Tag Archives: new

Fujifilm X-Pro2

Fujifilm just released their newest camera, the X-Pro2. Since I have been relying on an earlier Fujifilm camera (the original X-E1) for over three years — and liking the results a whole lot — it seemed like time to move up to the newer, more refined body. My new X-Pro2 arrived a few days ago, and so far I’m quite impressed. (My time with the camera has been limited thus far, and I’ll share a much more detailed report once I have had a chance to use it extensively.)

Fujifilm X-Pro2
Fujifilm X-Pro2 with the new XF 35mm f/2 WR lens

The Fujifilm “x-trans” sensor cameras are appealing for a number of reasons:

  • Small, light mirrorless designs offer an alternative to larger DSLR systems.
  • The x-trans sensor produces excellent image quality and uses a photo site layout that is designed to minimize aliasing without using anti-aliasing filters.
  • The Fujifilm lenses are truly top-notch, from primes to zooms, and there is a complete and diverse selection of available lenses.

Until now all of these cameras have use 16 megapixel (MP) 1.5x cropped sensor designs. 16MP is plenty for almost all photographers, and I make beautiful 18″ x 24″ prints from the files. One of the main updates on the X-Pro2 is the addition of an optimized 24MP sensor. If anything, this sensor improves the low light performance and dynamic range of the 16MP versions, and it provides a bit more resolution.

The X-Pro2 also improves on many of the ideas behind the original (and now a bit long in the tooth, though quite inexpensive) X-Pro1. Both cameras use a hybrid viewfinder that incorporates both an optical viewfinder (OVF) and an electronic viewfinder (EVF), both of which have advantages in various situations. The OVF works beautifully with many primes, eliminates shutter blackout, and allows the photographer to see what is going on just outside the borders of the image. The design overlays an electronic display on top of the optical image. These features are very useful to those doing street photography and similar things.

The EVF works well with all lenses, from ultra wide to telephoto and especially with zoom lenses. It can be advantageous in very low light, such as night street photography. It also shows the precise frame edge lines and can display even more image data than the OVF.

The camera feels light but also solid and well-constructed, and it recalls classic rangefinder cameras.

I got mine with the new XF 35mm f/2 WR lens, one of five newer lenses that are optimized to autofocus more quickly on the X-Pro2 (and, presumably, future X-series cameras). It is also weather resistant. I can report that it focuses quickly and accurately in a wide range of situations. Since I also have my older XF 35mm f/1.4 lens, I haven’t yet decided whether I will end up valuing the extra stop of the f/1.4 lens enough to give up the faster AF and smaller size of the new f/2 lens.

That’s all I’ll say for now, but expect more in the not-too-distant future as I gain more experience with the camera. For now, I don’t see any reason to not recommend it.

  • Fujifilm X-Pro2 digital camera body — $1699 at B&H or Adorama
  • Fujinon XF 35mm f/2 WR lens — $399 / $299* with X-Pro2 at B&H or Adorama (*limited time offer)

(If you find this website and posts like this useful and you are going to get one of these products, consider making your purchase through links on this site. Your price will be the same, but the purchases help support the operation of the site. Thanks!)

Also see:  Taking Stock of the Fujifilm X-E1, X-E2, S-T1 Mirrorless Cameras


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Sierra Foothills, Late Winter

Sierra Foothills, Late Winter
First growth of the season brings green to Sierra Nevada foothills in late winter

Sierra Foothills, Late Winter. February 27, 2016. Sierra Nevada Foothills, California. © Copyright 2016 G Dan Mitchell – all rights reserved.

First growth of the season brings green to Sierra Nevada foothills in late winter

During late winter many parts of California undergo stunning conversion. During the previous summer the landscape dried out under summer heat. As summer turns to fall the heat does not immediately abate, and the landscape may reach its driest point. Then, in a normal year, the winter rains finally arrive. At first the changes — mud, mostly — don’t speak of spring, but at some point in the middle of winter plants again gain a foothold and begin to sprout everywhere. Short and very greens grasses spring up. Wildflowers begin to appear on the hillsides.

This photograph is of an area that seemed to be starting the late winter transformation. Though some trees are still leafless, the hills are otherwise covered with the first, short grasses. A few flowers have begun to appear on some of the chaparral plants. And beautiful light is everywhere. This begins a short but intense period of wild land growth here. The short grasses turn to lush, thick grasses. Wildflowers take over, and the leafless trees begin to show new colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

New Fujifilm X-Pro2 — and X-Pro1 Discounts

Fujifilm announced the new X-Pro2 digital mirrorless camera today., The announcement provides very interesting opportunities for photographers — one being the new camera itself and the other being an extraordinary low price on its predecessor, the X-Pro1. (The X-Pro2 is now available for pre-order at B&H.)

The New X-Pro2

Fujifilm X-Pro2
Fujifilm X-Pro2

The X-Pro2 is the updated successor to  XPro1. The newer camera will feature:

  • A compact rangefinder style mirrorless design
  • 24 MP 1.5x cropped format sensor
  • Improved autofocus capabilities
  • A hybrid optical-electronic viewfinder
  • Manual controls for shutter speed, aperture, ISO, more
  • Wifi equipped
  • …and more
  • Body-only price is $1699 — preordering now available..

The X-Pro2 is now available for pre-order at B&H. I’m almost certain to upgrade to the X-Pro2 from the  X-E1 that has been my primary street and travel photography camera for the past three years.  (The current updated equivalent of my camera is the X-E2.) Since I’m sold on the Fujifilm system — bodies and lenses — the X-Pro2 will bring features that I’ve wanted for some time.

