Tag Archives: Mountain

Eroded Ridge and Valley

Eroded Ridge and Valley
Eroded ridge and valley in the Waterpocket Fold area, Utah

Eroded Ridge and Valley. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Eroded ridge and valley in the Waterpocket Fold area, Utah

This landscape could hardly be more different from the landscape in yesterday’s photograph. The earlier photograph was of Drake’s Estero, at the Point Reyes National Seashore, made on a day that was almost entirely foggy until a brief interval of filtered sun illuminated the blue waters of the estuary, a bit of green on a peninsula, and distant sky and water. None of those things are found in this photograph.

This landscape from Capitol Reef National Park is austere, arid, and quite rugged. It has a special beauty, but it is not a beauty with soft edges, misty skies, and water. Here the land is laid bare, seeming from a distance to be devoid of plant life. (Once inside this landscape, it turns out to be a bit more alive than it might seem.) Geology and the effects of time are visible in these places with their colored layers of rock, deeply cut valleys, and rugged erosion forms. Here gullies lie below rocky ridges, and two valleys come together in a flat area laced by stream beds.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Redrock Country, Near Fruita

Redrock Country, Near Fruita
Cliffs and eroded towers near Fruita, Capitol Reef National Park

Redrock Country, Near Fruita. Capitol Reef National Park, Utah. October 20, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Cliffs and eroded towers near Fruita, Capitol Reef National Park

I’m a sucker for juxtapositions of mountains and cliffs, and sunlit and shadowed surfaces. (In fact, “juxtaposition” is a word I think about a lot when making photographs.) This part of the world provides these juxtapositions with a vengeance. Everywhere in the red rock country of the Southwest there are sandstone walls, lined up, building one on top of the other, standing in front of and behind each other, layered with eroded rock and soil, standing above valleys and beyond lower ridges.

We had only a brief time to photograph on this first afternoon in Capitol Reef National Park. I had arrived in the middle of the afternoon and then busied myself with setting up a tent and a few other camp chores, plus catching up on the news with my friend Dave. By the time all of these important things had been taken care of the sun was rapidly dropping toward the horizon, so we quickly headed to a nearby area to see what sort of late-day light we could find. Literally within minutes of leaving our campground (which is just to the right of the shadowed trees visible in the lower part of the photograph) we came upon this intense and saturated late-day light, with shadows starting to stretch across the valley and the low foreground ridges.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sandstone Cliffs, Autumn

Sandstone Cliffs, Autumn
Evening light on the autumn sandstone landscape of Capitol Reef National Park, Utah

Sandstone Cliffs, Autumn. Capitol Reef National Park, Utah. October 20, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Evening light on the autumn sandstone landscape of Capitol Reef National Park, Utah

I began this fall season visit to Utah in the far southwest corner of the state, making Kanab my base for the first few days. There I explored various valleys and canyons, mostly improvising an itinerary as the mood struck me. I returned there to a few places I had visited in the past and also visited a few new places. After a few days here I took a back-route up to Capitol Reef where I would meet up with my friend and fellow photographer David Hoffman.

I arrived at Capitol Reef in the afternoon, found Dave’s campsite (he had arrived earlier) and set up my tent. As I recall, we were unable to resist the lure of the nearby place selling home-made pies, and it wasn’t until late in the day that we decided to make a quick run for some sunset light. We found it quickly — the location of our campground is just out of sight to the right around the bend in the road running up this valley. Because the landscape tilts up to the west here, the sunset seems to come a bit earlier than I would expect, and we were barely in time of catch this light before the valley fell into shadow.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

A Photograph Exposed: “Shoreline Reflections, Trees and Rocks”

(“A Photograph Exposed”  is a series exploring some of my photographs in greater detail.)

Shoreline Reflections, Trees and Rocks
Shoreline Reflections, Trees and Rocks

Shoreline Reflections, Trees and Rocks. Yosemite National Park, California. June 30, 2010. © Copyright G Dan Mitchell – all rights reserved.

Black and white photograph of silhouetted trees and boulders and their reflections lining a flooded section of the shoreline of Tenaya Lake.

This photograph is a personal favorite for a bunch of reasons related to how the photograph came about, the experience of making the photograph, associations with the place, and a print that pleases me a great deal.

