Tag Archives: cage

Barred Window

Barred Window
Reflections and shaded interior beyond a barred window, San Francisco

Barred Window. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Reflections and shaded interior beyond a barred window, San Francisco

Walking along the waterfront near the South Beach Harbor I noticed a walkway going out to the end of a pier than I had not noticed before. This time a gate was open, so I walked out onto the pier and passed many small temporary (or so they seemed) businesses and shops that were set up behind the sliding metal doors, now open for the day. My goal was the end of the pier, where I figured I might be a good, clear view straight into the morning light coming across the bay or possibly back across the boats tied up in the harbor.

Passing one small metal-sided building, I noticed the odd combination of objects — a bird cage behind a sort of “human cage” of the barred windows. The right window provided a visual and subjective contrast with these objects, since it reflected the open blue sky and the upper portions of the masts of the nearby sailboats.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Ship Yard Structure, Night

Ship Yard Structure, Night

Ship Yard Structure, Night. Mare Island Naval Ship Yard, Vallejo, California. August 30, 2009. © Copyright G Dan Mitchell – all rights reserved.

A towering ship yard structure against fog lit by artificial lighting at the historic Mare Island Naval Ship Yard, Vallejo, California.

An explanation of the colors in this photograph is probably in order. If you had been there next to me, looking up at the sky past this tall steel structure, you would not have seen colors that looked like this. It was, of course, dark out! You would have noticed a glow coming from the base of the fog clouds that were overhead, but it would not have seemed to have much of a color beyond a certain “warm” effect.

However, once I extend the exposure time so that I get a “normal” exposure in the camera (a bit more than three minutes in this case) light and color that are not visible to the human eye become visible to the camera. During RAW conversion I did not significantly alter the colors – these are what ACR refers to as “as shot” color balance. So we get this wild, luminous effect in the fog clouds and the brightness of the light on the structure becomes similar to that of daytime light… except the colors are different and many of the shadows come from sources that would be impossible in a daytime exposure.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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