Tag Archives: green

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Redwood Forest Understory

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Redwood Forest Understory
Smaller plants grow on the forest floor beneath the canopy of North Coast redwoods

Redwood Forest Understory. © Copyright 2018 G Dan Mitchell – all rights reserved.

Smaller plants grow on the forest floor beneath the canopy of North Coast redwoods

This has become a bit of a repeating theme here recently, but this is another photograph of the dense vegetation of Northern California redwood forests — this scene is in Del Norte State Park, part of the Redwood National And State Parks system that I visited earlier this month. During my visit I was looking for rhododendrons — I found some, but it turned out that I was probably just a bit early. This trail is known for the flowers and they were there, just not in great numbers quite yet.

Sections of this trail traverse a ridge, but on either side the forest grows in coastal canyons. Here, especially early and late in the day, the light is soft and muted a lot of the time — often the ideal conditions for photographing this subject. The trees are varied, including both massive old-growth specimens and some younger trees fighting their way upwards for a bit of sun. The understory is lush, with ferns, bushes, rhododendron plants, and much more.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Yosemite Forest, Spring

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Yosemite Forest, Spring
Spring plants sprout among the conifers in Yosemite Valley

Yosemite Forest, Spring. © Copyright 2018 G Dan Mitchell – all rights reserved.

Spring plants sprout among the conifers in Yosemite Valley

This photograph is the result of some aimless wandering and of finally visiting a spot that I have wondered about for years. Most of my landscape photography is done early and late in the day, and when the days get longer this can leave me with a lot of free midday time. What I do during those hours varies. If I am camping I may take that time for camp chores, otherwise known as eating, reading, and napping. When I’m in the gigantic landscape of Death Valley I may use this as travel time. On this recent set of visits to Yosemite Valley I used it as hiking time — either with my full complement of photography equipment or perhaps with a smaller camera and a couple of lenses. (Sometimes it is a relief to leave the “big gear” behind for a while!)

Although the light wasn’t favorable at this time of day, I decided to head up the Valley on foot towards a place where the shadows of towering cliffs would block the harsh daytime light a bit earlier in the day. I got there and saw a sigh I had seen before for something called “the fen.” I know that word from literary sources, but I had never (after all these decades!) bothered to investigate it in the Valley. I was in no hurry, so I wandered off in that direction. One of the features of the area is rather dense and, in some ways, lush vegetation. I looked, I finished, I wandered off to look at something else. But in the back of my mind I was thinking about these trees, and a bit later when the cliff shadows had lengthened enough to reach this spot I returned and made this photograph. While big, iconic features evoke Yosemite for us — and with good reason — for me these quiet little out-of-the-way spots in the forest are just as important in defining the place.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Tortaria

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Tortaria
A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

Tortaria. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman walks past a Manhattan tortaria with a red pickup truck parked in front.

I made this photograph about four years ago, and the brief tale of how emerged now is perhaps worth telling. Recently I was involved in a discussion of tilt/shift lenses. Part of the discussion drifted to image changes that could be made in post-processing rather than by using shift to correct converging perspective lines. I went looking for example files I could use, especially those that might have been shot with a very wide lens and in need of correction. I figured that urban photographs would provide good examples, so I started digging into my New York raw files. Eventually I ended up back in 2014… and to my surprise I found a group of images that I had almost completely forgotten about and which I never finished reviewing and processing.

Four years later I don’t even remember making this photograph, nor do I remember the location. (I could figure it out easily enough.) I’m betting that the initial attraction was to the contrast between the bright red pickup truck (and all of the things that it can symbolize) and the teal-colored front of the Tortaria. It may have been good fortune that the woman walked into the left side of the frame at this moment. I like the juxtaposition of the red and green-blue colors and the potential cultural and other symbolism of the big, red pickup truck.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Mono Lake, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Buildings, Crane

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Ship Yard Buildings, Crane
Weathered ship yard buildings illuminated by saturated colors of artificial lighting

Ship Yard Buildings, Crane. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this old ship yard facility near Vallejo, California to work on night photography. This is actually the place where I first tried out that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph that locations often during the intervening decade and a half, and my night photography expanded from that beginning point to incorporate other subjects and places. (Most recently I have focused on night street photography done with small handheld cameras.)

This photograph is a prime example of several of the things that intrigue me about photographing at night. Scenes that might seem mundane in “normal” daylight are often transformed in the night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this spot, the colors of the light become intense. Here it is the exceedingly green light of a large work light that predominates. Another appealing aspect of night photography is that it lets me make photographs of things that I really can’t see with my own eyes. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal features that I could not see at all, a pure example of “seeing what the camera sees.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.