Tag Archives: february

Thinking About Yosemite’s Horsetail Fall

Horsetail Fall
Horsetail Fall

Horsetail Fall. Yosemite National Park, California. February 15, 2010. © Copyright 2010 G Dan Mitchell – all rights reserved. *

UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.

The silver strand of Horsetail Fall and water reflecting on surrounding cliffs in late afternoon light, Yosemite Valley.

This being February, it seems that Horsetail Fall has again (and more every year) become a hot topic. Horsetail Fall, sometimes referred to as the “Natural Firefall” has been popularized to an absurd and, frankly, dangerous level on social media and in the press. To be honest, I now recommend that you not go.

The conjunction of elements required to produce the most spectacular Horsetail Fall “event” is complex. First, it depends on the geological coincidences of the placement of the fall in a spot hight on the face of El Capitan that receives a narrow beam of sunset light during two brief periods each year. Second, the fall must be running – in roughly the middle of winter. The area supplying water to the fall is high enough to be snow-covered in a typical winter, but low enough that snow can melt and start the fall flowing even in the cold season – but this is not a sure thing. Essentially, there must be snow and then some warmth to melt it, or else some significant warm rain. Third, a series of meteorological events must play out just right. Obviously, the upper face of El Capitan must be clear of clouds. (Yosemite Valley fog and clouds ringing the cliffs are rather common in the winter season.) The sky west of the Valley must also be clear all the way to the horizon since the best color occurs just before the sun hits the horizon.

Most often the requirements do not align. Many of us can tell stories of light getting better and better, leading toward a brilliant finale… and then the “lights going out” just at the peak of color as the sun dropped behind clouds far to the west.

Hundreds and hundreds Thousands of photographers now show up to try to photograph the thing. I’ve done it in the past, though I’m no longer interested these days – partly because of the absurd crowds and partly because I’m often busy photographing other interesting things!

My best memory of photographing Horsetail was years ago when the park service was doing major road work on Northside Drive, the road along that side of the Valley. The road was completely closed as were the cross-valley roads that travel between Southside and Northside Drives. It had snowed and there was perhaps a foot or more of snow along this section of the Valley floor. I wanted to photograph the fall from a location on the north side of the Valley, so my only option was to put on lots of warm clothes, load up a pack of camera and other gear, and walk across the Valley in the snow. I arrived long before sunset, so I first walked west to El Capitan Meadow where I photographed in rare quiet and solitude on this car-free and carefree late afternoon. Later, I quietly walked back along the road to my shooting location and found perhaps three or four other people there. This quiet, peaceful, and relatively uncrowded experience became my touchstone for photographing Horsetail.

If you go today, there is no way that your experience will be even close, unfortunately.

In recent years, as more people have acquired digital cameras and become more serious about their photography and as the renown of the fall has increased, the crowds have also increased to the point that they have become unmanageable and are damaging the park. As I revise this article in 2020, the problem has become so acute that the park service has wisely put severe restrictions on access — there is no stopping allowed along large sections of nearby Valley roads and one of the popular locations has been completely closed due to damage to forest, meadows, and the river.

* Note: In a wonderful video about Horsetail Fall, Ansel Adams’ son Michael Adams speaks eloquently about his father’s early photographs of the phenomenon. I was intrigued by his comment that Ansel might not have photographed the fall the way we do now because he couldn’t – since he worked with black and white photography. Thinking of this, and being full of myself today, I thought that I’d post a black and white photograph of Horsetail Fall! :-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographing Horsetail Falls – Random Thoughts About an Icon

Horsetail Fall, Early Evening
Horsetail Fall, Early Evening

UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.

I recall first becoming aware of Galen Rowell’s famous photograph of Yosemite’s Horsetail Fall (the “natural fire fall”) many years ago, quite possibly as it appears on page 25 of my 1979 edition of his book “High and Wild” ( Sierra Club Books) which I probably picked up when I worked in a bookstore for several years. (Each bookstore employee had a shelf in a back room where we put aside books until we could afford them. My shelf often held books of photography including large format books of landscape photography. I still have original copies of several of the well-known Ansel Adams books in new condition, but that is a story for another post perhaps.) I am sure that I saw the photograph again from time to time, and the story of its creation is now well known. Of course, I did not really know then where the fall was, other than “somewhere in Yosemite Valley,” nor did I know when the purportedly brief appearance of the fall occurred each year. It was a mystery, almost a myth, and it seemed like something that only a few privileged people had been able to see.

