Tag Archives: double

Illusions, Manhattan

Illusions, Manhattan
Illusions, photographed on a Manhattan street in winter.

Illusions, Manhattan. © Copyright 2021 G Dan Mitchell – all rights reserved.

Illusions, photographed on a Manhattan street in winter.

This photograph may not be quite what it first appears to be. First hint? I made “this photograph” on the streets of Manhattan on a very cold winter day. Perhaps you are now looking a bit more closely. Possibly you have noticed that odd white area on the woman’s face and wondered what it is. If you looked very closely at the scene you may have noticed a few other incongruities. I hope you wondered about the nature of the borders at the top and bottom of the image.

“All photographs lie.” This is a line I repeat frequently when certain ideas about photographs and photograph arise. I’ll admit that the statement is a bit of a cheap shot, but I say it to provoke some folks to think differently about photography, particularly the notion that it is real or that being “real” is it primary purpose or goal. The “lies” in the photograph I present here are on multiple levels, and I’ll mostly leave you to ponder them on your own.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Double-Five

Double-Five
Stenciled numbers on a weathered wall next to a roll-up door.

Double-Five. © Copyright 2012 G Dan Mitchell – all rights reserved.

Stenciled numbers on a weathered wall next to a roll-up door.

Weathered, decaying subjects and subjects with strong patterns attract me, and this one works on both counts. I photographed it a few years ago while wandering around in San Francisco and poking my camera into odd little corners and alleys. This is in a shoreline area that was once a location of true maritime industry, but which is today much like the rest of San Francisco — in other words a place for small offices, start-ups, restaurants and similar enterprises.

The stenciled numbers did catch my attention when I first saw this little scene. Initially I think that their weathered character may have been responsible. But more recently I have wondered about them. Do they still mean something or are they now remnants divorced from an earlier context? Is the message “5” or is it “55?” And what, if anything, is the relationship between the two different fonts used?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Big Creek Bridge

Big Creek Bridge
Mountains drop into the Pacific ocean at Big Creek Bridge, Pacific Coast Highway

Big Creek Bridge. Big Sur Coast, California. January 24, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Mountains drop into the Pacific ocean at Big Creek Bridge, Pacific Coast Highway

Back in January, probably on a hunt for big winter Pacific surf, I headed down the Pacific Coast Highway through the Big Sur Coast, making it all the way to the southern end of this spectacular route. This is often a very rugged meeting of land and sea, and in places the tall coastal mountains drop directly into the ocean. In order to find a path through this landscape, the road sometimes hugs the waterline and sometimes ascends high into these mountains.

If I recall correctly, I initially stopped here to scope out a possible photograph of the golden hour, with the plan being to stop here again on the way north. (In fact, that is what happened, and I did get a few good photographs of the spot in evening light — before the sun dropped below an offshore fog bank and the light died!) The bridge spans (with double arches) the end of the valley where Big Creek meets the ocean. On this afternoon a big winter swell was coming in from the northwest and producing lines of big waves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Red Bus, People on Bench

Red Bus, People on Bench
A group of people sit on a concrete bench as a red bus stops behind them.

Red Bus, People on Bench. London, England. July 8, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of people sit on a concrete bench as a red bus stops behind them.

I think there might be a bit more to this photograph than meets the eye — at least I like to think so. The scene is a concrete bench along the edge of Trafalgar Square late in the day, as the low angle sun hits the bench and its occupants straight on. I’ll leave it at that…


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.