Tag Archives: abstract

Flooded Playa

Flooded Playa
“Flooded Playa” — The flooded landscape of the playa near Manly Lake, Death Valley.

This is another in a series of photographs of the floor of Death Valley near Badwater, photographed from high in the Black Mountains early one morning. Following a historic storm in August of 2023, this part of the valley flooded, partially reconstituting the historic Lake Manly. There is still a lot of water, and many areas of the playa are currently inaccessible.

To make these photographs I used very long focal length lenses, which allowed me to isolate small areas in this vast terrain. The formations seen here are in a very flat area just upstream of Lake Manly. The area is mostly a salt flat in normal times. Here the blue water makes visible the many wandering channels through which the water flows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Edge of Lake Manly

The star attraction of the season in Death Valley has been the reemergence of historic Lake Manly in the hottest, driest, and lowest area of the valley near Badwater. Geologists tell us that the original version of this lake once filled the valley floor, and there’s abundant evidence: old waterlines high on valley hillsides, the tufa formations, and the salt flats themselves. A huge and unusual tropical storm brought heavy rains to the area last year, and more recent precipitation has helped to keep it going.

Since seeing this lake is such a rare event, I made it the focus of my recent visit to the park. I photographed it several times, from different points of view, at different times of day, and in different conditions. I made this photograph very early in the morning from the overlook at Dantes View. As the shadows receded and sunlight arrived on the lake and surrounding terrain I made a series of photographs with long lenses, highlighting the abstract patterns and colors of the flooded playa.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Serendipity

Serendipity
A photograph of some colorful things.

Serendipity. © Copyright 2023 G Dan Mitchell.

A photograph of some colorful things.

This is just about color… unless you want to make it about something else. Such a photograph could be intentional (to the extent that photographs are “intentional” — read the second paragraph), but the level of serendipity in this one is high, hence the title.

There’s an odd idea that photographs are objective records — but that’s clearly not true. Even in cases where some sort of evidentiary standard is followed, decisions about aspects of what gets recorded and how it gets recorded are subjective. And beyond that limited use for photographs, once we get into the realm of images that are intended to express something, photographs are often far from objective records. One of my favorite expressions: “All photographs lie.” (I could refine that a bit, but there’s not space in this post.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Light and Motion

Light and Motion
Motion blur abstraction of colored light.

Light and Motion. © Copyright 2023 G Dan Mitchell.

Motion blur abstraction of colored light.

What this photograph contains is not exactly clear. I would be flattered if you thought that it resulted from something I did intentionally, but I can understand that you might also suspect that it could have been an accident. Perhaps I accidentally hit the shutter release button while handling the camera and, perhaps, it just happened to pan across something that produced interesting, angular patterns of light and color. Perhaps. One can never be certain.

I often have mixed reactions to camera-motion blur photographs. On one hand obscuring the objective subject is interesting, and often the resulting abstract patterns of color and light can be fascinating. On the other hand, some iterations of the technique have become cliches, and when I see them I sometimes think, “Not another one of those!” And then, someone does “one of those ” that catches my attention!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.