Tag Archives: dissipating

Photographs: Central California, Photographs: Nature

Evening Clouds, Winter Wetlands

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Evening Clouds, Winter Wetlands
Dissipating rain clouds at dusk above winter wetland landscape

Evening Clouds, Winter Wetlands. © Copyright 2019 G Dan Mitchell – all rights reserved.

Dissipating rain clouds at dusk above winter wetland landscape.

This past weekend I was doing the long drive back from Death Valley National Park to the San Francisco Bay Areas. This is quite a drive — a long one that takes the better part of a full day, and a route that begins in one of the most arid locations in North America and ends in the cool and moist Bay Area. I have various ways to break up the long drive, and one of them is often to make a final stop at one of the great Central Valley wetland areas a couple of hours from my destination.

In fact, that was my plan on this trip. I wasn’t sure of the weather of my timing, but as I came to the base of Tehachapi Pass in Bakersfield it looked more like my schedule and the weather might cooperate, so I eschewed the usual I-5 homebound route and instead headed up Route 99, with a plan to cut over to wetland further up the Valley. I arrived to find… not too many birds (it was, after all, late in the season) but ponds full of welcome water reflecting a sky filled with dissipating rain clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Sierra Sunset Sky

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Sierra Sunset Sky
Dissipating thunderstorm clouds and summer Sierra Nevada sunset sky

Sierra Sunset Sky. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dissipating thunderstorm clouds and summer Sierra Nevada sunset sky

This was one of the later photographs in the quick series I made during the very last few minutes of this evening, on which gray and flat light suddenly morphed into a show of spectacular color for a few moments right at sunset. Clouds were thick above my position. There were some breaks to the west, but they appeared to be too far north to let direct light reach me or my surroundings. But, so far to the west as to be beyond my sight, there was apparently a shallow break between the distant edge of the cloud shield and the horizon. Moments before sunset this light came in under the clouds and suffused the landscape with color.

I worked quickly to make photographs of the intensely colorful light on mountain peaks along the Sierra crest and on nearer granite domes and spires. This light began to fade after just a few short minutes, so I turned my attention back to the west where the clouds were rapidly dissipating. Above two ridge lines, one of rock and one covered by forest trees, layers of clouds were arrayed against the colorful sky.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Afternoon Light, Lee Vining Canyon

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Afternoon Light, Lee Vining Canyon
Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon

Afternoon Light, Lee Vining Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon

This is another photograph from my marathon one-day trip from the San Francisco Bay Area over Tioga Pass and back earlier this week. This was as close to Monday’s opening of Tioga Pass Road as I could make it. In some ways it may have turned out for the best to not go on the actual opening day. I suspect that there were more people up there that day, and it was fairly deserted a couple of days later. I think that the weather was probably a bit more cooperative when I went, too — it was mostly fair, but with some interesting clouds and even a couple of drops of rain.

By mid-afternoon I had crossed the pass and dropped down to Lee Vining. The midday light isn’t generally my favorite for photography, so I went for a hike near Mono Lake before swinging back to Lee Vining to grab an early dinner before starting my return trip. The plan was to start back up through Lee Vining Canyon as the light was starting to become interesting, giving my as much as a couple of hours of potential photography time along Tioga Pass Road. It was somewhat hazy — a slightly thick atmosphere left behind in the wake of a weather front. This can produce dramatic lighting sometimes, but it can also lower contrast, mute colors, and generally make photography a bit tricky. (One option is to shoot for black and white!) As I started the climb up into Lee Vining Canyon, some beams of light came down from dissipating clouds and began to light the new growth of meadows and aspen trees at the bottom of the canyon.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Lake, Reflections, Clearing Clouds

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Lake, Reflections, Clearing Clouds
Late afternoon dissipating clouds reflected in the surface of a subalpine lake

Lake, Reflections, Clearing Clouds. John Muir Wilderness, California. September 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Late afternoon dissipating clouds reflected in the surface of a subalpine lake

Our group camped in the forest on a moraine above this lake for over a week as we fanned out to photograph many subjects in the spectacular surrounding area — big meadows, lakes and ponds, timberline country, mountains. Each day we departed from the area of this lake, each midday was spent in camp, and we almost always walked through or past it again in the evenings. Despite this, I did not really photograph it much until the last few days of the trip, when I realized that it was becoming a now or never matter. (This often happens near the end of a lengthy backcountry photography trip — you start out feeling you have al the time in the world, and then at some point you become acutely aware of how little time remains.

I decided to focus more on this nearby lake during our final two day, and I watched the light and visited it morning and evening. As I did I began to figure out the patterns of light and shadow along the shoreline, and by the time I made this photograph I had determined that the sun left the meadow earlier than I expected. So on this day I picked my times a bit more carefully, and I arrived at a point when the sun was still on the peaks, when the water reflected them, and when (at least sometimes) a bit of light hit the nearby low ridges. For this photograph I also had beautiful clouds to work with as a weather system began to break up.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.