Tag Archives: kelp

Moving Water

Moving Water
A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

Moving Water. © Copyright 2022 G Dan Mitchell.

A small wave crosses kelp and sand in shallow water at the Pacific Ocean shoreline.

This is the second of a pair of somewhat abstract water photographs I made on a quick visit to the California coast last week. I just had a few hours, so I went up the coast from Santa Cruz to Half Moon Bay, then over the coast range and returned to Silicon Valley. It was an “extremely typical” day in this part of the world, by which I mean that the conditions were “typical” (cool and foggy) for this time of the year, but even more so to the point that I encountered coastal drizzle heavy enough to feel like rain.

I paused at one overlook high above the Pacific, hoping to photograph pelicans that often coast past on updrafts from the incoming ocean winds. I just missed oen flock as I arrived, but I quickly attached the long lens and… waited… for the next flock… which never showed up. Since I had that lens on the camera I decided to point down rather than up and photograph the shallow water at the edge of the ocean far below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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A Small Wave

A Small Wave
On a day of quiet seas, a small wave crosses a kelp bed along the California coast.

A Small Wave. © Copyright 2022 G Dan Mitchell.

On a day of quiet seas, a small wave crosses a kelp bed along the California coast.

My recent photographs from Point Lobos have mostly used the grand landscape as the subject, focusing on central subjects set in expansive surroundings. If you are familiar with those locations you might have been able to identify the specific places where I photographed, and you might have recognized the actual subjects of the images. This is not one of those photographs.

This photograph could be from any of an uncounted number of places along the coast of California — or any other coastal zone for that matter. I think this photograph can work in at least two ways. On one level it is a “capture” of a real thing that happens in these places: we see the submerged sand and kelp through clear water, while the more turbulent water that follows the little wave reflects more sky color. But I like the fact that it also woks as an abstraction of shape, color, and form.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Kelp and Patterned Rocks

Kelp and Patterned Rocks
Kelp on patterned rocks at the high tide line along the Central California coast.

Kelp and Patterned Rocks. © Copyright 2022 G Dan Mitchell.

Kelp on patterned rocks at the high tide line along the Central California coast.

Almost everything about this day followed no plan at all. I knew I wanted to photograph along the coast, but wasn’t sure where. I headed toward the upper Big Sur coast, but as I passed Point Lobos I thought, “Maybe here.” But I kept going, until a couple of miles later when the answer came to me: “Yes, Point Lobos.” I turned around and headed back to the reserve. I drove in and made a habitual first stop at Whalers’ Cove, then stopped at Weston Beach. Thought I’d take a quick look. That quick look lasted well over an hour.

The conditions weren’t ideal for photographing big landscapes and seascapes. It was fairly gray with what Californians sometimes call “high fog” or “coastal clouds.” While these conditions aren’t great for long views, the soft light can work well for more intimate subjects. And in this particular spot there’s no end of little things to attract my attention: kelp, shells, colorful rocks cast up onto the underlying rock patterns of folded layers, reflections, and more. At one point someone asked what I was photographing, and when I answered “whatever I can find” they just looked at me like I was nuts.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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At the Wrack Line

At the Wrack Line
Material washed up by the tide at Weston Beach, Point Lobos

At the Wrack Line. © Copyright 2022 G Dan Mitchell.

Material washed up by the Pacific Coast tide.

It had been too long since my last visit to the coast. The Pacific Ocean is barely more than a half hour away, and the Big Sur coast is only about twice that far. This coast has been part of my life since my parents took our family there when I was a child. When traveling, two things make me nervous – being too far from mountains and being too far from the coast. So this morning, after too long of an interval, I headed over there and ended up at Point Lobos.

Much to my surprise, my first stop was at the place known as Weston Beach. (It always feels like it should be called Weston Cove, but I digress.) As I began photographing I felt a bit like perhaps I was revisiting a place that has been done, and overdone, and overdone again. But I have a personal connection to this little cove and its rocks and pebbles, and I ended up enjoying a rather long period of slowly poking around, checking out rocks, looking for stuff washed up on the shore. (About that title: I had to look up what to call this stuff, and I learned that the closet thing to an official term for natural things washed up on the beach is “wrack.”)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.