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Dunes, First Light

Dunes, First Light
First light on Death Valley sand dunes

Dunes, First Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

First light on Death Valley sand dunes

No matter how many times I experience it — and I’ve experienced it a lot! — the instant when the first sunlight suffuses the landscape is always magical. Invariably, it sneaks up on me, even though I plan to be there for it and have probably calculated the precise time of the light’s arrival. Perhaps it is because I’m engaged in photographing the pre-sunrise light, a phenomenon that also is transitory. To this day, it still somehow surprises me when this light arrives in complete silence and stillness. Somehow it seems like there should be music or a rising wind… but it is just the light.

Sand dunes provide unending possibilities for photography, and they are a remarkable canvas on which the light can paint. In the middle of the day this sand would be a sort of bland off-white color. But for a few moments at the start and end of the day the sand takes on almost gaudy colors of sky and sunlight, and the soft shadows both emphasize the forms of the dunes and produce their own shapes and lines. Non-photographers probably wonder how we can force ourselves out of bed a couple hours before dawn and drive or hike long distances the pre-dawn darkness. We wonder how the rest of the world can sleep through it!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dunes, Mountains, Haze

Dunes, Mountains, Haze
Afternoon winds and blowing sand soften the contours of sand dunes and desert mountains

Dunes, Mountains, Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Afternoon winds and blowing sand soften the contours of sand dunes and desert mountains

For us, the drive to Death Valley from the San Francisco Bay Area is always a long one, even when we break it into sections as we did on this trip. We came through Trona and up the Panamint Valley, then following the newly reopened Wild Rose Canyon Road up into the mountains. Along the way to made a few stops in this range, and finally ended up in Death Valley itself in the middle afternoon. After getting settled in following the drive it is very tempting to just be lazy! However, we were there (mostly) to make photographs, so we got to work.

For me, the first photography of almost any trip amounts, to some extent, to a sort of warm-up exercise. I may (or may not) have a particular photograph or subject in mind, but it is important to get the camera out, head into the field, and start making photographs right away, if for no other reason than to “prime the pump” for the rest of the visit. We we headed to the dunes, stopping at a place where few others go, shouldered tripods, packs and cameras, and headed out to see what we could find. I had my sights on some low dunes where various vegetation grows, but along the way I looked toward the more distant higher dunes and spotted this beautiful backlight and haze as wind began to blow sand into the air from the dune ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Tufa Hill, Twilight

Tufa Hill, Twilight
Twilight and evening clouds above a tufa hill in the Death Valley landscape

Tufa Hill, Twilight. © Copyright 2018 G Dan Mitchell – all rights reserved.

Twilight and evening clouds above a tufa hill in the Death Valley landscape

A day or two earlier than this I had been out in a location not far from this spot at the end of the day, hoping to photograph end-of-day color. Just before sunset the sky went “dead” — some haze, no color in the sky, and a generally flat-looking landscape. I was about to pack up when “someone” (thanks, Patty!) pointed out, perhaps more than once, that I really should stick around “just in case.” And, yes, within moments a dull, gray cloud began to pick up pink tones, and before long sufficient color appeared to produce an interesting photograph. I know not to “pack before it is black,” but I need reminding from time to time!

The evening when I made the photograph seen here was challenging in many ways, and it began with perhaps even less promise than that evening a few days earlier. This time the sun went behind clouds to the west as it descended, turning the light completely flat. On top of that, the wind was absolutely howling, and sand was just beginning to blow. If I hadn’t had that reminder a couple of evenings earlier, I would have been out of there! But I stuck around, switching out the long lens that I had been using for a wider lens used for this photograph, and when the post-sunset, early twilight glow and color began I was ready. (A note regarding the title of this photograph. I’ve wondered about the source of these fantastical hills on the floor of Death Valley. As near as I can tell, they were formed many thousands of years ago, at the bottom of what was then a giant prehistoric lake.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Snow Begins

Snow Begins
Snow begins to fall on trees alongside a Yosemite Valley meadow

Snow Begins. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow begins to fall on trees alongside a Yosemite Valley meadow

Yes, another photograph of Yosemite Valley on a winter day. I made this photograph on an afternoon when snow flurries were beginning to affect the Valley. It was an extremely cold day, and I was resuming my photography after a mid-day break. The light was “challenging” as the clouds moved in, muting colors, lowering the light levels, and producing a rather gray affect. But that is what it looks like when snow is coming!

If I recall correctly, I passed by this well-known meadow on my way to another objective, and paused long enough to walk about a bit and make a few photographs before moving on. At this point it was only snowing lightly. It is perhaps hard to see the falling snow in the meadow, at least in the small online version of the photograph, and it was still possible to see through the flurries to the surrounding cliffs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.