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Fire Water

Fire Water
Textures of moving water, reflected sky and clouds under wildfire smoke. Sierra Nevada.

Fire Water. © Copyright 2021 G Dan Mitchell – all rights reserved.

Textures of moving water, reflected sky and clouds under wildfire smoke. Sierra Nevada.

Fire water? Water and Fire? Smoke and Water? Hard to say. A group of use were in the Yosemite backcountry for a week, and after spending the first few days photographing around a quiet lake we moved to another location. Our partially cross-country route took us along an outlet stream that gradually steepened and eventually left us to work our way down an exposed expanse of open granite to the river below. Before out descent we saw a thin column of smoke far to our south, but soon after we arrived at the river the sky filled with smoke, the sun was almost blotted out, and ash began to fall.

Clearly we were downwind of a serious wildfire, but because we were deep in a canyon we had little idea of where it might be. It was a deeply unsettling experience to hike along the river in this mud-colored light with ash falling like light snow. Eventually we neared our destination and, as photographers inevitably do, we turned our attention to considering how to make photographs in and of these conditions. This photograph is a bit of the surface of a river, with reflections including weak sky, the brown of the smoke cloud, and dark areas reflecting surrounding canyon walls and vegetation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Owens Valley Trees, Sierra Nevada, Evening

Owens Valley Trees, Sierra Nevada, Evening
The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Owens Valley Trees, Sierra Nevada, Evening. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of an autumn day falls across a group of trees in Owens Valley with the Sierra Nevada in the background.

Landscape photography often feels a bit like hunting to me. I may go to a particular location with a general sense that something worthwhile is likely to happen there — and that sense is often based on some combination of long-developed intuition and knowledge of the antecedent conditions and the current situation. But I often do not have a specific subject or composition in mind. (Sometimes I do, but that is less likely.) In other words, I believe that there is a good chance that I’ll find the sort of thing that appeals to me photographically… so I go to a place at a time because I think the odds are good I’ll find something interesting.

One result is that I have to be ready to discover, change plans, improvise, and respond quickly to whatever I discover. (It also means that there are occasional dead-ends, but I digress…) We went to this spot with something entirely different in mind, but within minutes of arriving I decided that the “something else” was not going to work… and I saw that the line of sunlight coming across Owens Valley was striking this group of trees and that I only had a moment or two to photograph before the light left them. I made an initial exposure in landscape mode, then switched to portrait mode when I noticed more light on the foreground than the background. In the end, I came away with two rather different photographs of these trees — in the landscape version they lie near the bottom of the frame with only more distance subjects above them, while here they are situated beyond the stretch of foreground plants and the distant peaks occupy less of the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Cottonwoods and Red Rock Canyon

Cottonwoods and Red Rock Canyon
An old cottonwood and a grove of smaller trees in front of the sandstone walls of Zion Canyon.

Cottonwoods and Red Rock Canyon. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old cottonwood and a grove of smaller trees in front of the sandstone walls of Zion Canyon.

There are at least two stories behind this photograph — maybe more. The first one involves a situation familiar to many photographers. When we go into these places carrying a backpack of gear, with a big camera on a tripod hanging over our shoulder, we aren’t exactly in stealth mode. And because lots of people in such places are trying to figure out how to make photographs to record their wonder… sometimes our presence draws them in our direction. I had wandered over to the bank of the Virgin River to photograph something and, sure enough, lots of other folks started showing up in what had been a pretty empty spot. I finished photographing there and headed back toward where I came from, looked back, and saw this big old tree towering above and decided it was worth a photograph. But now there were a few dozen people among those trees!

I made a mental note to remember the tree and come back to it later on as I continued up the canyon. When I did return the crowd had departed and I was able to get the scene I wanted. I’m generally not big on shooting with wide angle lenses, often preferring to limit the composition by using longer lenses and their narrower angle-of-view. But in the confines of a red rock canyon, a large tree like this cottonwood often towers above you, even if you have some space to move back. These big, old cottonwood trees fascinate me, and their varieties of form and setting seem almost infinite.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Below Humphreys, Autumn Snow

Below Humphreys, Autumn Snow
Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

Below Humphreys, Autumn Snow. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn snow dusts the eastern Sierra Nevada escarpment below Mount Humphreys in morning light.

The Sierra Nevada eastern escarpment meets the valleys that run roughly north/south on that side of the range in a variety of ways. In a few places the junction between high desert and Sierra is abrupt. I recall hiking out over one particularly difficult Eastern Sierra pass some years ago, spending the better part of two days walking from a spot just west of the crest to the trailhead, and being able to identify exactly where the rocky range ended. In other places the transition is more complicated or more gradual. In the area where I made this photograph, a huge mass of what must be alluvial and glacial remnants rises gradually for thousands of feet before finally arriving at the base of Sierra peaks.

We drove up here early in the morning, taking a variety of rough gravel roads just about as far as we could reasonably go before stopping to make photographs. Our immediate visual target was a couple of small, isolated aspen groves set in this sagebrush country, but it is hard — OK, impossible — to ignore the massive peaks just over your shoulder!The last of the relatively gentle rise ends in the shadow at the bottom of the frame. From there the slopes quickly steepen and soon rise to rugged and Rocky Mountains which culminate here in some of the highest peaks of the Sierra crest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.