Tag Archives: exposed

Alkali Flats and Dunes, Morning

Alkali Flats and Dunes, Morning
A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Alkali Flats and Dunes, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A solitary creosote bush on sand dunes above remnants of old alkali flats, Death Valley National Park.

Perhaps this scene looks a bit familiar? It is the same subject as in another black and white photograph that I shared recently, though this time composed a bit differently to fit the portrait orientation and include the curving alkali flats in the foreground. I often photograph such a subject in more than one way. At a minimum I’ll try to find a portrait and a landscape mode version of the scene if possible. In the landscape version of this scene I omitted most of the lighter foreground material, but by using portrait mode here I was able to use the leading curve in the foreground.

These old alkali formations among the dunes fascinate me. So far I have not found too much information about them, though it seems that they are layers of material that must have been created from silt that was once liquid and which dried and cracked. In places the formations are thick and quite solid, but in others they are incredibly thin and fragile. (I may walk on the thicker formations occasionally, but I always try to detour around the thinner ones so as to avoid damaging them.) Unlike other playa surfaces, these are often also shaped by the forces of wind-blown sand.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Exposed Playa, Dunes

Exposed Playa, Dunes
Old playa surface exposed among sand dunes

Exposed Playa, Dunes. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Old playa surface exposed among sand dunes

I recall being fascinated by these old (how old I do not know) bits of old playa surface that poke out from under shifting dunes in Death Valley from the first time I wandered in the sand dunes. Walking toward the dunes from the roadway, the route almost invariably passed among these features. (I usually try to step between or around them, as many of them are quite fragile.) Although they appear now in places where it seems very unlikely that we will find water, the cracked mud surface betrays the fact that it was here once.

This example was a bit of a surprise. We had photographed around the periphery of the dunes at sunrise, and then walked up the sand to photograph their textures, forms and colors. Mostly I look for juxtapositions of the curving shapes of dunes, and contrasts between sunlit and shadowed areas, especially where the wind has created fine rippling pattern. Wandering a bit further into the dunes I came over a sand ridge and saw a group of potential photographs, with this outcropping sticking out from under the sand at the bottom of a low spot surrounded by higher dunes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Photograph Exposed: “Two Rocks, Morning, Racetrack Playa”

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

Two Rocks, Morning, Racetrack Playa - Black and white photograph of two "moving rocks" on the Racetrack Playa at Death Valley National Park. Morning light with unusual clouds, and the Grandstand in the distance.
Black and white photograph of two “moving rocks” on the Racetrack Playa at Death Valley National Park. Morning light with unusual clouds, and the Grandstand in the distance.

Two Rocks, Morning, Racetrack Playa. Death Valley National Park, California. April 3, 2006. © Copyright 2006. G Dan Mitchell – all rights reserved.

Moving rocks, lenticular clouds — morning on the Racetrack Playa.

This photograph from Death Valley’s Racetrack Playa is one of the first I made when I began photographing this landscape seriously, and it remains one of my favorites from the park — yet it also carries a flaw that I’ll describe below.

My first visit to Death Valley National Park had been about seven years earlier at the very end of the previous millennium, when I was one of several adults accompanying a group of middle school and high school students on a visit that was to include a short backpack trip in the Cottonwood Canyon area. The story of that trip deserves its own article, one that would include snow, near-hypothermia, winds that blew down tents, a retreat from the pack trip, an attempt to hike down the upper portion of Death Valley, water shortages, a dust storm, a dangerous situation with a bus, and more.

I’ll never forget my first view of Death Valley on that first visit. We arrived in the park after dark, stopping between Towne Pass and Stovepipe Wells at a small campground a few thousand feet above the valley floor, where we set up in the darkness and went to sleep. Having never seen the Valley before, the next morning I unzipped my tent and stepped outside to see the stupendous “oh wow!” landscape of Death Valley and the mountains on the far side in the beautiful morning light. I was hooked, and I’ve been going back annually since then. Continue reading A Photograph Exposed: “Two Rocks, Morning, Racetrack Playa”

A Photograph Exposed: “San Francisco Skyline, Winter Fog and Haze”

(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

San Francisco Skyline, Winter Fog and Haze
San Francisco Skyline, Winter Fog and Haze

San Francisco Skyline, Winter Fog and Haze. San Francisco, California. December 18, 2009. © Copyright 2009 G Dan Mitchell – all rights reserved.

Fog and haze obscure the winter skyline of downtown San Francisco, California.

It is unlikely that any view of San Francisco will be entirely unique, but I haven’t seen many other photographs of the City’s skyline that look quite like this one. It isn’t unusual for people who see the photograph (especially as a print) to ask, “Is that real?” It is as real as a photograph gets, and the conditions actually occurred — the only time I have seen them quite like this, with quite this soft and subtle atmosphere and light. (The post-processing on this photograph was relatively minimal, and a lot of it was about controlling the brightness of that bright cloud high in the sky.)

Living in the San Francisco Bay Area, I frequently drive north over the Golden Gate Bridge to photograph in the redwoods, along the coast, or at Point Reyes National Seashore. This usually means leaving home well before the sun rises, and depending on where I’m headed, I usually cross the bridge right around dawn. The plan is to pause and look at the scene in the early light and decide if something really interesting might happen — and it that seems probable I’ll photograph here for a while before moving on.

The light and atmosphere on this winter morning were special enough to get me to pause. Continue reading A Photograph Exposed: “San Francisco Skyline, Winter Fog and Haze”