Although I’ve visited the Valley for decades — long enough that I remember watching the unnatural fire fall being pushed over the edge of Glacier Point when I was a child – I had never really tried to find Horsetail Fall, much less photograph it. Truth be told, some decades ago I actually avoided the Valley for a number of years, with the exception of a time when I did a bit of climbing, since I preferred the high country of the park and elsewhere in the Sierra to the crowds and traffic in the Valley.

A few years ago – and a bit before the current insane craze for photographing the thing – I read more about Horsetail and finally got the urge to photograph it.  I think back to a February day when Northside Drive was closed for a period of major road work. It had snowed in the Valley and the only way to get over to the El Capitan picnic area was to park on Southside drive, load up a pack with camera gear, and walk the cross-valley road in the snow. Since it was my first attempt to photograph the fall, I walked across early. Having plenty of time, I turned west on Northside and wandered in a snow-covered El Capitan Meadow completely alone — no cars and, to the best of my memory, not another person. After spending perhaps an hour alone photographing the oak-filled meadow in the late afternoon, I walked back to the east and wandered up to the picnic area where a handful of other photographers were getting set up. I looked up and thought, “Oh, that’s Horsetail,” and then made some credible but fairly conventional photographs of the sight as the sunset light came on.

Horsetail Fall, Sunset (#2)
Horsetail Fall, Sunset (#2)

I returned to photograph Horsetail a few more times, on occasion making this the main goal of winter visits to the Valley. I explored the surroundings near the picnic area more thoroughly, and found more nearby areas to shoot from that created some variations in perspective. I joined the growing throng at a more accessible spot and there figured out that the fall could be photographed from more than precisely one location. Before I was done I created a few photographs of the subject that I like. (I don’t mean to imply that I was always successful. On one “memorable” evening I set up and watched as the sunset light began to glow and focus itself on the fall. It was just about to reach its peak… when someone hit the “off switch” and everything went gray as the setting sun dropped behind clouds far to the west.)

Over the past couple of years more and more people have shown up for Horsetail. It might seem odd that few others photographed it for so many decades after Rowell made his iconic image, and that then many suddenly began to try to do so. But a couple of things changed. First, the advent of digital photography and DSLRs has radically increased the number of photographers out and about and searching for things to photograph. There have long been many people with cameras in the Valley, but it sometimes has seemed to become a bit crazy in recent years. Secondly, and not entirely unrelated, the Internet has made it much easier to share information about such things as Horsetail and, even more so, to quickly update people on what is happening right now with certain photographic subjects. I think this has encouraged photographers whose time is limited and who want to “get that shot” as quickly as possible to be ready to drop everything and head out now if they hear that conditions will be promising.

And the crowds certainly do show up! A few years ago I drove to a viewing area area one February day — the road was open once again — to find a parking lot completely full and then some. Photographers were set up tripod-to-tripod and scattered in nearby forest and meadows. One evening I decided to try the other location again, and having caught on to what was happening I arrived quite early… to find that photographers were already staking out their spots hours ahead of time. I found a spot up a hill a ways in some trees, and waited… as scores of photographers began to show up and point their lenses in the same direction.

Unfortunately, the problem has continued to spiral out of control, with newspaper and magazine articles and breathless social media posts amping the thing up beyond all reason… and beyond the park’s ability to withstand the onslaught. In places where a dozen or two folks used to show up on a busy night, the crowds doubled, then doubled again, then reached into the hundreds and now into the thousands. Traffic jams ensued, huge crowds assembled in fragile meadows, forests, and river bank areas, trampling down vegetation and soil and leaving litter behind. The park service had no choice but to (wisely) institute restrictions, and as of 2020 access has been made much more difficult and limited and one of the two popular areas has been closed entirely.

