Tag Archives: new

New Fujifilm X-Pro2 — and X-Pro1 Discounts

Fujifilm announced the new X-Pro2 digital mirrorless camera today., The announcement provides very interesting opportunities for photographers — one being the new camera itself and the other being an extraordinary low price on its predecessor, the X-Pro1. (The X-Pro2 is now available for pre-order at B&H.)

The New X-Pro2

Fujifilm X-Pro2
Fujifilm X-Pro2

The X-Pro2 is the updated successor to  XPro1. The newer camera will feature:

  • A compact rangefinder style mirrorless design
  • 24 MP 1.5x cropped format sensor
  • Improved autofocus capabilities
  • A hybrid optical-electronic viewfinder
  • Manual controls for shutter speed, aperture, ISO, more
  • Wifi equipped
  • …and more
  • Body-only price is $1699 — preordering now available..

The X-Pro2 is now available for pre-order at B&H. I’m almost certain to upgrade to the X-Pro2 from the  X-E1 that has been my primary street and travel photography camera for the past three years.  (The current updated equivalent of my camera is the X-E2.) Since I’m sold on the Fujifilm system — bodies and lenses — the X-Pro2 will bring features that I’ve wanted for some time.

(See a Fujifilm press release for the X-Pro2.)

The Old X-Pro1

Fujifilm X-Pro-1
Fujifilm X-Pro-1

The announcement of the X-Pro2 brings a very special opportunity for folks who could use the X-Pro1.  The X-Pro1 provides

  • The same compact rangefinder design
  • An excellent 16MP 1.5x cropped format sensor
  • A hybrid optical-electronic viewfinder
  • … and more
  • a very low price of $499 for the body-only!

While the X-Pro2 most certainly brings useful  advances, the X-Pro1 is also a fine camera, and at this very low $499 price (it was originally $1299) it is a tremendous bargain right now. If you poke around a bit at the B&H website, you can find it with a lens for $699.

Other New Fujifilm Gear

Fujifilm also announced several other new products including…

This website has an affiliate relationship with B&H Photo. Your purchases through website links return a percentage of the sale price to this website — but your cost remains the same.

One More Thing

Regarding Fujifilm cameras, a quotation from Fuji X-series senior product manager Takashi Ueno in the British Journal of Photography says a lot:

“We are in a very good position to make a medium format camera, as we make camera bodies, sensors and lenses. We already make the lenses for Hasselblad, so we have that expertise.”

  1. Fujifilm, a company with a history of producing some excellent medium format film cameras, is becoming more open about their interest in medium format digital. (Note that they have not actually announced a product. Yet.)
  2. If you have wondered why those of us using the Fujifilm system are so enthusiastic about the beautiful Fujifilm lenses, re-read the quote if you missed it the first time and note whose lenses they currently make.

BJP article here, with the medium format discussion on page 2.

Continue reading New Fujifilm X-Pro2 — and X-Pro1 Discounts

Canon EOS 5DsR Quick Update

If you are a Canon-using photographer you are almost certainly aware that Canon has released two new DSLR cameras in the 5D series, the 5DS and the 5DS R models. Both provide approximately 50 megapixels (MP) of sensor resolution along with some other improvements. The cameras seem to be an excellent next evolutionary step for Canon photographers who can use the additional resolution.

Canon EOS 5Ds DSLR
Canon EOS 5Ds DSLR

I have the 5DS R model and I’ve had the chance to photograph with it twice as of this date. I have been asked to share my thoughts on the camera, but it is still a bit too early for me to write a full report — I want to make more photographs with it and I want to make some very large prints from the files first. Meanwhile I can share a few things: Continue reading Canon EOS 5DsR Quick Update

New Canon EOS 5Ds In Stock

Canon EOS 5Ds DSLR
Canon EOS 5Ds DSLR

As of this morning, the new Canon EOS 5Ds is in stock right now at various dealers, including site-sponsor B&H Photo.

The 5DS (including the 5DS R variant) is Canon’s new 50.6MP full frame DSLR. The camera provides the highest resolution sensor of any current full frame cameras, along with several other improved features.

(The 5DS R model cancels the anti-aliasing filter that has long been a standard feature of digital cameras. The “R” model is back-ordered, so those who want that version and don’t want to wait should consider putting in an order.)

(You may use the links in this paragraph to order/reserve either the 5DS or the 5DS R from site-sponsor B&H photo. I have reserved mine — I’m going with the “R” model.)

Articles on the 5Ds and 5Ds R on this website:


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Looking at Canon 5Ds Raw Files: Noise and Dynamic Range

(Note: The images were not included in the original post, which instead included text links only. The images are now part of the post.)

