I took me a while to figure out this location in Utah, along the edge of Boulder Mountain. Years ago we drove through here in the spring, and I was astonished by the huge aspen groves. I resolved to return in the autumn, and a few years later we did —timing our visit to synchronize with peak of California’s Eastern Sierra aspen color. It turns out that the color change earlier in Utah, and by the time we arrived the groves were past their peak.
Continue reading Boulder Mountain Aspens, Evening
While this big oak tree grows in a meadow filled with scores of other beautiful oaks, it presents a different appearance than its neighbors. The other trees, perhaps because many of them grow close together, tend to be somewhat tall and slender. But this tree is massive, with thick trunk and main branches, and it spreads widely — enough so that it is as wide as it is tall.
One of Yosemite Valley’s monumental granite faces rises nearby behind this tree and its neighbors. Because that face is tall and to the south, its shadow falls across the trees for hours every day. I photographing it after the late-day shadow had arrived, which gives a softness to the image that would not be there in full sunlight.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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I had been thinking about photographing in this grove for two days prior to making this photograph. I had looked it over while driving past, and had even gotten out and wandered through it without taking pictures. What finally brought me back was wind — a tremendous wind storm that was making it difficult to photograph out in the open.
My first idea about this location and the wind was that I would photograph the fallen leaves. But as I entered the grove I did not see the shot I was looking for, so I kept walking. I finally came to what looked like the end of the path at the base of a tree-covered hill. Still not seeing a photograph, I turned around and started back. It was only then that I saw the glow of the backlit canopy of leaves and found this composition.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This is a companion image to another photograph that includes some the same rocks but in vertical/portrait orientation. The scene is an otherwise unremarkable section of the Merced River in Yosemite Valley that probably doesn’t merit a stop from most visitors to the Valley. (Though quite a few park photographers have stopped to make images in this general area.) The appeal is the combination of rocks (at least during periods of low flow in the river), the patterns of moving water, and reflections.
Speaking of reflections, they are the source of the warm colors in the water. They include the light on a very large sunlit cliff on the far side of the valley and the colors of autumn leaves in the forest on the opposite river bank. To notice a scene like this you have to look past what your eyes likely want to see (water and rocks) to see the intense color reflected in the water.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.