That lovely, mythical, magical experience of a decade or more ago no longer exists. I urge readers to forego this one. The Valley is still utterly beautiful at this time of year, but go elsewhere and photograph its other wonderful features. Don’t be part of the out of control horde…

Horsetail Fall, Sunset (#3)
Horsetail Fall, Sunset (#3)

Photographically, the subject has become less and less appealing to me. I’ll photograph an “icon” in more or less a couple circumstances. First, I’ll do it if I don’t already have a decent image of the icon in question. Once I have an effective image I’ll often stay away unless there is something extra special about the conditions or unless I can find a new or different perspective on the subject or unless I’m working to refine a way of photographing it that I have worked on previously. It is hard, I think, to attempt this with Horsetail. The number of locations from which it is photographed is rather limited. Most photographs are made more or less from two basic locations, with slight variations. And while weather conditions can vary a lot in the Valley, the range of conditions that will still permit the sunset light to hit the fall and be photographed is very limited.

In the end, even very good photographs of the fall tend to look quite a bit like other very good photographs of the fall, mostly varying only a bit. Although I’ve recently seen many competent and well-made photographs of the fall… I’ve only seen one that was truly original. (I’m not going to identify it here since if I don’t want to encourage the next crowd to start coming out to try to recreate that image! :-)

So, I didn’t go this year. I was in Death Valley at about the time that the light started, and I spent time doing night photography on a later weekend when I might have gone.

I think I prefer to remember that evening a few years ago when I walked across the Valley in snow, spent an hour alone in El Capitan Meadow before walking to the picnic area, photographed Horsetail in the quiet with a small number of other photographers, and then walked back across the Valley in the peaceful darkness of the early evening.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Horsetail Fall – It’s That Time Again

UPDATE: As of 2020 I am no longer posting annual updates concerning this subject — and I am editing older posts on the subject in light of the need to be more responsible about not encouraging the onslaught. I also no longer recommend going to the Valley to see it. Unfortunately, too much exposure (yes, I played a part in it, unfortunately) has led to absurd crowds, traffic jams, littering, destruction of areas in the Valley where too many people go to see it… and the park has increasingly — and appropriately — cracked down. Parking options have been eliminated, at least one viewing location has been closed. Good news! The rest of Yosemite Valley is still there and often exceptionally beautiful at this time of year.

As more and more people now seem to know, late February is the prime time for the appearance of the “natural fire fall” in Yosemite Valley, when the setting sun may strike Horsetail Fall near the east end of the face of El Capitan, and when viewed from the right angle create a striking light show. I do not plan to be there to photograph the event this year since I’ll likely be shooting somewhere else during the prime time for the fall… and I no longer encourage others to attempt it. I’ll explain below.

Horsetail Fall, Early Evening
Horsetail Fall, Early Evening

(Photo: Horsetail Fall, Early Evening. Yosemite Valley, California. February 15, 2010. © Copyright G Dan Mitchell – all rights reserved.)

The spectacle of Horsetail Fall is now quite well known. The initial renown came after Galen Rowell produced a striking and now-famous photograph of it several decades ago. Eventually others began to photograph it as well. (I read somewhere that several other well-known photographers made images of Horsetail decades earlier, but apparently no one “discovered” the special annual sunset light until Rowell shot it.) Since that time, and especially in the past few years, news of the phenomenon and information about when, where, and how to shoot it has become widespread – especially now that information travels so fast on the Internet. As of this article revision, a plethora of articles (newspapers, magazines, the web) and social media posts have built the thing up beyond all reason, with predictable and unfortunate results.

Twice each year, the setting sun lines up just right so that it casts its final light directly on this waterfall for a few weeks. The phenomenon is ephemeral and dependent on a series of conditions that must all occur at the right time. First, it must be during that short window of time when the setting sun strikes the location of the fall on a high cliff. Second, the waterfall must be flowing. Typically this means that there has been a good amount of snow followed by a warm-up that melts enough of it to get the fall going, though a warm winter rain could accomplish the same thing. Third, the western horizon must be clear so that the sun’s light will not be obstructed as it sets. (Those who have tried to shoot the fall a few times may have experienced disappointment when a crescendo of light potential occurs late in the day… only to be suddenly switched off as the sun drops behind low clouds to the west. To be honest, this happens more often than not.)

