Tag Archives: best

2023: Favorite Photos

It is that time again — time to share favorite photographs from the past year. I am sharing “2023: Favorite Photos,” including a dozen representative images. I think it is a diverse set, and I hope you’ll enjoy it!

Below is a single image of the full set of twelve. Subjects include the Sierra Nevada (of course!), Death Valley (also of course!), the California coast, birds in California’s Central Valley, a macro photograph, an urban landscape from Manhattan, and several photographs from our 10-week visit to (mostly) Southern Europe.

It is a group of 12 images chosen from among my 2023 favorites — not necessarily my “12 Best Photographs” of the year. (See the difference?) The process of winnowing the set down to a dozen left out other favorites. I like all of those photographs, but I chose these because they represent a variety of work and cover some of the main experiences, places, and subjects of 2023.

I’ll post each photo separately below, too, adding a bit of narration to each image. I hope you enjoy them!

The individual photographs follow, in no particular order, accompanied by brief descriptions. Click the photographs to display them larger. Click their titles to see and read the original posts, which include more descriptive text. You may leave comments and questions at the end of this article.

Our long visit (ten weeks!) to Europe last summer was wonderful, but I missed almost the whole summer in “my Sierra Nevada.” (I haven’t yet figured out how to be in two places at once.) But once we returned to the USA I turned my attention to the mountains and made my first visit of the (tail end of) summer in mid-September. I was on the East Side on this stormy evening when the sky and clouds above Mono Lake lit up, providing a dramatic and spectacular light show.


Continue reading 2023: Favorite Photos

2016 Favorite Photographs

The task of selecting a small set of annual favorites is both a joy and a chore. It is a joy to traverse the year in photographs, recalling the circumstances of the creation of each photograph. This years photographic opportunities ranged across a spectrum. Photograph of the natural world included work from the Sierra, Death Valley, the Pacific Coast, and migratory bird habitats in California and Oregon. Photography of the human world included night photography done on both coast of the United States plus extensive travel in the UK, Paris, Germany, Italy, and a few other spots.

I started with nearly 40 photographs — way too many for a favorites list. With the help of social media friends who viewed photographs, rated,  and commented on photographs, I cut the set to about half that number. After a final round of comment and critique, I (brutally, it feels) cut the set to only ten photographs, with half from the human world and half from the natural world.

The diversity of my photography poses a challenge. Continue reading 2016 Favorite Photographs

2014 Favorite Photographs

[Favorites collections from previous years: 2013 | 2012 | 2011 | 2010 | 2009 | 2008]

Welcome to this collection of some of my favorite photographs from 2014.  I’ll get to the photos in a moment — yes, on this page! — but first a few stories, a shout out or two to fellow photographers and friends, and more…

This year I photographed a wide range of subjects from musicians to street photography to minimalist images to landscapes. It is always a challenge to select a few images from this variety of work, and invariably some photographs I love had to be left out. The group of photographs shown here was chosen because I like them, because they have been popular with others, and because they represent the diversity this year’s work. This year I think I can truthfully say that they range from the sublime to the ridiculous. (See if you can find the ridiculous one!)

Many wonderful places, subjects, and (especially) people were part of this year’s photography. Here is a partial accounting: The year began with photography of perhaps my favorite winter subject, the migratory birds and the often foggy landscape of California’s Central Valley — as always with friends David Hoffman, Charlotte Hoffman, Michael Frye, Claudia Welsh, and, of course, my wife Patricia Emerson Mitchell. Early in the year we traveled to Yosemite for a few days of shooting in conjunction with the opening of the annual Yosemite Renaissance exhibit, which again included some of my work — and in addition to the photography, it was great to see so many photographer/artist friends in the Valley. In the very early spring we had a good visit to Death Valley, one of my favorite and most frequent subjects — where we encountered snow and, for the first time in my life, I photographed wildflowers in a snowstorm! Among the summer highlights was a train trip across the US to spend a week photographing (and eating and much more) in New York City. Near the end of the summer I joined a group of good friends (Charlie Cramer, Keith Walklet, Mike Osborne, Scot Miller, Annette Bottaro-Walklet, Karl Kroeber and a supporting cast of mules and wranglers) for an extended back-country shoot in Yosemite. Fall took me back to the Sierra for nearly a week of aspen color chasing, and then I made my way back to Utah for fall color and visits to some beautiful out of the way places and ultimately to meet up with family. (Thanks to fellow photographers on that trip: David Hoffman, Guy Tal, Colleen Miniuk-Sperry, Michael Gordon, Charlie Cramer, Bruce Hucko — and to my cousin Barbara and her husband Russ and a few in-laws I met up with near the end of the trip in Zion.) My biggest photographic focus during the fall was the completion of my three-year project to photograph professional classical musicians — and I’m very grateful to the musicians, conductors, management, and staff of the San Jose Chamber Orchestra and Symphony Silicon Valley for their incredible cooperation.

A big “thank you!” to all of you who have followed my photographs here and on social media during the past year, and especially to fellow photographers (a few of whom appear in one of the photos!) that I’ve been fortunate to work with and count as friends. I’m grateful for your support! If this is your first visit to my site, consider bookmarking it, using the sidebar form to subscribe by email and/or…

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Wishing everyone Good Light in 2015!

G Dan Mitchell

(Click on any photograph below to switch to a larger scrolling view for best viewing. And I would love to hear what you think — which are your favorites in the group and so forth. Thanks!)


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Only As Good As Your Poorest Picture? (Morning Musings 9/26/14)

Yellow Buildings, Shadows, Moving Clouds - Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.
Yellow Buildings, Shadows, Moving Clouds – Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.*

Recently I was part of a conversation about photography, focused on some technical questions about equipment, in which one participant sought to define the issue by writing that you are only has good as your poorest picture.

Simple and direct sayings like this one may have the virtue of quickly clarifying an important concept or truth and (something I could learn more about!) doing so in few words. Unfortunately, there are often downsides, too. Because they are so declamatory, it is easy for some people to simply accept them without thinking. Being simple, they often don’t fit all cases. And sometimes they are just plain wrong.

In this case, this notion seems to me to be dead wrong and to not fit at all what we actually know and observe about photography. In fact, I think that the opposite is actually true photographers are actually as good as their best picturesContinue reading Only As Good As Your Poorest Picture? (Morning Musings 9/26/14)