Tag Archives: needle

Baby Forest

Baby Forest
Lodgepole pines growing at the edge of the meadow at Tioga Pass

Baby Forest. © Copyright 2022 G Dan Mitchell.

Lodgepole pines growing at the edge of the meadow at Tioga Pass

While I often prefer to minimize the content of photographs when possible — some of my favorites qualify as minimalist images — I also have a weakness for trying to make photographs out of extremely dense subjects. (If you know a bit about “minimalism,” you may recognize that filling space with details can also be a characteristic.) Sometimes the pure density and complexity of the scene is enough, though at other times the challenge is in finding a viable composition among so much detail.

This little “baby forest” vignette is from high in the subalpine zone in the Yosemite Sierra, in the young forest near the edge of a meadow, a place where new trees can gain a foothold out of the literal shadows of the more established trees. Particularly in the early season — late spring and the start of summer — spots like this can be lush and full of new greenery and wildflowers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Leaves, Sand

Autumn Leaves, Sand - Autumn oak and box elder leaves lie on the pink sand in the bottom of a wash, Zion National Park
Autumn oak and box elder leaves lie on the pink sand in the bottom of a wash, Zion National Park

Autumn Leaves, Sand. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Autumn oak and box elder leaves lie on the pink sand in the bottom of a wash, Zion National Park

The thing that most often first catches my attention in the bottom of slot canyons, such as this small one in the Zion National Park high country, is the way that they twist between closely spaced vertical walls. There is virtually nothing quite like this in our experience. But the thing I notice first is not necessarily the thing I remember most. I often wonder how others might regard my photographs, since I know that they cannot share the full context of the images that I know from being in these places. (I’ve often said that we, as the photographers, are perhaps the least able to see our own work objectively, since we cannot easily put aside these non-photographic things that are no longer present in the purely visual medium within which we work.) When I think of these canyons I think of the sound, often deadened by the sand and perhaps by vegetation, and of the feeling of the air, which always different from the feeling of the air outside the canyon – most often cooler when the “outside” air is warm but also warmer when the canyon provides shelter from cool-season winds. And it those canyons with water flowing through them, there is the constant, though often gentle sound of water flowing and trickling.

I also usually end up slowing down and looking at many small things that might not first be seen – the leftover pattern of water than may have flowed through weeks or months earlier, place where the sand has been marked by the passage of a small animal or by grass moving across its surface in the breeze, the mixture of rocks that must have come from distant places, plants growing in odd cracks in the rock, patterns in the rock walls, the passage from one rock layer to another, and more. On this fall day it had been windy and lots of autumn “stuff” was littering the canyon floor, which here was pink sandstone sand, further colored by the glowing light reflected from the red rock canyon walls.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Small Tree, Shoreline Rocks

Small Tree, Shoreline Rocks
Small Tree, Shoreline Rocks

Small Tree, Shoreline Rocks. Yosemite National Park, California. September 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

A small tree grows in a shoreline rock garden along a Sierra Nevada lake in the back-country of Yosemite National Park.

I’m posting this one because a person who posted here a week or two ago on a similar photograph asked whether I had made any photographs that included a bit more of the surface of the lake and its reflections of the forest in the distance. In fact, I had one more, and this is it.

I made this photograph and the other one in soft light at the edge of the day when no direct sunlight was in the scene at all. While this can flatten the light a bit, it also tends to fill in that shadow areas and create a less harsh sort of light. In also contributed to the interesting reflected and diffused forms of the forest along the far bank of the lake, whose vertical forms cross the horizontal forms of underwater rocks along the bottom of the lake bed.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Peninsula and Trees, Morning

Peninsula and Trees, Morning
Peninsula and Trees, Morning

Peninsula and Trees, Morning. Yosemite National Park, California. September 18, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Morning light on a tree-covered peninsula along the edge of a subalpine lake with a talus slope backdrop, Yosemite National Park.

I think that the primary thing that first caught my attention in this little scene was the very twisted and curving tree about 1/3 of the way in from the right edge of the frame. I wonder why one tree ended up growing in such an odd way when its neighbors seem to have managed to grown in a straight and conventional manner? The light on these trees was coming from almost directly behind them, as the sun had just topped the ridge above and out of the frame. Because the talus slope is fairly steep, portions of it remain in shade.

This photograph posed a few interesting challenges, and they are probably not all immediately apparent. One that may be visible to those who are familiar with such scenes is the fact that back-light like this can create some very bright highlights that can “blow out” in a digital camera exposure. In fact, these highlights are what determine the exposure for such a scene. If accommodating the bright highlights makes the shadows too dark, I can either work a bit in post to bring back some shadow detail or I can make a separate exposure for the shadows and blend the two in post. That wasn’t necessary here – I was able to capture the scene in a single exposure. The second odd little problem was that swarms of mosquitos were flying just above the water all around the shoreline of the lake. Although you cannot see them in this small jpg, there were many, many little traces of the bugs in the air – so many, in fact, that I had to somewhat laboriously clone out a good number of the most obvious of them.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.