The photographer wants where light hits the fall more or less from behind. The number of suitable locations is quite limited and — no surprise — they end up being hugely crowded.

Having said all of this, be aware that it is going to be extremely difficult to get a photograph of Horsetail that hasn’t already been done. I’ve seen a few,  but most essentially duplicate existing images. In some ways, I think that contemplating the fact that such a thing actually happens in a place that already contains as many marvels as we see in the Valley may be more rewarding than making another photograph of it.

A downside to the experience is that the popularity of “bagging this shot” has taken off remarkably in the past few years. Yosemite Valley is obviously already a place where it is tempting to run from well known spot to well known spot trying to recreate the well known photographic images that others have produced there. (Ironically, those who take this approach often miss many, many less known subjects in the Valley that can be every bit as beautiful and rewarding.) With Horsetail, the rush of photographers is compressed into a very short time period and focused on a few (mostly only two!) very popular shooting locations. Those who shoot from them on prime evenings may arrive in the morning to reserve a spot… to find a crowd of photographers is already set up.

As of the date of this revision in 2020 the situation has become quite insane, and the park service has had to take serious steps to control the mess. Literally thousands of photographers and others have been arriving in places that used to handle a dozen or two folks. Traffic jams ensued, the experience has been significantly degraded, parking is a mess, and the crowds are damaging park features. As of this year large sections of park roads are now off-limits to parking and one of the two popular locations has been completely closed.

I strongly urge you to NOT go.

I was fortunate a few years ago to have a nearly solitary experience photographing the fall. That winter Northside Drive was closed and all traffic was routed in and out of the Valley along Southside Drive. It had snowed, and one of the locations for photographing the fall was only accessible by hiking across the Valley in snow to Northside Drive and then walking a bit further in the snow to the place from which I shot. I walked over early and spent an hour or more shooting alone in the silent and snow-covered El Capitan meadow! Then, as sunset approached, I walked quietly to a place where I could see the fall and joined a small handful of fellow photographers waiting for the event. We weren’t disappointed.

That is the way I want to remember photographing Horsetail Fall.

(Some of my Horsetail photographs are found here.)

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Horsetail Fall, Sunset (#3)

Horsetail Fall, Sunset (#3)
Horsetail Fall, Sunset (#3)

Horsetail Fall, Sunset (#3. Yosemite Valley, California. February 15, 2010. © Copyright G Dan Mitchell – all rights reserved.

Photograph of Horsetail Fall – the “natural firefall” – along the eastern end of the face of El Capitan, Yosemite Valley, California.

I made this photograph from “the other” vantage point for viewing the winter Horsetail Fall light show. I’ve shot this subject a few times in the past, but always from the general area of the picnic area at base of the east end of El Capitan. Since I thought the light might be good on this evening I decided to try the location along Southside Drive at a point between the crossover road near El Capitan and the start of the Four Mile Trail where many people photograph this scene. Yeah, it is an icon. What can I say? (Well, I can say that my favorite photograph from this particular trip to the Valley is actually a black and white image of a couple branches of a dormant fern plant – but that’s a different photo and a different story.)

This location – I’ll call it the “Merced River location” – is popular among Horsetail Fall photographers for several reason. For one it is very accessible. To be blunt, you can find a shot within a few seconds walk from your car! (Unless you arrive late and all the parking is gone, a distinct possibility in such a popular spot, especially if you go on a weekend when the sunset light hits the fall.) It also provides a different sort of view of the fall. While the view from right beneath El Capitan tends to provide a slightly wider and closer view of the upper fall, this one provides a clear view of a greater portion of the fall along with the little valley above the fall. And because it is a bit further east, you are looking at the fall more from the side. This means that when things work out just right the brilliantly lit fall becomes a very thin stream against the much darker background rock.

The light on this evening was perhaps not quite “classic” Horsetail light. There was some nice color, but the light faded before it became brilliantly colorful. It seemed like perhaps the sun (which is itself not visible to photographers from here) might have passed behind some distant clouds in the west just before reaching the horizon. The development of the brilliant sunset color was somewhat muted when this happened.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 100-400mm f/4.5-5.6 L IS USM at 360mm
ISO 200, f/11, 1/50 second

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