Canon EF 24mm f/1.4 L II lens – This is the newest version of Canon’s wide-angle, large-aperture 24mm prime lens, known for its excellent image quality and performance at large apertures. This lens is in “like new” condition — no scratches or blemishes, as it was purchased for a particular project and only used minimally for that purpose. Includes lens, both caps, hood, pouch, and original box. Reduced to $1150.
Canon EOS 5D Mark II DSLR body-only — This is the 21.2 MP full-frame DSLR body that I have used to make the great majority of the photographs you see on this website and elsewhere. I am selling it now that I have acquired a 5Ds R DSLR body. This is a “well used” camera body — it is not in new condition, but everything works well and nothing is broken. It includes a body cap, several batteries (not new), the charger, the original box, and a few other small odds and ends. This is a fine body for someone on a budget who wants a solid full frame camera. $900. Does not include a lens.
If you are interesting in buying both items as a package… talk to me about a discounted package price.
I prefer a person-to-person cash sale in the San Francisco Bay Area — that way be both know what we’re getting. Leave a comment on this post or email me if you are interested in either item.
(In another forum someone asked a question – actually, more like posed a challenge – related to how much usable detail and quality could be extracted from a raw file that contained areas of very low luminosity, as could happen with a badly underexposed image or with an image of a scene with a very large dynamic range. Since I went to the work of responding and illustrating my response, I figured that I might as well share it here, too. With minor revisions, here it is.)
First, I actually have a “real” version of this photograph in which highlights were slightly blown, but which I preferred to use since I could bring them back in post and get a bit more shadow detail to start with. (It looks a bit bright to me as an on-screen jpg, but it makes a fine print.) That photograph ended up looking like this:
This photograph and the other I’ll move to below were both shot from a tripod with a Canon EOS 5D Mark II at ISO 100 using the Canon EF 24-105mm f/4L IS at f/16. While the “keeper” used for the photograph above had a 1/4 second exposure, the example I’ll use below was shot at 1/30 second.
The exposure challenge in this scene was the very large dynamic range between the bright spot of sky at the head of the canyon and the much darker colorful foliage in relatively deep shadow in the foreground. Exposing for optimal quality in the foreground would completely blow out the sky, while exposing for the sky would necessarily grossly underexpose the foreground.
I originally thought that I might like to have four bracketed exposures in case that would let me produce a better final image via layer blending, but it turned out to be unnecessary and the final image (as shown above) has a single source file with no blending. However, this means that I still happen to have one very badly underexposed (by three stops) version at 1/30 second which I’ll use here as the starting point for what I plan to illustrate in this post. Follow along with me and see what I can do with the very underexposed version of the file… Continue reading Post-Processing: A Shadow Recovery Example→
UPDATE: – Canon 5D Mark II bundle for $1599, and very low price on Canon Powershot S100.
Canon 5D Mark II Body for $1599.00 – (click to add to your cart to see the discount price) – bundle also includes Pearstone LP-E6 Lithium-Ion Battery Pack (7.4V 1450mAh), Vello BG-C2 Battery Grip for Canon EOS 5D Mark II, SanDisk 16GB CompactFlash Memory Card Extreme 400x UDMA. A word about this camera: I shoot the Canon EOS 5D Mark II. Although there is a newer Canon EOS 5D Mark III now, for many photographers the 5D2 will perform extremely well and at barely half the cost. Although I could upgrade to the new 5DIII, I have chosen to stick with the 5DII since it performs so well for me. If you have been waiting to get a full frame Canon camera, this may well be what you have been waiting for!
A quick note this morning about limited time discounts on four popular Canon L zooms at site-affiliate B&H – including the new 24-70mm f/2.8 L II zoom and the popular 70-200mm f/2.8 L IS and 16-35mm f/2.8 L lenses.
I’m occasionally torn about these posts, but then I see that folks are using the posts and their links to order at these seasonally-reduced prices… so I hope that some of you will find the information useful.
Some new holiday deals from site-sponsor B&H follow. You may have to add some of them to your cart to see the lower pricing:
Canon 60D with lens and accessory bundle – list prices total $1643,62, but now $899. Includes Canon EOS 60D, EFS 18-135mm IS lens, 16 GB memory card, Vello remote wireless release, Pearstone spare battery, Lowepro Rezo 170AW shoulder bag. B&H tells me that you must add the bundle at this link to your cart to see the discounted price. Also eligible for 2% rebate offer and free shipping.
Where does the 6D fit into the Canon eco-system? I think that for many people looking for a first full-frame body, and for many whose primary consideration is purely image quality, the 6D is going to hit the sweet spot. A 20 MP full frame image, assuming you shoot with skill and understand how to post-process, can produce an outstanding print in sizes much larger than the typical user will ever produce. There is every reason to think that the image quality produced by this camera will be essentially indistinguishable from that produced by the fine Canon EOS 5D Mark III. I have not used the camera, but from many reports I have read from those who have had their hands on a copy, it sounds like it will be a fine performer.
B&H has the Canon 5D Mark II body on sale for $1799 right now. If you have been holding out for a full frame body, this seems like a great opportunity. While the newer Canon EOS 5D Mark III offers some improved features that can make a difference to some photographers, for others the 5DII can perform essentially equally well. For example, those photographing subjects like landscape or architecture and so on will find that the 5DII produces image quality that essentially equals that of the 5DIII, and that they likely won’t miss the newer features. (I considered upgrading from my 5DII, but I decided that the 5DIII – as fine as it is – won’t provide compelling advantages for my photography.)
It is also worth noting that this makes the price of the 5DII barely more than 50% of that of the 5DIII!