Tag Archives: fiery

Clearing Sunset Storm, Mono Basin

Clearning Sunset Storm, Mono Basin
A late-summer storm above the Mono Basin breaks up at sunset.

Clearing Sunset Storm, Mono Basin. © Copyright 2023 G Dan Mitchell.

A late-summer storm above the Mono Basin breaks up at sunset.

Sometimes when conditions don’t look promising where I am I make some guesses, rely on hunches, consider past experience, and head off in a different direction at the last minute. On this evening I was up near the crest of the Eastern Sierra, hoping for a break in the clouds and some interesting light. But it did not look like that was going to happen, so I jumped in my vehicle and headed down to the East Side and looked for long views that might include the landscape and what I hoped would be interesting end-of-day light.

Arriving there, not a lot was happening. The crest was socked in by clouds that obscured the peaks and blocked the light from the west. Where I was it was fairly gray. But I know that it isn’t unusual for some clearing to occur near sunset — and if it happens colorful light can suffuse the landscape. I had to wait until nearly the last minute, but the light finally arrived. Gaps appeared in the clouds and beams of colorful light began to stretch across the scene. In this photograph the clouds are above desert mountains and the Mono Lake Basin.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Fiery Furnace, Arches National Park

Fiery Furnace, Arches National Park
Fiery Furnace, Arches National Park

Fiery Furnace, Arches National Park. Arches National Park, Utah. October 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ridges and mesas recede into the distance beyond Fiery Furnace formations, Arches National Park.

These formations are part of a much larger set of similar structures along the road toward the Devil’s Garden area of Arches National Park. They overlook a large section of the park and beyond. The distant plateau in the sunlight is along the Colorado River, and though they are not visible in this photograph the La Sal Mountains tower even further off. Between there is a lot of rough country full of valleys and ridges and other formations.

The Fiery Furnace area contains sandstone with layers of contrasting color, as see here. This material has been eroded it all sorts of fantastical ways. On this particular day, the light conditions were both interesting and challenging. There were quite a few high clouds and a good portion of the time the sun was blocked by them and the light was somewhat dismal. But as the clouds moved along, the sun light occasionally broke through gaps and cast beams of light that traversed the landscape. When we first stopped here and saw the overcast conditions I almost decided to just move on. But I saw a few hints of this changeable light and decided to try patience first! It took a while, but eventually some of the clear areas in the overcast lined up with our position and we had moments of nice light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Fiery Evening Sky, Tuolumne Meadows

Fiery Evening Sky, Tuolumne Meadows

Fiery Evening Sky, Tuolumne Meadows. Yosemite National Park, California. July 10, 2009. © Copyright G Dan Mitchell – all rights reserved.

Fiery sunset colors illuminate lenticular clouds above the Tuolumne River, Tuolumne Meadows, Lembert Dome, and Mounts Dana and Gibbs on the Sierra crest, Yosemite National Park, California.

This is the sky I wrote about in the text accompanying the previous two photographs made on this July evening in Tuolumne Meadows. I’ll just have to include the quote from Ansel Adams one more time for anyone who didn’t see it in the first post:

“Sometimes I do get to places just when God’s ready to have somebody click the shutter.” – Ansel Adams

I don’t think it is quite that simple – to put it another way, We’re all very fortunate that it was Ansel who happened to be in those places doing the shutter clicking on those occasions! But you do indeed have to be there, and you do need to be ready to take advantage of the scene that presents itself to you. Unlike painters, we cannot just conjure up scenes like this.

I count myself as extremely lucky in that I get to spend a lot of time in the Sierra and have for many years. (I’m also very lucky to be married to an artist who understands how important it is to me to traipse off to the Sierra to make photographs – Thanks, Patty!) I’ve seen a lot of Sierra sunsets and photographed (or tried to photograph!) a good number of them. FWIW, while the good fortune of being there at the right time plays a huge part in getting any photograph, it is rarely enough.

As I wrote in yesterday’s post, I’ve learned to recognize a certain set of Sierra Nevada conditions that can (but are not guaranteed to) create a brief moment of utterly astonishing color just as the sun slips below the horizon. Once you have seen this happen and recognize the pattern, if you are like me you will drop everything to be there. Nine times out of ten the potential will be unrealized and you’ll just have “another stunning Sierra sunset” – or perhaps just a gray cloudy sunset. But on that tenth time!

So, yes, I dropped everything to be in Tuolumne Meadows two hours before sunset, and I was in position with a composition scoped out and everything set up a full hour beforehand. I was more that willing to put up with the swarms of mosquitos – and when this light show started I didn’t even notice them.

What has happened here is that the mass of stacked lenticular clouds above Mounts Dana and Gibbs on the Sierra crest and to the east are being illuminated by the very last light reflected off of high clouds to the west just as the sun drops below the horizon. Silently, and almost before you realize what is happening, the color of the landscape is completely transformed for what could be no longer than a few short minutes.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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