Looking through the doors into the nighttime kitchen action at Cucina Torcicoda, Florence, Italy
This is another photograph from the end of our five weeks of travel during the summer of 2016. We began in New York, then went to London, Paris, Heidelberg, and Italy, staying for roughly a week in each place before moving on. This gave me plenty of time for all of the things I like to do in such places: walking, eating, visiting museums, hanging out, and photographing. The trip ended with a short stay in Florence. We had been more or less midway between Florence and Siena for about a week and we planned to fly out of Florence to start our homeward journey, so we went ahead and arranged to stay there a few days before departing.
I’ve written before that if I have one regret from this trip it is that we had so little time in Florence! On this final night we went out wandering and photographing. Passing the doors to the kitchen of this restaurant I was struck by the contrast between the quiet, dark, and symmetrical appearance of the entrance and the energy and action inside the kitchen.
Kitesurfer on the Pacific Ocean coast south of San Francisco, California.
In the right weather conditions you can find people engaged in a range of water sports along the California coast in locations like this one a few miles north of Santa Cruz (and not far south of San Francisco.) In addition to the classic and iconic surfers, there are windsurfers and, as in this photograph, kiteboarders or kit surfers. It is difficult to not stop and make a few photographs when I catch the sight of a line-up of colorful sails just off the shoreline.
On this July day, a group of people were “playing” not far from the shore, alternately heading straight out into the ocean, only to return close to the shoreline where they could do some wild airborne maneuvers by picking up speed and then flying off the tops of waves. This fellow seems to be going for speed as he made a traverse of the area just beyond the beach.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A swirling mass of snow geese taking flight above Skagit Valley, Washington.
(You may need to look at this one for a moment in order to understand what is going on.) I photographed these birds in what I believe Washingtonians might refer to as the “Lower Skagit River Valley” area of Washington. I visited the Seattle Area in mid-February, and managed to get one full day to drive up to Skagit Valley and look for the famous birds that are found there: snow geese, trumpeter swans, bald eagles, and more. I arrived there just before dawn on a cloudy and drizzly morning. Not really knowing the area, at first I wasn’t exactly certain where to look. I started just outside of the town of Conway, where fresh green fields occasionally held groups of trumpeter swans, though they all turned out to be a bit too far away for effective photography. Soon I decided to continue on the road out of Conway, driving in the general direction of Laconner and Anacortes. About half way between Conway and Anacortes, the road crosses a large bridge over the river through a forested area. Just before this bridge, I found my geese! As I approached I caught (thrilling) sight of airborne birds heading toward and landing in a field, so I pulled over and began photographing them. There were many thousands of snow geese, mixed in with some trumpeter swans and a few odd ducks.
As I have photographed the migratory birds this season, mostly in California’s Central Valley, one of the ideas that I got in my head was to photograph the massive flocks as they take off, using longer shutter speeds to create some motion blur and long focal lengths to compress the flocks. So, after making a few photographs at more normal and reliable shutter speeds, I switched to an unusually low shutter speed for a hand held 400mm lens and prepared for the inevitable lift off of the flock. I didn’t have to wait long. As the flock, with its edge barely more than 50 feet away from me, lifted off all at once, I used the long lens to crop closely and tracked the flock as it rose and expanded. While the initial impression of the resulting photograph might be “lots of blurry stuff!,” a closer look begins to reveal some detail and order in the madness, and individual birds can be isolated from the background blur. For the interpretation I had in mind, additional work was needed in the post-processing phase, including some work to control the blur and find edges, and some overall adjustments to dynamic range and color.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A person flies through forest trees on a zip line.
There probably isn’t a whole lot to say about this photograph, so instead I’ll just say…
Happy New Year, 2012!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
