A snack vending stand, shuttered for the pandemic.
This is one from the “Postcards from Pandemia” series of photographs that I occasionally make while out walking through and around my semi-locked-down world. The subject here is a building that I pass regularly as I walk through a nearby park. Typically this would be the busy snack bar for the local Little League fields, with parents working inside and kids and families lined up outside to buy candy, sodas, and other snacks. (Gummy Worms, anyone?)
But not this year. I still see the occasional small group of kids with a parent or two playing catch or practicing batting, but no games and no crowds. It is a bit less so now than it was back in late-March and early April when the world shut down around here. At that point I could walk and see virtually no one — I often just walked in the streets since there was no traffic.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Three dead snags on a small ledge catch the late afternoon light at the base of a huge, shadowed cliff of crumbling granite.
I returned to the area near this cliff face almost daily during our mid-September photography trip to this region of the Kings Canyon National Park back-country. The area was rich with photographic subjects – sub-alpine ponds and larger lakes, late summer golden meadows, granite slabs and boulders, individual trees and forest, the surrounding slopes and cliffs, and the summits of ridges and peaks beyond. We photographed here morning and evening, and in sun and rain and clouds. Although we were in the area of almost a full week, we could easily return for another week and find plenty more to photograph.
This rugged and broken bit of cliff face had intrigued me before I thought to photograph it this way. It rose above the far end of the largest lake in this area, with talus slopes at its base and a higher ridge above. Beyond it other faces and slopes rose into a higher valley that was topped with very high and fractured ridge. At this late time in the summer season, the face was in shade in both the early morning and evening hours, with only some areas struck by light slanting across from one side or the other. While looking at the face I noticed a small group of three bare snags standing in the sun at the lower right and though that I might be able to contrast them with the larger rocky face, and include them as a way to suggest the large scale of the cliffs. The blue tones are, of course, because the rocks are in shadow, though some reflected light adds a glow to some of the rocks facing toward the left. This photograph may be a bit difficult to make sense of at a small web size, but my intention is to print it very large so that the details will be more visible.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The “Rhyollite Ghost Casino” was originally the railroad station in what is now the ghost town of Rhyolite, Nevada.
This building in the ghost town of Rhyolite was originally a (very expensive) railway station that was abandoned when the town itself was abandoned after the nearby mines ran out of profitable ore in the early 1900s. According to several sources I have read, the building was then turned into a bar and casino, and many years later was for a time a curio shop and museum. Today it is boarded up and behind cyclone fences – more off-limits than almost any other structure in the ghost town.
I would live to get beyond the fencing and photograph this building more closely. It looks, in some ways, surprisingly modern for something that was constructing in the middle of nowhere about a century ago, and there are a number of interesting elements in the architecture. (I have photographed some of them, and eventually I’ll perhaps post a few.) The green sign on the front of the building appears to be a repurposed sign from the railroad station days. Underneath the fading “Rhyolite Ghost Casino” lettering, barely readable in this photograph, is and older sign declaring in larger print, “Rhyolite.” A walk around the structure reveals other interesting details, including one area that looks like it might have been a booth for a fortune-teller.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The ruins of the Cook Bank in the ghost town of Rhyolite, Nevada, with barren desert hills under a pre-sunrise sky.
This was the closest to the winter solstice that I’ve visited Rhyolite, so I shouldn’t have been surprised by several things. First, the sun came up not only later, but also a bit further south along the horizon – and the light that would usually strike these ruins at sunrise was blocked for a while by a large hill that sits next to the town. Second, it was cold! Third, no one else was there at sunrise! This is a bit unusual since in the Death Valley high season (which arrives a bit later in the year), Rhyolite can be a pretty popular place… for a ghost town… in the middle of the desert… in Nevada. :-)
Because I have photographed here several times before and for the reasons mentioned above, I took a bit of a different approach to photographing the place this time. The winter light, some high clouds, and the different point along the horizon of the sun rise meant that the light was quite different from what I’ve occasionally had to work with in the past. At first I was a bit disappointed to realize that the direct dawn light was not going to strike the old Cook Bank and other nearby buildings. But when some clouds to the east obscured the direct light and high, thin overhead clouds begin to pick up color and fill in the shadows, I saw that other interesting lighting was going to make up for it. At the moment that I made this photograph, those clouds to the east (right) of my position beautifully softened what might otherwise have been some stark and harsh light on the pinnacles beyond the town. They also created an unusual and beautiful quality of light for a few moments – a reddish-pink quality from the light reflected from the clouds but with a few soft quality.
I decided to shoot from a distance with a long lens so as to control the position of the ruins against the background hills, and the longer focal length makes these hills more prominent than they would be if I shot the building with a shorter focal length from a closer position. This also allowed me to more carefully eliminate some distracting elements that invariably appear at old sites like this. (The first times I visited, access to most of the ruins was quite unimpeded. Now fences have been erected around some of them. Part of me regrets the loss of access, but the greater part of me understands that this will allow these buildings to be around longer so that more people will get to see them. I stayed behind the fences.) If you look around on the web a bit, you can find some wonderful old photographs of this town when it was a bustling place with thousands of residents, and when the Cook Bank was a very impressive and modern-for-the-time building.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
