Mules Ears Flower

Mules Ears Flower
A spring mules ears flower in the early stages of decay.

Mules Ears Flower. Santa Clara County, California. April 29, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A spring mules ears flower in the early stages of decay.

Someone suggested that this might simply be called “The World’s Saddest Flower.” It also occurred to me that it might be a fine metaphor for certain political events currently transpiring, or possibly for a number of other things. I find a kind of poignant beauty in this flower, still brilliantly colorful but also clearly falling into decay.

I found this flower on a short hike at a place not far from where I live, a spot that I have gone to for perhaps twenty years in spring to find local wildflowers. It is not a place that most would find remarkable — in fact, I was able to hear urban sounds including heavy equipment in the distance — but it is a place that I know well. I knew that I would find certain flowers — blue dicks, larkspur, Chinese lanterns, California poppies, and a few others — but this one was a surprise. I had never seen it or anything similar in this place, and I wasn’t sure of what it might be. Friends who know more about flowers than I do suggested that it is probably mules ears — a very sad specimen at this point!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Panamint Valley, Wash

Panamint Valley, Wash
A large desert wash curves towards the Panamint Valley

Panamint Valley, Wash. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A large desert wash curves towards the Panamint Valley

I always associate this view, of this canyon and the valley and mountains beyond, with leaving Death Valley. For many years I always access the park via the road up from Ridgecrest that passes through the desolate town of Trona, coming up the Panamint Valley before entering the park, either over Towne Pass or via Emigrant Pass and Wildrose Canyon. At some point I decided to take what I later determined to be the route favored by many other visitors, route 190 across to highway 395 at Olancha near the dry desolation of Owens Lake.

This view lies along that route. Shortly after leaving Panamint Valley the road passes up a bit of a canyon, crosses a ridge, and then tracks along the slopes paralleling this wash that runs out into Panamint Valley. The wash itself has a beautiful quality, curving gracefully around toward its arrival in the larger valley between the two dark, rounded hills. Across the Panamint Valley, at the base of the far mountains, there are sandy stretches which develop into full-blown dunes just a bit to the left of the area shown in the photograph. On this morning a weather from was coming in, producing some dramatic clouds above the Panamint Range.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wildflowers, Temblor Range

Wildflowers, Temblor Range
Spring wildflowers on the slopes of the Temblor Range

Wildflowers, Temblor Range. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Spring wildflowers on the slopes of the Temblor Range

I have seen photographs from this region recently in which the wildflowers completely carpet the flat and even some of the upper slopes. While I did see places with such carpets of flowers — mostly down on the flats of the actual plain — in most places there were spots of intense flower color separated by much larger areas of grassland. The areas we investigated on this evening had much that character — we mostly hiked and climbed through green plants, though in places we passed through sections where the flowers were very thick.

Here there was a bit of variety in the colors — from orange through yellow to purple — and even some beautiful desert candle flowers. (Look closely at the lower portion of the photograph to spot a few.) This spot was a level area at the top of a ridge running up into the hills, and from this spot we could look up at many successive layers of ridges above us. In the late afternoon light the upper edges of these ridges caught the back-light, accenting the layers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sunrise Wave Cloud

Sunrise Wave Cloud
A wave cloud develops above Death Valley mountains at sunrise

Sunrise Wave Cloud. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A wave cloud develops above Death Valley mountains at sunrise

When it comes to desert skies, it can be hard to find just-right conditions. Often the skies at Death Valley are simply clear, with few or no clouds aside from contrails from passing jets. And when there are clouds during the dawn and dusk hours when color potential is at its greatest, more distant clouds can block the light that would create the bright colors. This is especially true in the evening in Death Valley, where it is not uncommon for there to be thicker clouds in the moister regions to the west at sunset.

The latter situation was in play on this morning. In fact, I had originally planned to photograph south of this location. I had driven there and started to set up in the near darkness, only to realize that a fairly thick cloud deck was not going to clear and that it was going to block the morning light. I had a backup plan, and when I arrived at this spot a good distance to the north there was a break in the clouds. This color comes quickly and doesn’t last long — you more or less have to be ready for it before it is visible, though you may get a hint of developing color from clouds far off and near the horizon. Here a wave cloud is forming over Tucki Mountain, with a few more lenticular clouds out over the Cottonwood Range and beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

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