“Stream and Sandstone Cliff” — Sandstone cliffs at the bend in the canyon of a remote Utah river.
This is a photograph from over a decade ago. (More on how it ended up here today below.) A small group of us spent time photographing in Utah, often in remote places. One day we dropped into a canyon and followed this stream. As so often happens in these narrow, winding canyons, “one good turn led to another,” and we kept going as each bend revealed another interesting section. We finally stopped very close to this scene, made some final photographs, and headed back upstream.
“Fractured Surface” — Fractured dry mud, Death Valley.
Yes, more dried mud! As I have written before, for reasons that still mystify me, this is an irresistible subject for many landscape photographers… and I’m no exception. What explains it? The colors? The contrast with surroundings? The fractal shapes?
“Desert Gold Flowers, Panamint Range Mountains” — The snow-capped Panamint Range rises beyond a field of desert gold wildflowers, Death Valley.
What is the popular image of Death Valley National Park? I’d say that it is some combination of the following: desert, sand dunes, arid, empty. There can be some truth to that though it is not quite so uniform. This photograph is an example — it is not empty and there are no sand dunes. Instead we see flowers stretching off into the far distance.
“Sierra Setting Moon at Sunrise” — The setting full moon drops behind Sierra Nevada peaks lit my sunrise light.
Last fall I was in a popular Eastern Sierra location to photograph autumn aspen color. I had arrived before sunrise, while it was still pre-dawn twilight. I began photographing before the sun came up, continued through the arrival of first direct light, then moved on to some other nearby subjects. As I continued to work I could not help noticing that the full moon was setting in the western sky.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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