Buds emerge on a plant growing in deep forest shade.
Photos are temporarily being shared without additional commentary. Watch for commentary to resume in late summer.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
The route through a a desert canyon curves past a boulder before entering narrows.
For more than two decades I have photographed in Death Valley, typically one or two times each year. I have learned some things about the place and about photographing there. One thing that eventually seems obvious is that canyons are often great place to photograph in between the times of beautiful dawn and sunset light. They are often at their best when the sun is a bit higher and light can ricochet among the canyon walls to produce soft light down below. (Another thing I’ve learned is that no matter how much I think I know I am always surprised by something new!)
I went into this canyon in the afternoon during one of those “between times.” Even though it is a very accessible place I had never hiked into it before, despite thinking about it for years. I love the narrow, shaded sections where I feel cutoff from the surrounding world — where the light is soft and sounds are muted. I made this photograph near a bend in the canyon and just above a short dry fall, where the blue shadow light contrasted with the warmer glow of sunlight around the corner.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A bend in the canyon narrows, Death Valley National Park.
Slot canyons and “narrows” are among the most compelling desert landscapes. Most desert spaces tend to be exposed, open to the sky and wind, and blasted by the midday sun. The spaces seems horizontally oriented, often with a distant horizon and perhaps low mountains ascending from playas. The canyons contrast with this in almost every way. They are places of shade, often protected from wind, and the distant horizontal views are cut off, replaced by close surfaces covered with angles and curves.
It turns out that there are many smaller canyons in Death Valley. In fact they may be among the least-known and most interesting features of the place. There are a few that are popular, but most are a bit off the beaten path and some are downright difficult to get to. Their lonely quality is part of their charm, and I hope it stays that way. This particular spot presents a fascinating combination of the blue-light shadowed stratified walls, the water stained face in the warmer light above, and the canyon floor covered in gravel washed down by flowing water.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
An autumn cottonwood tree arches across a stream deep in a Utah slot canyon.
There are still a few more photographs in this series from a small canyon in a somewhat obscure part of this Southern Utah landscape. The canyon is a bit of a special place to me, even though visitors might not regard it as being as spectacularly iconic as some better known places. It was the very first such canyon that I ever entered, and for that reason it will always retain a bit of additional magic.
The starting point for entrance is, as is often the case with these canyons, not particularly striking at all. There is a small gravel parking lot, perhaps unmarked, surrounded by mostly dry foliage and some nearby cottonwood trees. You drop down a steep bank to reach a small, slow-flowing stream, then follow it as it meanders through flats. Eventually the walls rise beside you, and before long you are cut off from the larger world.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
