Tag Archives: bluffs

Pelicans and Coastal Bluffs

Pelicans and Coastal Bluffs
A line of pelicans flies toward bluffs along California’s Pacific coastline.

Pelicans and Coastal Bluffs. © Copyright 2023 G Dan Mitchell.

A line of pelicans flies toward bluffs along California’s Pacific coastline.

Brown pelicans seem to have made a solid comeback along the California coast, though I understand that they are susceptible to the avian flu that has affected many wild bird species this season. They are usually easy to find along the California coast, where they can often be spotted gliding along next to bluffs or just above the surf. (Photography hint: Look for places along bluffs and peninsulas where they pass close to the land.)

They sometimes can surprise me. I’ve been out along the coast on a day when they didn’t seem plentiful, only to have a large group like this one suddenly appear and glide past. If I recall, when I saw these birds coming I had the wrong lens on the camera. I made the fastest lens change I could, raised the camera, and had just a barely enough time to photograph them above these coastal bluffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wave-Filled Bay, California Coast

Wave-Filled Bay, California Coast
Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

Wave-Filled Bay, California Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Surf along the beach at the mouth of San Carpoforo Creek near the southen end of the Big Sur coast.

We were recently in Southern California for the Thanksgiving holiday, and we decided to extend our drive back to Northern California, taking an extra day to drive up the Pacific Coast Highway along the Big Sur Coast. The question of just what is and is not “Bug Sur” comes up in a photograph of a location like this one. My working definition of “Big Sur” is larger than the town by that name much further north, and it encompasses everything south of roughly Carmel, down to the area below Ragged Point where the coastal landscape is much gentler. This photograph comes from the very southern end of that area — the vantage point is very close to Ragged Point, but it looks south toward those coastal lowlands.

Recently I was involved in a discussion in which someone asked about photographing some specific icons along this part of the California coast where one person chimed in with, to paraphrase, “there’s nothing left to photograph there.” While I agree that just re-photographing that handful of familiar icons is a doubtful enterprise, this hundred-mile section of coast is so complex and diverse that I cannot imagine anyone ever being “done” with it or discovering everything it offers. I’ve photographed there for decades, and I still encounter things I haven’t seen before — including this view of the coast and successive beaches and peninsulas stretching to the south.

(Note: I’m experimenting with some changes to the way I format and present photographs online. You may see some differences in how this photograph appears.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Sea Stacks and Bluffs, Fog

Sea Stacks and Bluffs, Fog
Thinning morning fog above sea stacks and bluffs along the Big Sur coast.

Sea Stacks and Bluffs, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Thinning morning fog above sea stacks and bluffs along the Big Sur coast.

Because I am fortunate to live close to some rather famous places I often find myself at certain photographic icons. Over time I have developed an odd relationship with such places — a sort of love/hate relationship. I recognize why they have become icons, and acknowledge that in many circumstances they are truly amazing places, locations that any visitor to these various parks and other locations will want to see. But over a long period of time two things changed in my thinking about them as a photographer. First, there are so many photographs of such locations that it is probably not a good use of my time to rephotograph them. (To new photographers, it certainly can be a good exercise to photograph them, if for no other reason that to think about how the great photographs of these places were made.) The second change is that, to a certain extent, they start to seem less special.

I have written before about, for example, how I most often drive past the famous tunnel view in Yosemite without even stopping. (I’ve also written about a memorable occasion when witnessing someone else’s reaction to seeing this view for the first time reminded me of what an astonishing thing it is.) Because I have visited the Big Sur coast for decades, I’m less and less inclined to stop for icons… and I’m more likely to stop at random, odd turn-outs just to see what new thing I might find. But this week as I drove past this spot and looked to my right the combination of blue water, drifting fog, and thin light on the foreground rocks persuaded me to quickly pull over and photograph this… icon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Bridge and Fog

Bridge and Fog
A bridge emerges from thinning fog on a December morning along the Big Sur coast.

Bridge and Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

A bridge emerges from thinning fog on a December morning along the Big Sur coast.

Somewhat to my surprise, I have yet another photograph from this December visit to the Big Sur coast. Actually, I should not be surprised to “discover” photographs among files left behind when I originally considered them. For some reason, this is not an uncommon experience at all. (I believe it was Gary Winogrand who waited for a considerable time before even developing his film.) I have some theories. One is that in the days right after making the photograph I have some ideas of what I expect it to be, and the actual image does not always come up to the imagined standard. But given time and some aesthetic distance from the image, its inherent, intrinsic potential starts to emerge on its own.

The subject here is a particular spot that I’ve stopped to photograph many times on my visits to the Big Sur coast. (Hint: It is not the bridge you probably think it is.) I remember thinking on more than one occasion that there was no new way to photograph the scene, only to come upon it in some particular set of conditions that I had not seen before. There are a few different elements in this version. First, the fog was quite special — a combination of low, coast-hugging fog and spray from the surf, with clear sky above that let the light create a backlit glow. Due to the particularities of season and time of day, I was able to point back toward the land and get the bright reflections on the water. The little bit of fence at the left is another new element. Typically when I had photographed here in the past I went to some effort to keep that fence out of the frame — but this time I decided to embrace it as part of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.