I maintain the no photographer’s work is wholly original. What comes closest to being truly original is the personal vision of the artist — that particular way of seeing that the photographer develops. That vision is actually unique, but it is built from experiences and exposure to a visual world that includes the ways of seeing of other photographers and painters and more. I acknowledge and am grateful to a wide range of photographers whose work informs my way of seeing the world.

Continue reading A Photograph Exposed: “Shoreline Reflections, Trees and Rocks”

Lake, Rocks, and Clouds

Lake, Rocks, and Clouds
Evening clouds reflected in the surface of an alpine lake with a cluster of rocks

Lake, Rocks, and Clouds. Yosemite National Park, California. July 2, 2007. © Copyright 2007 G Dan Mitchell – all rights reserved.

Evening clouds reflected in the surface of an alpine lake with a cluster of rocks

I recently revisited this older photograph, one that I had shared in a color rendition in the past, and this time I felt like I wanted to see it in monochrome. This is a sort of scene probably familiar to anyone who has spent much time in the high country of the Sierra Nevada, that region where lakes, large sub-alpine meadows, sparse trees, and surrounding peaks come together to produce a landscape like no other.

This is a lake I visit frequently, typically several times each season. I visit it for several reasons, ranging from practical to aesthetic. The lake is not too far from roadways, and it is common that I find that I have enough time available on a late afternoon to park my car, load up my pack, and do the short but steep hike up and over a nearby ridge to get to this alpine world. In fact, it is one of the places where I can arrive at that world rather quickly. Once there I tend to explore the familiar landscape, often revisiting lakes, rocks, streams, and trees that I have visited many times before. As the evening wears on, I know that I should head back to my car before dark, but I am never able to leave quite quickly enough, and I end up lingering through sunset and into early dusk, often ending up on the that ridge between me and the road as darkness comes on, and arriving at my car after dark.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell or others where indicated. Any use requires advance permission from G Dan Mitchell.

Panamint Range, Reflection

Panamint Range, Reflection
The east face of the Panamint Range is reflected in the surface of a desert pool

Panamint Range, Reflection. Death Valley National Park, California. April 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The east face of the Panamint Range is reflected in the surface of a desert pool

This is a photograph of one of those surprising features of Death Valley — water in the middle of a place that is astonishingly arid. This location is one of the lowest, hottest, and driest places in the Valley, and beyond this pool is a terrain that is particularly inhospitable, the famous salt flats. It is not pleasant to venture out there on a hot and sunny day, when not only is the heat oppressive but the light is so intense on the white playa surface that it is almost impossible to look.

I went here quite early one morning, in time for the sunrise light across the Valley on the mountains of the Panamint Range. In many ways this was not a hugely promising morning. I would have preferred some interesting clouds, though the thing high clouds are not completely uninteresting. It might have been nice to have white salt flats, but the playa had apparently gone so long without rain and had experience enough wind that the sometimes-white salt was quite gray. This little pool, at the edge of the Valley and the base of the tall and rugged hills, mirrored the early morning sky and a bit of the dawn color on the mountains.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dunes and Mountains

Dunes and Mountains
Low dunes and the base of Tucki Mountain in evening light

Dunes and Mountains. Death Valley National Park, California. March 31, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Low dunes and the base of Tucki Mountain in evening light

This is a different interpretation of a photograph that I have previously posted. Here I have simply tried a different crop, one that eliminates some areas of from the top and bottom of the earlier photograph in order to focus more on the horizontal sweep of the shallow dunes and the more distant wash sloping up to the base of gigantic Tucki Mountain, here in nearly the last light of the evening.

I think that when we are in this place, one of the most iconic in Death Valley National Park, our attention is more likely to be drawn to the tallest dunes, which are located more or less behind me at this camera position. But there is much else to see here, ranging from the intimate landscape of ripple sand and small plants to the rugged slopes of Tucki Mountain just to the south, and including the many long views across the huge spaces of the valley. Here I had been mostly photographing an expanse of dunes leading off toward the northeast, when I turned around to see this view of the edge of the sand, with low dunes curving toward the sparse plant life at their edge.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.