Tag Archives: f2.8

Updated Thoughts on Canon Ultrawide Zoom Lenses

I have updated my blog post: “Canon EF 17-40mm f/4 L Lens.” It might seem a bit strange to update an article on that subject on the heels of Canon’s introduction of a new lens that may be more interesting for many photographers, but read on…

Canon EF 17-40mm f/4 L

For quite a while, photographers shooting Canon full frame systems have basically had two options when it comes to Canon ultra wide zoom lenses, the Canon EF 17-40mm f/4 L and the Canon EF 16-35mm f/2.8L II. (Those using cropped sensor cameras have also had the option of the excellent Canon EF-S 17-55mm f/2.8 IS USM Zoom Lens.) As of mid-2014 there is a new option to consider, the Canon EF 16-35mm f/4 L IS.

I have ordered a copy of the new 16-35mm f/4 lens and I’ll report on that once I have had a chance to use it a bit. But given the altered terrain for those considering the purchase of a Canon ultra wide zoom, I thought that updating the review of the 17-40 was important. This lens is still a viable option for lots of photographers, especially those who are price-sensitive or who want smallest and lightest possible Canon ultra wide zoom for full frame cameras.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon EF 24-70mm f/2.8L II – Special Pricing

Right now B&H has a special that can get you the Canon EF 24-70mm f/2.8L II zoom lens for a total cost of only $1799. According to B&H there are a few steps you need to follow in order to get the special pricing:

  1. On the B&H website, to go the page for this lens. You will see a higher “MAP” price.
  2. Add the lens to your cart to see a lower $1999 price.
  3. After purchase, use the $200 mail-in rebate (form available here) to bring your total cost down to $1799.

The lens is also eligible for free shipping and a “2% reward” from B&H.

Canon EF 24-70mm f/2.8L II Lens

I’ve been using this lens during the past year for everything from landscape photography to photographing musicians and rehearsals and concerts, and I’m very happy with it.

Note: I made a mistake in the initial post of this offer and included the letters “IS” in the name of the lens. I have corrected the mistake—this is NOT an image-stabilized (IS) lens!

© Copyright 2014 G Dan Mitchell – all rights reserved.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon 24-70mm f/2.8 L II vs. 24-70mm f/4L IS vs. 24-105mm f/4 L IS (and more?)

Anyone who spends any time in photography forums discussing Canon lenses has seen this topic come up regularly: the comparisons between the 24-70 and 24-105mm L zoom options. If you follow this subject you are familiar with posts asking which of these lenses is “best” or claiming that one or another is great and the others are poor, and with the ensuing debates. Rather than re-writing what I have to say about this every time the subject comes up, I thought I would post once here and then link back to this article.

(Update 1/4/13: Things have changed in significant ways since I first posted this review back in 2011 – primarily with the introduction of two newer Canon 24-70mm L zooms. I have made a few updates to this post to reflect those changes. I have now had the opportunity to use the updated Canon EF 24-70mm f/2.8L II lens. It is also a very fine lens and a great performer. In addition, there is now a Canon EF 24-70mm f/4.0L IS USM lens as well, and the Canon 24-105mm f/4L F/4.0L IS lens is still available. Canon shooters have an over-abundance of good lenses that cover the 24mm to whatever-mm focal length range at this point. All three of these current lenses are excellent options and the functional differences among them now are the primary basis for selecting one over the others. If you need f/2.8 and are OK with a smaller focal length range and not having IS, the 24-70mm f/2.8 could well be your choice. If you can get along without f/2.8, are OK with the smaller focal length range, would like IS, can make use of semi-macro capabilities and want a smaller lens, then the 24-70mm f/4 IS lens can be a great option. If you don’t need f/2.8,  but do value image stabilization and a significantly larger focal length range, the 24-105 is a wonderful choice. )

(Update 1/8/15: And now there is yet another lens in this general category from Canon, the EF 24-105mm f/3.5-5.6 IS STM Lens. I have incorporated some information about this option below.)

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