Detail of Staten Island Ferry as it approaches the dock.
I’m afraid that there isn’t a lot to write about this photograph. It is an orange fence. On a boat! I was wandering around on the Staten Island Ferry looking for subjects other than the New York skyline here I photographed the railing as the vessel was very close to the terminal at the Staten Island end of the run.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A weathered blue building with fences and plants in evening light, Mendocino, California.
I had been thinking that I really should photograph some of the old, weathered buildings in Mendocino while we were there, but it just seemed like I was never quite in the right spot in the right light with the right amount of time – so, for the most part, while we were there recently I mostly just talked about how “sometime I should really photograph some of these old buildings.” Sound familiar? The village is full of various kinds of interesting places: severe-looking old churches, badly weathered older buildings, neatly restored and updated homes and businesses, old shops, and vignettes of old windows, fences, gates, and more.
In the evening we decided to walk out toward the coastal bluffs southwest of the village, with the plan of photographing the bluffs, coastal rocks, surf, and ocean in golden hour light. As we walked along a boardwalk toward the water I looked to my right and saw this very weathered old building, with its surrealistic garden of very strange shaped, well, what exactly? Trees? Bushes? Whatever they are, with their conical shapes, their twisting trunks, and odd angles they seem like they could be the model for some of the plants in a Dr. Seuss book. I was a block away when I spotted the scene, and the low angle side light was about to be cut off, so I simply set up where I was and made a few photographs – using a very unusual architecture lens, a 100-400mm zoom! This actually turned out to be a good choice – and not just because I would have lost the light if I had switched to a shorter lens and run toward the building. The long focal length flattens the depth of the elements of the image and draws them together. It also eliminated the perspective convergence that often causes walls and other vertical elements to slant inward. Do I worked quickly, and managed to get this shot while the side light was still illuminating one of the odd plants and highlighting parts of the worn fences in the foreground.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Gated entryways and exterior walls, San Francisco.
As an Official Aficionado of Geometry, I found this more or less nondescript front of some San Francisco housing fascinating. The location is nothing special, being perhaps a few blocks up from the touristy Fishermans Wharf are and down an anonymous side street that I happened to turn onto for reasons that I can no longer recall. At street level, the walls are less walls than places to contain other things: gated entry-ways to apartments, garage doors, windows and so on. Little space is left empty.
The shapes include lots of vertical and horizontal lines and almost nothing (aside from the edges of the metal “thing” above the central gate and a bit of the concrete next to the garage door) that isn’t moving in one of those two directions. The central gate of rust colored metal dominates the scene. While I imagine that behind the gate is someone’s nice, comfortable home, the gate itself reminds me of something I might expect to see in a prison! To the left is another security gate, thought its bars are horizontal. There are a couple of surprising bits of color, too. The red at the bottom of the main gate, which I assume is there for the safety of people who might trip on that bit of a step, is matched by the bright red of the small extended window that is just barely intruding into the upper left corner of the frame.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The curved architecture of the corner of the building at 50 United Nations Plaza, San Francisco.
This building is located in the Civic Center area of San Francisco. To the east of City Hall – the opposite side from the Opera House, a place with which I am more familiar – is a large plaza, and beyond that as you might walk toward Market Street you may pass by this building, with its classic architecture.
I’m not familiar with the history of the building, though I assume that it might be in some way related to the United Nations Plaza. The building, which occupies most of a block, is currently being refurbished, and portions at the far end of the building are fenced off. This corner, with its columns and curving shape, seems quite formal, especially when juxtaposed with the rest of the City life in this particular area.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
