Tag Archives: landscape

Dunes and Mountains, First Light

Dunes and Mountains, First Light
The first sunlight falls across sand dunes with a backdrop of desert mountains

Dunes and Mountains, First Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

The first sunlight falls across sand dunes with a backdrop of desert mountains.

Back in early March I made a trip to Death Valley, partly to meet and camp with family members and partly (of course!) to make photographs. Early March is still in Death Valley’s “cool” season, and I don’t think I saw temperatures above the mid-70-degree range. (By the time of my next visit the highs will likely be well into the 90s. And after that? I stay away from the place!)

When I travel to places like this it isn’t at all unusual to encounter other photographers that I know. (I once ran into a friend walking around a bend in a narrow slot canyon beyond the end of a 25-mile gravel road!) This time I discovered that a trio of photographer/friends from the Yosemite area were camped nearby, and we joined forces for an early morning visit to the dunes the next day. We met up and started walking well before it was light out, and we arrived in the dunes before the sun came up. Soon the first light began to slant across the forms of the dunes and we worked quickly in this ephemeral light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Death Valley, Panamint Foothills, Morning

Death Valley, Panamint Foothills, Morning
Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains

Death Valley, Panamint Foothills, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains.

One’s orientation to “landscape” may manifest in many ways — a focus on the large or the small, an approach that implies objective realism or one that embraces subjectivity, the discovery of new landscapes or the deeper exploration of those already known, an interest in ostensibly “untouched” subjects or attention to those affected by the human presence, and more. Death Valley is diverse enough for any of these, but I often find myself focusing on the largest scale subjects. The place is huge, and at the right hours, in the right seasons, and in the right places the park is a place of deep silence and immense stillness.

This was the last morning of my most recent visit, and I went out alone very early, heading to a place that afforded a somewhat elevated perspective. As I traveled there I was not optimistic about the prospects for the morning — the sky was mostly overcast, there was a bluish haze in the air, and even the earliest light was blocked by clouds to the east. But one thing I relearn nearly every time I go out is that if you go out enough and are persistent enough, things happen, and sometimes they happen at the least likely times. As this morning wore on, some time after the first light that could have been colorful, the sun began to break through the clouds, and areas of light and shadow moved across this immense landscape. As I made this photograph the light was shining on the foothills of the Panamint Range, many miles away and on the far side of Death Valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dune Curves, Morning Light

Dune Curves, Morning Light
Early morning light and shadows on curving dune forms, Death Valley National Park

Dune Curves, Morning Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Early morning light and shadows on curving dune forms, Death Valley National Park.

Yes, it is one more in the never-ending series of sand dune photographs. As I have written previously, the dunes provide a seemingly endless photographic laboratory in light and shadow, color, texture, form, and more. They can be photographed on the large scale, where they comprise an entire monumental landscape, but they can also be presented on a smaller scale, where a photograph might feature a single gesture of sand, a plant, animal tracks, or some other small thing.

I think that you can look at many photographs of this type as having a dual nature. Looked at one way they are representations of “the real” in the natural world, though always with some degree of subjectivity and interpretation. Looked at in another way they can almost be abstract, divorced from their sources. I enjoy trying to see them both ways and in exploring the flexible boundary between the two ways of seeing. Here I was intrigued by mirrored shapes, in one case created by sunlight on a dune surface and in the other a shadow cast by a low ridge that is not within the frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tumbleweed, California Wildflowers

Tumbleweed, California Wildflowers
A tumbleweed rests in the middle of a field of California spring wildflowers.

Tumbleweed, California Wildflowers. © Copyright 2019 G Dan Mitchell – all rights reserved.

A tumbleweed rests in the middle of a field of California spring wildflowers.

Let’s say you live in California or close enough to get here quickly. Let’s say you like wildflowers. Let’s say you have a bit of flexibility in your schedule. Go now! In many areas of the state — mostly the oak/grassland country of Central and the coastal and inland mountain ranges and foothills, along with many desert areas — the wildflower season is reaching its quite spectacular peak.You don’t need to know the supposed Best Wildflower Spot In California… because this is more or less a statewide phenomenon, and because all you really need to do is point yourself toward one of these kinds of places, and because you’ll actually have as much fun discovering your own wildflower spot as you would have joining the hordes at the over-crowded places in the news. (Recently we saw absolutely stunning wildflowers — the kind that make you gasp out loud — as we drove past them on main highway routes through hills and desert.)

We ran into this particular display along one of those highways. I had driven past it a bit more than a week ago without seeing anything all that out of the ordinary… but a week later it was definitely at its peak. (If you were to go to this specific spot now you would likely find that it had passed its peak.) The tumbleweed plant was a gift from the photography gods and goddesses, as the scene really required something to interrupt the nearly continuous carpet of flowers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.