I just took a break and had time to play with a Canon 5Ds raw file that I found on the web. (Anyone wanting to look at files from the 5Ds should head on over to that link right now — there are something like 90+ files to look at.) It was made with the 5Ds at ISO 100, f/8, 1/400 second. It isn’t clear what lens was used, but it appears that it could have been either the 50mm f/1.8 STM lens or the 24-70mm f/2.8 II.

I opened the file in ACR. I made no adjustments to curves, color, etc. I let ACR automatically correct for CA. Default ACR sharpening used at 15 with masking at 50.

I brought the converted file into Photoshop as a smart object to allow for non-destructive re-editing in Adobe Camera Raw (ACR). I confirmed that shadow areas along the waterline of the boats have luminosity values of 0 — I did this by checking the Lab color representation and watching the L value, which hits 0 in several spots. The general area is shown by the rectangle in the following image: Continue reading Looking at Canon 5Ds Raw Files: Noise and Dynamic Range

Canon EOS 5Ds and 5Ds R Release Near?

Several months ago Canon announced that it would release two new high-megapixel DSLR cameras in the 5D series, the 5Ds and the 5Ds R in June. June is now only a couple of days away. Although I don’t have any inside information, there are hints that the release could come as early as the first week of the month.

Canon EOS 5Ds DSLR
Canon EOS 5Ds DSLR

I think there will be a large pent-up demand for these cameras from Canon photographers, some of whom have watched from the sidelines as companies like Sony and Nikon have introduced higher MP camera bodies. Those who want to get early copies can preorder — here are links to site-sponsor B&H:

The primary value proposition of the new camera series is the 50.6 megapixel sensor. This is a higher sensor resolution than on any other current full-frame DSLR, and it more than doubles the number of photo sites on earlier Canon DSLRs. For photographers who make big prints from DSLR photographs, and especially for those who work with a great deal of care and focus on subjects in which image resolution may become critical, this will likely be significant advance.

Continue reading Canon EOS 5Ds and 5Ds R Release Near?

Canon 50MP 5DS Body, 11-24mm Lens, and Updated Rebel DSLRs

I’ll start with a list, and I’ll add a few comments below.

You may feel differently, but the most interesting announcement to is that of the two versions of the EOS 5DS, a 50.6mp full frame DSLR that seems optimized for image quality. While not everyone will need 50MP in a full frame body, some of us will most certainly benefit from sensor resolution that more than doubles what was previously available from Canon. There are two models, the 5DS and the 5DS R — the 5DS R doesn’t apply anti-aliasing filtering. This has the potential to maximize image sharpness for certain kinds of photographers, and the potential risk of some moire artifacts in photographs of certain types of patterned subjects. The cameras are supposed to begin shipping in June, and I plan to get one — most likely the R model.

For those who like really wide angle zoom lenses, the EF 11-24mm f/4L lens is arguably going to be king of the hill. Early reports are that it is optically excellent, and 11mm is 1mm wider than the excellent 14-24mm Nikon f/2.8 zoom. This lens (as noted above) can apparently now be pre-ordered.

The Rebel T6i and T6s are the newest updated models in the family of consumer Rebel DSLRs. These are fine cameras at a good price, and Canon will no doubt sell tons of them. They use 24mm cropped format sensors, and they are available in body-only version and it kits that include a basic zoom lens. The T6s is said to have a few more “advanced” features added.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Canon EF 100-400mm f/4.5-5.6L IS II Lens — A First Look

(Note: Updated 12/24/14 to add thoughts about “who should buy” this lens.)

Canon 100-400mm f/4.5-5.6L IS IICanon EF 100-400mm f/4.5-5.6L IS II

Canon recently released the successor to their venerable 100-400mm telephoto zoom lens, the new EF 100-400mm f/4.5-5.6L IS II lens. I have relied on the older model for some time now… but my copy of the new lens arrived a few days ago. Now that I have used it for a day of wildlife and landscape photography I would like to share some first impressions

Four Sandhill Cranes
Four Sandhill Cranes

Four Sandhill Cranes. San Joaquin Valley, California. December 22, 2014.
© Copyright 2014 G Dan Mitchell — all rights reserved.

First, a few technical details. The new lens covers essentially the same range as the older model — a focal length range of 100mm to 400mm and a variable aperture range of f/4.5 (at 100mm) to f/5.6 (at 400mm). Both lenses use a zoom mechanism that extends at longer focal lengths. However, there are some technical differences:

Continue reading Canon EF 100-400mm f/4.5-5.6L IS II Lens — A First Look