Pacific Ocean, Light Beams

Pacific Ocean, Light Beams
Light beams shine through breaking storm clouds onto the surface of the Pacific Ocean, Northern California

Pacific Ocean, Light Beams. North of Fort Bragg, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Light beams shine through breaking storm clouds onto the surface of the Pacific Ocean, Northern California

I remain intrigued by ocean horizons, which take on an amazing range of appearances depending on the effects of light and atmosphere. The horizon might be a distinct line, it could be (and was on this day) broken by distant swells and breakers, it fade in fog and mist to the point where it is almost invisible, or it may actually be invisible the obscured by fog or rain.

On this afternoon almost every one of those conditions appeared at one time or another. As rain squalls moved onshore, the view of the water and horizon was periodically blocked, only to be lit by brilliant bands of sunlight moments later as the clouds opened. Late in the afternoon, as the sun lowered toward the horizon, the atmosphere became back-lit and began to glow, especially in spots where the rain was still falling. At times beams of light (“God Light,” to use the common photographic description) came through the clouds, passed though slightly opaque mist and rain, and lit the surface of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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River Bank and Forest

River Bank and Forest
Hillside forest along the Big River, Northern California

River Bank and Forest. Mendocino, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Hillside forest along the Big River, Northern California

For Californians who have experienced the recent 4-5 years of drought and the awful effects on many of the state’s forests — particularly the Sierra Nevada, where millions of trees have reportedly been lost — a visit to the relatively lush temperate rain forest country of coastal Northern California is a treat. Here, at least to my eyes, there is now little sign of the drought, and we can wander these forests and it almost feels like nothing has changed. (The truth, unfortunately, is that profound changes are taking place in the climate and the natural world of this state and beyond — and wishful thinking will not counter that reality.)

We ended up in this spot almost by accident. I had the idea of heading down to a beach near the outlet of a river where we had watched kayaks being launched a year or so ago. I thought it was near this spot — turns out I was wrong — so we took a turn-off and ended up on the “wrong” side of the highway, upstream and away from the coastal beach. Instead we were at a small estuary just above the meeting of the Big River and the ocean, where marine mammals came upstream to lounge on small islands, where we heard but did not see geese, and where the thick forest grows right down to the water’s edge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Monolith, Storm Surf

Monolith, Storm Surf
Winter surf breaks against a monolith on a Northern California Beach

Monolith, Storm Surf. Above Fort Bragg, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Winter surf breaks against a monolith on a Northern California Beach

On this day we gradually worked our way up the coast from Mendocino, through the town of Fort Bragg and on to where the coast highway, very narrow at this point, turns inland, leaving the coast behind as it travels up narrow, forested canyons. We had a particular spot in mind for photographs, a place where we have previously photographed pale, lichen-covered tree trunks in deep forest. The ideal light of this comes from overcast conditions and we certainly had that — but the lovely overcast soon turned into serious rain, and we decided to head back to the coast.

This was the sort of post-frontal rain that comes and goes. One moment there might be a bit of blue sky and some sunshine on the surface of the ocean; the next dark clouds would approach and we could see the approaching rain heading our direction. We stopped at this overlook as the rain let up a bit, giving us a more open view back up the dramatic coastline toward the mountains from which we had just retreated.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fujifilm Camera/Lens Promotion

FUJIFILM PROMOTION

I’m a big fan of the Fujifilm x-trans cameras and the Fujifilm lenses. (I use the XPro2 and several of the lenses for my street and travel photography. Fujifilm has one of their periodic promotions going on up until close to Christmas, and it reduces prices on cameras and lenses by as much as $400. Here is a list the items from site-affiliate Adorama. (You can also fine many of them at site-affiliate B&H via their link in the sidebar, and their Black Friday link at the end of this post.)

(Link to all.)

Cameras

Some of the best bargains here are on older 16MP cameras such as the XT10, XT1, and X100T, but there is good pricing right now on the newer 24MP XPro2, the camera I currently use.

Lenses

The Fujifilm lenses are excellent, and they cover most photographers’ needs. The primes are excellent — I rely on the 14mm f/2.8, 23mm f/1.4, 35mm f/1.4, and 60mm f/2.4 macro. I’ve used the 18-55mm kit lens and the 55-200mm tele-zoom, which is a very nice lens in a compact, light and affordable package.  Recently I have also been using the 50-140mm f/2.8, which is the equivalent of the high end 70-200mm f/2.8 lenses from major DSLR manufacturers. I’m likely to acquire the 16-55mm f/2.8 before long.

(Note: the numbers in parentheses are “angle of view equivalent focal lengths” on full frame cameras.)

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.