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
