Tag Archives: distant

Morning Sky After Autumn Snow

Morning Sky After Autumn Snow
A cloud-speckled morning sky above the Eastern Sierra Nevada after light snow from an autumn storm.

Morning Sky After Autumn Snow. © Copyright 2021 G Dan Mitchell – all rights reserved.

A cloud-speckled morning sky above the Eastern Sierra Nevada after light snow from an autumn storm.Morning Sky After Autumn Snow

On this second of two autumn visits to the Eastern Sierra this season we arrived after a few days of early winter-like storms. That’s not unusual during this transition season, a time when it seems that warm and sunny autumn days may alternate with bouts of weather that feels distinctly winter-like. While the weather was in the “warm and sunny” pattern by the time we arrived, we had to alter our plans since several of the high passes were still closed by the early snow.

On our first full day there we headed up towards the base of the eastern escarpment of the range, driving up dirt roads that climbed the huge, gently sloping country below the steeper peaks, an area that is perhaps characterized as high desert. As we gained elevation and worked our way closer to the mountains the views to the north and east began to open up. Far away and beneath morning clouds remaining from the recent passage of a weather front, we could see distant snow-capped peaks, and the very summit of the closer ridge also is topped with a light coat of the early snow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dark Headland, Big Sur Coast

A dark headland cliff rises directly above the Pacific along the Big Sur coast as fog clears from distant mountains.

Dark Headland, Big Sur Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

A dark headland cliff rises directly above the Pacific along the Big Sur coast as fog clears from distant mountains.

Recently we spent some time photographing along the far Northern California coast. One thing leads to another, and before long I found myself looking back through raw file archives from previous coastal photography, including subjects from up and down the entire coast of the state. One set of older files came from a one-day jaunt about halfway down the Big Sur coast on a day when the weather was shifting from clear and sunny to windier and (potentially) wetter as a large Pacific front was working its way down the coast.

The light was quite amazing on this day. Although clouds were approaching from the north (behind my camera position in this photograph), to the south it was still quite sunny — so bright, in fact, that it was hard to look directly at the surface of the ocean here. At the same time the morning coastal fog was thinning and drifting away from the mountains as they curved to the south and southeast. I made several photographs from this spot, all of them featuring the tall and steep dark headland in the foreground. In this one I opened up the scene a bit wider to include the curving sweep on the coastline as it continued to the south.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Morning Haze, Dunes and Mountains

Morning Haze, Dunes and Mountains
A long desert vista, from creoste growing in the dunes to distant mountains shrouded byh morning haze.

Morning Haze, Dunes and Mountains. © Copyright 2021 G Dan Mitchell – all rights reserved.

A long desert vista, from creoste growing in the dunes to distant mountains shrouded byh morning haze.

There are still a few more photographs in the series from this year’s foray to Death Valley National Park, though I suspect that they will wind down soon as I move to other subjects. It is hard to believe that I was there only a bit more than a month ago — it seems like much longer. When I was there around the beginning of April it was still only moderately (by DEVA standards!) warm, with temperatures only touching the low nineties. I’m sure it is hotter now, and it will remain so until late in the year. That’s my way of saying that I won’t be headed back there until many months from now!

This photograph comes from my one morning foray into the well-known dunes not far from Stovepipe Wells. As I have previously mentioned, I often head to somewhat less “busy” areas of these dunes — partly to avoid running into other visitors, but also to find views that are not the familiar, iconic ones. This view looks across a long view from the close creosote to the distant haze-obscured desert mountains that rim the valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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From The Panamints to the Sierra

From The Panamints to the Sierra
The distant Sierra Nevada peaks are visible from the crest of the Panamint Mountains, Death Valley National Park.

From The Panamints to the Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

The distant Sierra Nevada peaks are visible from the crest of the Panamint Mountains, Death Valley National Park.

There is a misconception out there that “you can see the highest point in the 48 states from the lowest point in the 48 states” if you visit Death Valley. This is sometimes shortened: “You can see Mount Whitney from Death Valley.” Sorry to say, but that isn’t quite true. However the truth is pretty impressive nonetheless — from elevated locations in Death Valley National Park you can see both the lowest and highest spots.

I made this photograph early in the morning from one such location. Death Valley itself lay behind my camera position, many thousands of feet below this high ridge. And there in the distance are the peaks of the southern Sierra Nevada, along the eastern edge of Sequoia-Kings Canyon National Parks. Between these points is a remarkable stretch of very rugged and dry landscape with only a few easy access points to most of it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.