Tag Archives: national

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Snow Squall

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Desert Mountains, Snow Squall
“Desert Mountains, Snow Squall” — A late-winter snow squall high in the Panamint Mountains.

On this mid-March morning I was heading for Furnace Creek in Death Valley. I had made a sunrise stop to photograph near the town of Trona before resuming my northward drive. The west side of the Panamint Mountains is visible along most of this route, and a snowstorm was winding down among the highest peaks, lending an alpine quality to the desert landscape.

The Panamint Mountains are tall, with the highest summer being Telescope Peak at 11,000 feet of elevation. (The summit is known for being a spot from which one can see both the lowest and highest points in the contiguous United States, respectively Badwater and Mt. Whitney.) It is pretty normal to see snow up there during the winter, though this time it seemed to descend a bit further down the slopes than usual.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Morning

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Desert Mountains, Morning
“Desert Mountains, Morning” — A sunrise view across rugged desert mountain rainges from Dantes View, Death Valley.

I arrived at this well-known location high the Black Mountains well before sunrise. I’ve photographed here in the evening, but this time I was looking for sunrise light, which first touches the peaks of the Panamint Mountains across Death Valley, then works its way down and across the valley. Aside from the moments just before and after sunrise, these things happen relatively slowly, so I had plenty of time to look around at other subjects, too, including this view of layered desert mountain ranges.

Death Valley is the star attraction here for most people, but it is surrounded by impressive mountain ranges on all sides, and most of them are visible from this ridge. They stretch off into the far distance to the southwest. (Yes, somewhere in that direction lies Los Angeles!) The photograph looks southward along the flank of the Black Mountains, then across salt flats in Death Valley, and on toWard far more distant mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sunset Cloud, Desert Mountains

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Sunset Cloud, Desert Mountains
“Sunset Cloud, Desert Mountains” — A solitary cloud floats above the Death Valley landscape and catches the last sunset light.

This cloud was a luminous benediction at the end of a long and varied day that began before dawn along the shoreline of Lake Manly. After a late-morning break for coffee and food, I headed up into the Panamint Mountains to investigate recent snowfall. I timed my departure from there to give me time to get to this spot, an elevated location in Death Valley, in time for sunset.

I have realized that many of the landscape subjects that appeal to me are ephemeral. Like many photographers I am usually out during the edge hours around sunrise and sunset, when the light is the most transitory. I also love interesting and sometimes wild weather conditions — wind, precipitation, fog, isolated clouds forming momentarily above the landscape. This scene had a cloud that was shrinking and changing shape, along with the last bits of colorful sunset light before dusk.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Canyon, Cloud Shadows

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Desert Canyon, Cloud Shadows
“Desert Canyon, Cloud Shadows” A twisting and colorful desert canyon empties in Death Valley under the shadows of passing clouds.

Light is everything when it comes to photographing the desert landscapes of Death Valley. The terrain is always impressive, but the midday light can be intense and harsh, washing out colors and muting details. But in the right light a feature that might look, well, “washed out” in that intense light can become beautiful. Add a few passing clouds to increase contrasts between light and shadow and things get even more interesting.

I don’t know the name of this little canyon or even if it has one. But I do know that there are canyons like it everywhere in this national park. Many are worth exploring, whether or not there is a trail. In many cases you can just walk carefully up the gravel fan to a canyon’s mouth and then follow a wash up among the quiet hills until you run out of time or the terrain becomes too difficult.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.