Category Archives: Photographs: Sierra Nevada

Alpine Meadow, Mountains, Storm Clouds

Alpine Meadow, Mountains, Storm Clouds
An alpine meadow as storm clouds build over mountain peaks

Alpine Meadow, Mountains, Storm Clouds. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

An alpine meadow as storm clouds build over mountain peaks

Over the next week or two, sandwiched between photographs of other subjects, I will share a set of at least four photographs from more or less this same spot, all made the same day. The location was quite special, a broad meadow just a bit below 11,000′ with views toward an impressive range of peaks on the other side of a river valley. The meadow itself was still green, even though it was the end of August, with wildflowers everywhere. Everyone in our party returned to it frequently, morning and evening, and tried to work with its many subjects.

As I introduce the several photographs of the spot, I’ll try to say something about each one, including something about the vision of the mountains that was on my mind as I created it. There were several things at work in this version. The meadow itself is what initially brought me here, of course, and the bright light that fell on it is beautiful, but the photograph includes other elements. The primary secondary element — or is it actually primary? — is the range of jagged, alpine peaks in the distance. I placed the group of small trees in the foreground to balance the image and to lead the viewer into the scene — from the trees, across the meadow to the small pond, then past the small band of further trees and on to the peaks, and then to the sky. The sky is another important element, and emphasizing it was the reason that I used a wider lens and put the horizon relatively low in the frame. (My skies are frequently constrained to the very top of the image… if I include sky at all.) I was struck by the contrast between the sharp peaks and foreground light and how these elements contrasted with the dark and brooding quality of the sky beyond the peaks, where a large thunderstorm was brewing.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Crossing The Stream

Crossing The Stream
Two backpackers (and their dog) negotiate a stream crossing in the John Muir Wilderness.

Crossing The Stream. John Muir Wilderness, California. August 31, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two backpackers (and their dog) negotiate a stream crossing in the John Muir Wilderness.

I was out photographing around the lower end of the lake above this stream when two backpackers passed by. I was fascinated by watching them as they came through here, and their progression to and across the stream reminded me of some aspects of backcountry travel that are important and quite different from how we live our typical day-to-say city lives. They were moving efficiently as they approached the obstacle of this stream at the trail crossing. At first glance the crossing seemed obvious, with the trail clearly arriving and departing from opposite sides of this wide spot in its course. But, as is frequently the case, the crossing wasn’t as simple as it first looked — the water was unusually high for this time of year – and no ideal crossing was apparent. They stopped, looked around, tried a few options, finally settled on stepping across on slightly submerged rocks, and they crossed. The first hiker got across fine, and the dog followed, but the second hiker slipped into the water just a bit and then apparently lost a set of glasses. They pondered a bit, realized that they couldn’t get them back, and then set off, once again moving with a purpose across the meadow and on toward a higher lake.

I now think of something else when I see such backpackers, younger (to me, anyway!) backcountry visitors who seem in many ways like me a few decades ago. I envy their ability to carry large loads and to move quickly. I can still carry what I need to, but it is harder and slower than it once was! I also think about how much they cannot yet know about their potential future in these places, including the prospect that their appreciation and connection to the wilderness will grow and mature in ways that they cannot yet foresee. Sometimes I want to stop and tell them… but I never do.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Reflections, Early Morning

Reflections, Early Morning
A distant ridge in very early morning light is reflected on the surface of an alpine tarn

Reflections, Early Morning. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A distant ridge in very early morning light is reflected on the surface of an alpine tarn

A photograph is a curious thing. It can “tell” you things about a subject — and about the person who made the photograph — that might not be easily communicated in other ways. On the other hand, a photograph usually leaves it to the viewer to guess at many aspects of the image’s context — and the viewer either brings her/his own context or may simply be unaware. For example, I probably see this scene very differently from others who view the photograph, even those who were there or who know the place. Let me explain.

What is not “visible” in this photograph? It was made near the end of a long stay in this area, where we were camped in forest a few hundred feet lower near a lake. So by this time I knew the spot quite well, and rather than “discovering” it I was essentially revisiting and looking more closely at things I already had seen. I had crawled out of my tent before sunrise, resisting the temptation to stay in the warm sleeping bag “for just a few more minutes,” and instead unzipping the bag, pulling on a down jacket and boots, heading outside and shouldering my gear. It was still not light when I arrived here, and a made a few “warm up” photographs as I wandered around this pond in the damp meadow. To make the photograph I was standing almost as much in the lake as I was next to it. At the time of this photograph the first, warm dawn light had come and gone, though the alignment of the peaks meant that not much direct light fell on the scene. Having visiting this spot for a week now, I was also noticing that the grass on the rise across the small pond was now visibly transitioning from summer green to autumn brown. As I worked a breeze came up, ruffling the surface of the water — and this photograph was made during a brief interval when it quieted enough to reflect the distant peaks. And speaking of those peaks, as I stood here and looked at them I was also aware that in about 48 hours I would be leaving, crossing a 12,000′ pass that is visible at the low point on that ridge. The trip was coming to an end.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Afternoon Clouds, Reflections

Afternoon Clouds, Reflections
Afternoon clouds reflect on the waters of a subalpine Sierra Nevada lake

Afternoon Clouds, Reflections. John Muir Wilderness, California. September 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Afternoon clouds reflect on the waters of a subalpine Sierra Nevada lake

With all of the other spectacular nearly subjects to photograph, I actually didn’t pay a whole lot of attention to the lake where we were camped until near the end of our nine-day backcountry visit in late August and early September. I did walk past it regularly, sometimes with a camera and other times with a large water bucket to take back to camp. I photographed some of the nearby flowers. But mostly I departed from this area to head of to more distant locations, especially those further up the basin.

As the end of the trip approached I began to feel like I had neglected the lake, so I made time to explore it a bit more. At the upper end there was — as is typical — an extensive meadow with several meandering streams, and the meadow gradually became more marshy at the shoreline. On the far side a thin band of meadow ran between the lake the surrounding forest. The first time I went there I was too late, and light had already gone, shaded by nearby ridges. So this time I went a bit earlier in the late afternoon and arrived at the shoreline while there still was light on the trees and meadow. Even better, the air was crystal clear, impressive clouds had formed over large peaks to our south, and the wind had diminished to the point that the water’s surface was almost mirror smooth.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.