(See a Fujifilm press release for the X-Pro2.)

The Old X-Pro1

Fujifilm X-Pro-1
Fujifilm X-Pro-1

The announcement of the X-Pro2 brings a very special opportunity for folks who could use the X-Pro1.  The X-Pro1 provides

  • The same compact rangefinder design
  • An excellent 16MP 1.5x cropped format sensor
  • A hybrid optical-electronic viewfinder
  • … and more
  • a very low price of $499 for the body-only!

While the X-Pro2 most certainly brings useful  advances, the X-Pro1 is also a fine camera, and at this very low $499 price (it was originally $1299) it is a tremendous bargain right now. If you poke around a bit at the B&H website, you can find it with a lens for $699.

Other New Fujifilm Gear

Fujifilm also announced several other new products including…

This website has an affiliate relationship with B&H Photo. Your purchases through website links return a percentage of the sale price to this website — but your cost remains the same.

One More Thing

Regarding Fujifilm cameras, a quotation from Fuji X-series senior product manager Takashi Ueno in the British Journal of Photography says a lot:

“We are in a very good position to make a medium format camera, as we make camera bodies, sensors and lenses. We already make the lenses for Hasselblad, so we have that expertise.”

  1. Fujifilm, a company with a history of producing some excellent medium format film cameras, is becoming more open about their interest in medium format digital. (Note that they have not actually announced a product. Yet.)
  2. If you have wondered why those of us using the Fujifilm system are so enthusiastic about the beautiful Fujifilm lenses, re-read the quote if you missed it the first time and note whose lenses they currently make.

BJP article here, with the medium format discussion on page 2.

Continue reading New Fujifilm X-Pro2 — and X-Pro1 Discounts

Canon EOS 5DsR Quick Update

If you are a Canon-using photographer you are almost certainly aware that Canon has released two new DSLR cameras in the 5D series, the 5DS and the 5DS R models. Both provide approximately 50 megapixels (MP) of sensor resolution along with some other improvements. The cameras seem to be an excellent next evolutionary step for Canon photographers who can use the additional resolution.

Canon EOS 5Ds DSLR
Canon EOS 5Ds DSLR

I have the 5DS R model and I’ve had the chance to photograph with it twice as of this date. I have been asked to share my thoughts on the camera, but it is still a bit too early for me to write a full report — I want to make more photographs with it and I want to make some very large prints from the files first. Meanwhile I can share a few things: Continue reading Canon EOS 5DsR Quick Update

New Canon EOS 5Ds In Stock

Canon EOS 5Ds DSLR
Canon EOS 5Ds DSLR

As of this morning, the new Canon EOS 5Ds is in stock right now at various dealers, including site-sponsor B&H Photo.

The 5DS (including the 5DS R variant) is Canon’s new 50.6MP full frame DSLR. The camera provides the highest resolution sensor of any current full frame cameras, along with several other improved features.

(The 5DS R model cancels the anti-aliasing filter that has long been a standard feature of digital cameras. The “R” model is back-ordered, so those who want that version and don’t want to wait should consider putting in an order.)

(You may use the links in this paragraph to order/reserve either the 5DS or the 5DS R from site-sponsor B&H photo. I have reserved mine — I’m going with the “R” model.)

Articles on the 5Ds and 5Ds R on this website:


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Looking at Canon 5Ds Raw Files: Noise and Dynamic Range

(Note: The images were not included in the original post, which instead included text links only. The images are now part of the post.)

I just took a break and had time to play with a Canon 5Ds raw file that I found on the web. (Anyone wanting to look at files from the 5Ds should head on over to that link right now — there are something like 90+ files to look at.) It was made with the 5Ds at ISO 100, f/8, 1/400 second. It isn’t clear what lens was used, but it appears that it could have been either the 50mm f/1.8 STM lens or the 24-70mm f/2.8 II.

I opened the file in ACR. I made no adjustments to curves, color, etc. I let ACR automatically correct for CA. Default ACR sharpening used at 15 with masking at 50.

I brought the converted file into Photoshop as a smart object to allow for non-destructive re-editing in Adobe Camera Raw (ACR). I confirmed that shadow areas along the waterline of the boats have luminosity values of 0 — I did this by checking the Lab color representation and watching the L value, which hits 0 in several spots. The general area is shown by the rectangle in the following image: Continue reading Looking at Canon 5Ds Raw Files: Noise and Dynamic Range

Canon EOS 5Ds and 5Ds R Release Near?

Several months ago Canon announced that it would release two new high-megapixel DSLR cameras in the 5D series, the 5Ds and the 5Ds R in June. June is now only a couple of days away. Although I don’t have any inside information, there are hints that the release could come as early as the first week of the month.

Canon EOS 5Ds DSLR
Canon EOS 5Ds DSLR

I think there will be a large pent-up demand for these cameras from Canon photographers, some of whom have watched from the sidelines as companies like Sony and Nikon have introduced higher MP camera bodies. Those who want to get early copies can preorder — here are links to site-sponsor B&H:

The primary value proposition of the new camera series is the 50.6 megapixel sensor. This is a higher sensor resolution than on any other current full-frame DSLR, and it more than doubles the number of photo sites on earlier Canon DSLRs. For photographers who make big prints from DSLR photographs, and especially for those who work with a great deal of care and focus on subjects in which image resolution may become critical, this will likely be significant advance.

Continue reading Canon EOS 5Ds and 5Ds R Release Near?