Category Archives: Photographs: New York City

Photographs: New York City, Photographs: Night, Photographs: Urban/Street

Meat Centre

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Meat Centre
Interior of the Meat Centre after closing time, Manhattan

Meat Centre. © Copyright 2020 G Dan Mitchell – all rights reserved.

Interior of the Meat Centre after closing time, Manhattan.

Businesses like this one, located along the edge (as I understand it) of Manhattan’s Chinatown district, fascinate me. There is often a sort of rough edge about them, but it implies that they are places where real work is done, and not that they are unkempt or that the owners and workers do not care. Quite to the contrary, as I look around this scene I see that essentially everything in it has a distinct place and a real-world purpose.

Technically this is a kind of “night photograph,” since I made the image while walking along a dark street and looking into this and similar businesses. Aside from restaurants and drinking establishments and the ubiquitous convenience stores, most of the businesses like this one were closed or closing. Here, the appearance suggests that the place has been cleaned up and organized at the end of the work day.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: New York City, Photographs: People, Photographs: Urban/Street

Pointing The Way

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Pointing The Way
A man in holiday attire gives directions to a pedestrian in Manhattan.

Pointing The Way. © Copyright 2020 G Dan Mitchell – all rights reserved.

A man in holiday attire gives directions to a pedestrian in Manhattan.

This photograph was what I think of as a classic street photography “snap,” grabbed quickly while on the move past the subjects on a Manhattan sidewalk. Based on my recall of the moment and the low position of the camera, it is pretty likely that I make the exposure without even raising the camera to my eye, possibly not having time to do so and/or wanting to avoid creating my own intrusion on the scene.

If you like such subjects, there are a lot of different ways to “see” them as photographs. In this one there is the unusual attire of the fellow, who I suspect is a security guard working outside this building — during the holiday season such people must occasionally wear bright red shirts, Santa hats, and holiday light necklaces, which is not your typical security guard attire. He looms large in the frame — he is taller than the women, she stands further away and to the side, and his pointing motion gives him an active demeanor. I also like certain compositional aspects of the photograph, and I simply find the two people to be fascinating.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Pedestrians And Colorful Wall

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Pedestrians And Colorful Wall
Pedestrians walk past a colorfully-painted wall in Manhattan

Pedestrians And Colorful Wall. © Copyright 2020 G Dan Mitchell – all rights reserved.

Pedestrians walk past a colorfully-painted wall in Manhattan.

Photographing street art, graffiti, and other things created by others on the walls of urban spaces, often poses an issue or two for me. In some cases I have to ask myself if photographing certain examples might have the potential to encourage what could be regarded by some as vandalism. In other cases where the work was placed by permission or in a location where the unspoken rules allow it I still have to ask myself whether I am creating something or just recording someone else’s creative work. So I rarely photograph such things “as is,” instead looking to use them as part of my own take on a scene, and often letting passers-by populate the composition.

Perhaps because its bold design and colors were so much in contrast to the somewhat drab and even dark Manhattan surroundings, this example caught my attention right away. But, as per the above, I wasn’t really interested in just photographing the wall. So I employed a strategy that I often use when photographing street — I find a “street landscape” and with for the urban wildlife (e.g. “people”) to populate it in ways I find interesting. I have to work quickly since these subjects don’t stand still, but I hope to find interesting characters, interesting placing of the figures, relationships to that background landscape, and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Walking Couple, Brick Wall

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Walking Couple, Brick Wall
A couple walks along a brick wall at a Manhattan church on a winter afternoon.

Walking Couple, Brick Wall. © Copyright 2020 G Dan Mitchell – all rights reserved.

A couple walks along a brick wall at a Manhattan church on a winter afternoon.

There is, for this non-native, a feeling that is evoked by New York City in the winter — compared to California (where it is the green season) the place seems very gray, at least in its exterior and outdoor spaces. There aren’t many hours of daylight, the direct sun is blocked by tall buildings during most of the day, and winter weather amplifies the effect. As an aside, I’m also struck by how much different the interior spaces are — even in a cold, drab building with the obligatory garbage sacks sitting on the curb, the interiors are often warm and inviting.

On this afternoon walk from roughly Midtown to Lower Manhattan on a late-December afternoon these qualities were plain to see. There isn’t a green thing in this scene, only some winter-bare trees. Everything is made of bricks or concrete, and in this scene three colors predominate — the reds and browns of bricks, the gray of the sidewalk and the sky, and the bits of black of the doorway and, of course, the attire of the passing figures.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.