Tag Archives: light

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Evening Light, Sierra Crest

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Evening Light, Sierra Crest
Soft evening light on Mount Conness, in the distance beyond Tenaya Lake

Evening Light, Sierra Crest. © Copyright 2018 G Dan Mitchell – all rights reserved.

Soft evening light on Mount Conness, in the distance beyond Tenaya Lake

I’ve been (mostly) off the grid since early this past week while spending four days in the high country in and around Yosemite’s Tuolumne Meadows. (Tuolumne Meadows used to have poor cell service. It now seems to have none at all, which is a mixed blessing.) This being July, there was a lot of interesting stuff to see in the Sierra — there is still plenty of flowing water (at least for this low-precipitation year), most meadows are still lushly green, and the wildflowers are spectacular. While there are plenty of people up there — and, it seems, more every year — the August crush of high country tourists hasn’t yet arrived. Evidence? I was able to walk up to the kiosk and get a campsite in the middle of the day.

Weather was sometimes a challenge. Clouds are both a blessing and a curse when photographing the high country. Most often they are plus, given that the Sierra can be “afflicted” by successive days of boring blue skies at times. On the other hand, it is certainly possible to have too much of a good thing, and at times the welcome “interesting” weather evolved into somewhat “blah” light. However, it is common for moments of special light to appear out of the blah conditions, and I was treated to several such instances on this trip. (One of them may soon be the genesis of an article on knowing when to stay and wait and when to move on.) On this evening I suspected that late light might cut through the haze and create some dramatic effects on the distant Mount Conness from this familiar location, so I headed straight there late in the day.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Reflection, Morning Shadows

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Reflection, Morning Shadows
Shadows on lakeside meadow as morning light hits Sierra Nevada peaks

Reflection, Morning Shadows. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shadows on lakeside meadow as morning light hits Sierra Nevada peaks

This is a scene of what I regard as classic Sierra Nevada scenery. It also has the three main ingredients of many mountain photographs: rocks, trees, water. I made the photograph in the morning, probably most of the way through this morning’s photographic work. A typical morning in such a place begins with an alarm going off (quietly!) well before sunrise, followed by rolling out of the tent, grabbing camera pack and tripod, and heading off to some likely location to find morning light. Photography begins before sunrise, often moves quickly as the first direct light hits the landscape, and then evolves with the changing morning light… until, several hours later, it is time to wander back to camp and fix coffee and breakfast.

We were camped very close to this lake — though you could have easily walked past it and completely missed our camp, which was hidden away in the trees. We remained here for the better part of a week, allowing plenty of time to become familiar with the local landscape, photograph in a range of conditions, and make longer excursions away from camp. I actually did not photograph this closest lake much until near the end of our stay, when I realized that it was now or never. I made this particular photograph in the morning, well after sunrise but a few minutes before the sun peeked over nearby peaks to illuminate the shoreline meadow.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Light on Granite

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Light on Granite
A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

Light on Granite. © Copyright 2018 G Dan Mitchell – all rights reserved.

A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

There is a tendency for people to regard the landscape as a fixed and even a permanent thing. The mountain will be there when you go back to it in a year or ten or a hundred, so the photograph “captures” a thing that is unchanging. This is, of course, incorrect, and on multiple levels. Supposedly permanent things change constantly — in fact, the forms by which we know them today are the result of profound forces of change that are ongoing. (One reason that climbers wear helmets is that rocks fall…) But changes on much shorter scales are of tremendous interest to those who photograph (or just like to view) than landscape. They range from annual (what is it like [i]this[/i] year?) to seasonal. Some of them obviously occur on a daily basis — and photographers think about those a lot. Light and atmosphere vary in profound and often remarkable ways.

In so many cases, timing is everything. For some, calculating that timing is a key. I just read a friend’s report on a night photograph that he had “figured out” over a year ago — it required him to be in a certain place during a narrow window of time with conditions that were just right. I am impressed! For others — including my friend — even more critical is being attuned to what is happening right now or in the next few minutes or hours and then being ready to respond. I share all of this here with this photograph as the effect of light on this granite face was tremendously transitory. The time between the bulk of the face falling into shadow (and leaving the thin strip in sun) and the complete loss of light was perhaps measured in seconds, and certainly little more than a minute. (This is another photograph from my artist-in-residency sponsored by Yosemite Renaissance this past winter and spring.)

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Coastal Redwoods, Photographs: Nature, Photographs: Northern California, Photographs: Redwood National & State Parks

Redwoods Great And Small

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Redwoods Great And Small
Dense Northern California redwood forest containing both old-growth and young trees

Redwoods Great And Small. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dense Northern California redwood forest containing both old-growth and young trees

I’ve lived on the fringes of California’s coastal redwoods ever since my family moved to the state when I was four-years-old. For years we did weekend trips to places like Big Basin Redwoods State Park, often hiking through the trees and beyond. So I have always been familiar with these extraordinarily tall trees and with the special forests they inhabit. However, it wasn’t until much later that I understood how truly rare the original old-growth forests are. I recently read that only 5% of the original forest was left mostly untouched — meaning that 95% of the trees (19 out of 20!) were cut down during a fairly short period, mostly in the 20th century. This was an astounding example of where greed can push humankind, and we can reasonably imagine that without intervention all of the old-growth forests would have been lost forever. If that greed had gotten its way, you would have to reimagine scenes like this one with only the slender trees on the right, because certain parties would have cut up every accessible tree like the one on the left.

Today it seems bizarre to recall the strong objections to saving these remnants back when the Redwood National Park was first proposed. Even conserving parts of the last 5% of the ancient forests seemed to be a bridge to far for interests blinded by their long-term investments in a nearly depleted natural resource, and they fought bitterly against that parks. There are several lessons in this. This was not isolated resistance to conservation — it has been the pattern with the creation of essentially all of our great American parks and other efforts to protect wilderness and natural areas. There are [i]always[/i] a few very loud voices shrieking that the protection of a few last remnants of America’s great landscape will ruin their economy. (Witness the Utah minority today working to undo national monuments.) However, now that our park system is well over a century old, it is plainly obvious that virtually every single protected area is regarded as a treasure and virtually no sane person would argue that we did the wrong thing by protecting them.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.