Tag Archives: lodgepole

Baby Forest

Baby Forest
Lodgepole pines growing at the edge of the meadow at Tioga Pass

Baby Forest. © Copyright 2022 G Dan Mitchell.

Lodgepole pines growing at the edge of the meadow at Tioga Pass

While I often prefer to minimize the content of photographs when possible — some of my favorites qualify as minimalist images — I also have a weakness for trying to make photographs out of extremely dense subjects. (If you know a bit about “minimalism,” you may recognize that filling space with details can also be a characteristic.) Sometimes the pure density and complexity of the scene is enough, though at other times the challenge is in finding a viable composition among so much detail.

This little “baby forest” vignette is from high in the subalpine zone in the Yosemite Sierra, in the young forest near the edge of a meadow, a place where new trees can gain a foothold out of the literal shadows of the more established trees. Particularly in the early season — late spring and the start of summer — spots like this can be lush and full of new greenery and wildflowers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Trees in Morning Sun

Trees in Morning Sun
Silhouetted trees in brilliant morning sunlight along the shore of a Yosemite Wilderness lake.

Trees in Morning Sun. © Copyright 2021 G Dan Mitchell – all rights reserved.

Silhouetted trees in brilliant morning sunlight along the shore of a Yosemite Wilderness lake.

This is another photograph from the Sierra Nevada that seems place-specific only in the most general sense. You can find similar scenes of trees and boulders along the edge of countless lakes and ponds in the range. If you explore them in the early morning or late in the day you are bound to end up looking into this brilliant light and perhaps shielding your eyes in the shadows of one of the trees.

This particular scene is in the Yosemite backcountry at just such a lake — a moderate-sized body of water nestled among trees interspersed with the ubiquitous granite boulders left behind by glacial action. It can produce a complex and detailed scene, but one with a definite sense of order once you see it. Beyond the physical reality of such places, I always thing of the sensations that accompany a walk through this terrain — the careful steps over and around boulders, climbing over the fallen snags, the contrast between cool air and intense sunlight, and perhaps the sound of water along the shore.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Islands, Wilderness Lake

Islands, Wilderness Lake
Rocky islands with trees at a small wilderness lake in the Yosemite backcountry.

Islands, Wilderness Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky islands with trees at a small wilderness lake in the Yosemite backcountry.

This photograph is almost a companion to the photograph I shared yesterday — same lake, same morning, similar subject, different trees, and islands instead of a peninsula this time. Once again, though, the trees on the islands and ascending the granite slopes beyond are illuminated by beautiful morning Sierra Nevada back light. To those familiar with the Sierra, this scene likely speaks of many things, but perhaps two in particular. First, is the nature of the forest — different from in many other locations, largely due to its generally more open character. (Some have proposed that the “Range of Light” name may be partially on account of this aspect of the Sierra experience.) Second, and perhaps a bit less obvious at first glance, is the evidence of glaciation. This lake was almost certainly scooped out by those forces, and the dome-like slopes beyond also suggest glacial sculpting.

As I have mentioned as recently as my previous post, I love photographing Sierra subjects — especially trees — in backlight, especially if a there is a bit of haze to produce a sense of distance between foreground and back ground and a bit of “glow” in the atmosphere. This kind of light can extend the hours for photography since it often works even when the early and late golden hour light is not present.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocky Peninsula, Wilderness Lake

Rocky Peninsula, Wilderness Lake
Trees grow on a rocky peninsula extending into a Yosemite wilderness lake.

Rocky Peninsula, Wilderness Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees grow on a rocky peninsula extending into a Yosemite wilderness lake.

By this point it is probably no secret that I’m a fan of almost any subject that gets backlit. That kind of light is high on my list of things I look for when I doing landscape photography, especially away from the golden hours times. When the light shines from behind trees, their needles and leaves can seem to glow and their color becomes more intense. (A few friends refer to this a “G Dan light,” but I know I’m not alone in this fascination with back light.)

I made this photograph at a Yosemite wilderness lake where we were camped for about a half of a week a few years ago. The scene was perhaps a bit less alpine than the terrain that I’m usually attracted to, but the gentle landscape of this spot grew on me as we spent time there and I explored it. At least twice a day, morning and evening, I wandered out to walk around the edges of this lake, becoming acquainted with its features and the various ways that the light changed throughout the day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.