I took me a while to figure out this location in Utah, along the edge of Boulder Mountain. Years ago we drove through here in the spring, and I was astonished by the huge aspen groves. I resolved to return in the autumn, and a few years later we did —timing our visit to synchronize with peak of California’s Eastern Sierra aspen color. It turns out that the color change earlier in Utah, and by the time we arrived the groves were past their peak.
Continue reading Boulder Mountain Aspens, Evening
We ran into a photographer friend in Death Valley, and she reminded me of this location. It is a surprising and unusual geological formation, but one that I have never felt too enthusiastic about photographing. But her enthusiasm persuaded me to go there and try again. We got sidetracked by a different subject nearby, but we finally made it here late in the day.
The late arrival may have been fortuitous, since the sun had dropped behind nearby mountains, and much of the filtered light came from other bright clouds that were still sunlit. This softer light filled in the shadows of this rugged formation.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
I have visited some remarkable cathedrals in Europe, and I obviously have seen stained glass windows. But I paid less attention to the light shining through them until we visited Sagrada Familia in Barcelona a few years ago. We entered late in the day as light streamed though that church’s remarkable windows, and the effect was simply astonishing. After that I began to notice similar, though subtler, effects in other big churches.
Continue reading Stained Glass Light
We re-visited this location in Death Valley at the recommendation of a friend. I have photographed here before but was never particularly inspired by the subject. We arrived late in the day, and almost didn’t get there in time for decent light… because we stopped before we got there when I was distracted by another subject.
We showed up just as the sun was dropping behind high ridges to the west, and clouds were further softening the light. That soft light is often good for a subject like this. For one thing it makes the subject less harsh. For another it reduces the contrast between highlights and shadows and opens up those shadows a bit.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.