Tag Archives: forest

Winter Fog, Ridges

Winter Fog, Ridges
Winter Fog, Ridges

Winter Fog, Ridges. Marin County, California. February 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Winter fog wraps around the lower slopes of Marin County mountains along the Pacific coast north of San Francisco

This was the sort of day of photography that I have learned to accept as something that comes with the territory. I was up hours before dawn, and on the road shortly after that, with an idea of photographing in the redwoods of Marin County north of the Golden Gate, or perhaps of photographing along the coast where high surf was predicted. As I got on the road I noticed that there was some fog about, which is fine as I often like photographing in such conditions. Nearly an hour later as the time of sunrise approached, I noticed that the day was not becoming light very fast and, in fact, things were looking quite gray. I crossed the Golden Gate in fog, stopped briefly on the north side of the bridge, and wasn’t able to see much of anything. I continued on to the Muir Woods area and parked. As I sat in the car, it became clear that there wasn’t going to be much in the way of compelling light here, either. (I’m not one to insist on incredible light, so when I say that the light wasn’t promising… I mean it!) I soon decided to leave and go up the coast a ways. As I drove I figured out that the murky light was the result of a combination of thick coastal fog, generally hazy conditions where it wasn’t foggy, and above it all the high clouds of a passing weather front.

While finding myself in conditions like these doesn’t exactly make me happy – who wouldn’t prefer beautiful light and easy subjects!? – I don’t get upset about it any more. In order to find really special subjects and light one must simply go “out there” a lot to increase the odds. Special things are special at least partially because they are not ordinary, and we cannot expect stupendous conditions on every outing. I shoot enough to have had the good fortune to almost regularly encounter truly wonderful conditions and to have some idea how to work with conditions that are merely good. But along with this good, I also have to accept the possibility – certainty, actually – that there will be some days when it seems like nothing happens. This was one of those days. I enjoyed being out and about, and I explored a few places that I had not visited before. I gave up on some ideas, tried others, and when the light was clearly not going to be good in the forest, I headed for the coast. When that didn’t work, I headed into the hills. It was what it was! Eventually, I ended up at the Mount Tamalpais State Park high in the Marin hills, and around one bend in the road the view opened to the west and I could see the ocean of fog bumping up against ridges below me and stretching on out over the ocean – so I stopped and made the only photographs of the day that worked. It wasn’t a great day… but it was still a good day!

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pines and Sandstone Cliff

Pines and Sandstone Cliff - A sparse forest of pine trees in front of a towering sandstone cliff, Zion National Park
A sparse forest of pine trees in front of a towering sandstone cliff, Zion National Park

Pines and Sandstone Cliff. Zion National Park, Utah.October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A sparse forest of pine trees in front of a towering sandstone cliff, Zion National Park

This could be one of those “don’t forget to look around” photographs – a reminder to look beyond the most obvious thing that you (and others) might have stopped for. The photograph is from Zion National Park, made on my late October visit when we passed through on the way to shoot further east in Utah. The specific location is a well-known automobile pull-out that features a large and impressive nearby geological feature, with signage around the parking lot mostly about that thing. And it is an interesting and worthy site, but one that I’ve struggled to see as a photograph. In fact, the whole area right near here has been a bit this way – a very interesting place where I’ve stopped a few times, but also one where I’ve had a difficult time seeing how to photograph the attractive features found here.

From this location, trees growing on a middle-distance rise can be seen. I’ve also looked at them before and wondered how or whether they could make a photograph. Those trees are the trees in this photograph. What seemed different this time was the result of interesting and changing lighting conditions. The light was coming from the side and a bit behind the trees, so it highlighted the branches and even created just a tiny bit of that glow that I often look for with this subject. In addition, there were broken clouds about, and they were being blown past fairly quickly by a brisk wind – so the light was in a constant state of change. One moment the trees were in a cloud shadow, and the next they were in sun. When they were in sun, the foreground and background might be in sun, too, or in shade, or even some combination of the two. I love these conditions since so many things are (fleetingly) possible with the light. My approach is to make some guesses about what might with the light, find a composition that I think will work, and then pay careful attention to what is happening. This photograph was exposed during a lucky instant when the clouds shaded the background sandstone cliff, and the slightly cloud-muted sun shone on the trees.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Red Rock and Trees, Afternoon Light

Red Rock and Trees, Afternoon Light - Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park
Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park

Red Rock and Trees, Afternoon Light. Zion National Park. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park

As much as I have come to love Zion Canyon itself, with its monumental cliffs, winding Virgin River, and cottonwood trees, something still draws me more strongly to the high country such as that found along the Mount Carmel Highway. (I’m sure that the “real” backcountry will eventually appeal to me just as much, but my “getting acquainted” process with Zion is still in its relatively early phase.) This higher elevation terrain, which can at first perhaps seem somewhat overly complex and even “disorganized – if that makes sense – has come to hold more interest for me photographically, though it has been a bit more difficult to figure out how and when and where to photograph it. I was intrigued by these wonderfully complex sandstone patterns of curves and lines when I first saw them, but initially had a hard time seeing coherent photographs among them.

Since my first visit – less than a year ago, believe it or not – I have now had the opportunity to revisit this area on quite a few days, and I feel like I’m starting to “get” its rhythms. Initially it was a matter of passing along the roadway through the park and catching glimpses of juxtapositions of features, bits of light or color, and various canyons and prominences and thinking “there must be a way to photograph that.” Return visits, in various types of light, during two seasons, and at all hours of the day have helped me figure it out. Among my favorite subjects here (and elsewhere!) are backlit trees, here combined with some low ridges and the swooping curves and textures of the wonderful red rock.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Aspen Grove, Old Road

Aspen Grove, Old Road - An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah
An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

Aspen Grove, Old Road. Dixie National Forest, Utah. October 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

An old dirt road winds into the heart of an aspen grove in full autumn color, Dixie National Forest, Utah

This is another of the “could have been anywhere” photographs, both because little scenes like this can be found all over the American West and because it is a scene that I simply happened to notice while passing by. So, the specific location is most certainly unimportant, though I’ll say that it was along a gravel road running through a section of the national forest in roughly the Zion/Cedar City area, a road that we had turned up more or less randomly and then explored for perhaps a couple of hours before turning back. The goal of that little drive had been to get into or as close as possible to some extensive forests of colorful aspen trees that we had seen from a distance. We succeeded.

There is something evocative on a number of levels about a simple scene like this one – with factors including the literal and subjective aspects of the changing season, the image of the small road disappearing into the grove as it wanders off to an unknown place, and the light of autumn filtered through the golden canopy of aspen leaves. If you don’t pay careful attention when you are there you might miss it, but the golden color suffuses the entire understory when the light is just right. (Photographers and painters may notice this sort of thing more than most people, since we/they are used to dealing with the otherwise blue coloration of the shadow light.) This sort of scene is extremely transitory. While we can permit ourselves to believe that both the green time of summer and the snowy time of winter are relatively permanent, no such illusion is possible during the brief span of literally a few days when the aspen color comes to these groves – they are different every day, and sometimes you can literally see the color going away as the wind blows down the leaves.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.