Tag Archives: asphalt

Wall, After Rain, Night

Wall, After Rain, Night
Wall, After Rain, Night

Wall, After Rain, Night. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2014. Copyright 2014 G Dan Mitchell – all rights reserved.

Night photograph of the walls of an industrial building reflected in a pool of rainwater, Mare Island Naval Ship Yard

Recently I returned to the Mare Island Naval Ship Yard with my friends from The Nocturnes, a group of folks who focus on night photography. The Nocturnes have been photographing there for many years and the group forms a core of San Francisco Bay Area night photographers. Mare Island has become something of a mecca for night photography in the area, to the point that you can often find photographers shooting there in the dark and so that certain images from the location have achieved an almost iconic status. I first photographed there about a decade ago, and I’ve gone back at least a couple of times each year, to the point that I now have quite a few images of the place.

Having shot there so much, the way I approach the subject has evolved. At first, like anyone else getting to know the place, I focused on the well-known shipbuilding machinery—steel towers and cranes, dry docks, and so forth. Eventually, I began to look for other subjects, and I also began to understand the patterns of the place. Shooting on a full moon night is one thing, while shooting on a completely dark night another. Clear skies bring different opportunities than clouds. (I’m still waiting for a foggy night there!) More recently there have been changes to the area lighting on the island. The lighting is part of what has made photography there so interesting. It includes a wild range of sources—sodium vapor, mercury, fluorescent, tungsten, moonlight, and more—and sometimes turns otherwise bland structures into brilliantly colorful subjects. (Or at least it did. Now the older, colorful lighting is gradually being replaced with sun-white LED lights!) The weather is a major player, and it had rained the week beforehand. Because of this I was on the lookout for puddles and pools that might reflect the images of Mare Island structures, and here I found a very large puddle right in front of the wall of this large building.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Windows, Ramp, and Asphalt

Windows, Ramp, and Asphalt - The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington
The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington. The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington

Windows, Ramp, and Asphalt. Seattle, Washington. May 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The side of a metal building with windows reflecting an asphalt parking area with painted lines, Seattle, Washington.

This is the third in the short series of urban geometry photographs from my early May visit to Seattle, on which I had an hour (only an hour!) to photograph in the Fremont District with a group on a Seattle Photo Walk. After starting in “downtown” Fremont, meeting up at the Lenin statue, wandering over beneath the Aurora Bridge, and walking back along the waterfront, I climbed the stairs to another bridge that took me back toward my starting point.

This bridge turned out to be an interesting subject and vantage point. I made a few photographs of the bridge itself, mostly focusing on details, but for the most part those did not end up being images that I’ll share. However, once I got up on the bridge and started to walk across it, the vantage point it provide across the tops of buildings and down into areas below was interesting. The subject of this photograph is probably some of the most banal looking office space around, especially since I narrowed the composition down to simply showing a wall, some windows, a bit of concrete, the shadow of the bridge on which I was standing, and a painted out section of an asphalt parking area. It is what it is, and you get to figure out what that might be! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Loading Dock Doors, Townsend Street

Loading Dock Doors, Townsend Street
Loading Dock Doors, Townsend Street

Loading Dock Doors, Townsend Street. San Francisco, California. July 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Early morning light on the wall of an industrial building with black loading dock doors along Townsend Street, San Francisco.

This photograph was made very near to where I made another I posted recently, one of a pair of freeway overpasses near the San Francisco Caltrain station. After making that photo, I headed back on Townsend toward the station and as I walked along a row of industrial buildings these loading dock doors and the bright light from the morning sun caught my attention. So, in a suitable old-school approach, I pulled out the camera with the 50mm prime and found a way to frame the scene.

If you are into this sort of thing, you might relate to a few small details in the scene that I like. One is the faint shadow of the two overhead electric lines that cuts a diagonal from upper right to lower left, which also happens to be along the same dimension over which the sunlit diminishes. Aside from the predominant shades of tan on the wall and shades of gray elsewhere, there are a couple of bits of yellow-orange on the curb and the sign near the far right.

If you can read the signs – hard to do at this small size – you will understand that it would be a very bad idea to park here. :-)

G Dan Mitchell Photography
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Parking Lot Near Pier 48, Morning

Parking Lot Near Pier 48, Morning
Parking Lot Near Pier 48, Morning

Parking Lot Near Pier 48, Morning. San Francisco, California. July 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Morning light on a large parking lot near Pier 48, San Francisco.

Continuing with the “urban landscape” theme, this is a photograph of a parking lot south of the bridge next to ATT Park and near the buildings of Pier 48 in San Francisco. After getting off the train that arrived in San Francisco at 7:00 a.m. and wandering over to Townsend Street, I decided to cross the what I think must be the Mission Bay inlet and take a look through this area which was rather deserted at this early hour. (Come back here before a Giants game, and the parking lot will be completely full of the cars of people who are willing to spend exorbitant amounts to park here.)

While there were cars in other portions of this parking lot that are closer to likely destinations, at this far end there was a single lonely car, and that seemed like it could be an anchor for a photograph of the lot, the tall streetlight poles, the industrial-looking buildings of Pier 48 and other assorted waterfront things. Because it was so early, the sun rising across the bay was filling the air with brilliant light that created a sky that was more white than blue.

In addition to the obvious crop, this image required other kinds of substantial work in post. The first issue was controlling the very brightest parts of the sky and a second was the follow-up need to then lighten a few other areas to get some detail back into the image. Color balance was a tricky thing – this isn’t that far from what the raw file contained, though I did warm the colors just a bit. I also did something in this image that I rarely do, namely use semi-opaque blurred and desaturated overlay layer of the original image to do, well, some stuff that is a bit hard to describe in written form. Suffice it to say that this had an effect on the parking lot and on the brightness of the sky.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.