Tag Archives: north

Storm, Mono Lake

Storm, Mono Lake
Dark clouds of a massive summer thunderstorm move across Mono Lake.

Storm, Mono Lake. Eastern Sierra Nevada, California. August 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Dark clouds of a massive summer thunderstorm move across Mono Lake.

This has been the “summer of the monsoon” in the Sierra Nevada. Although the range is terribly dry after four years of drought and this past winter’s truly anemic snow pack, summer has brought a greater than usual amount of monsoonal flow from the south, producing a great deal of thunderstorms and rain. In July I saw an odd juxtaposition of nearly snow free peaks and ridges that looked like late September of a dry year… along with green meadows and full ponds where the rains had fallen.

By the time of this early August visit to the Yosemite High Sierra and then a few days of backpacking on the east side of the range further south, things were drying out a bit and the foliage was taking on the usual late-August dry appearance. I camped down in Lee Vining Canyon the first night, and being close to Mono Lake I managed to head out there and make photographs after setting up camp. Thunderstorms were forming above the Sierra crest, and they had sprinkled on my camp. They then drifted east of the range and continued to build, so as I looked along this section of the north shore of Mono Lake, with Black Point and Negit Island visible in the foreground, the sky in the distance was turbulent, dark, and full of falling rain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Men, Urban Garden

Three Men, Urban Garden
Three men sitting on benches in a downtown San Francisco courtyard

Three Men, Urban Garden. San Francisco, California. August 14 ,2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Three men sitting on benches in a downtown San Francisco courtyard

This seemed like a rare quiet scene in this part of San Francisco, along busy Market Street, which is crowded with tourists, locals, buses and taxis at this time of year. While walking through this area with my camera I had taken a break to grab a coffee when I saw this scene right outside the window.

There are many things that strike me about the relationship between urban environments like this one and the natural world that is also a subject of my photography. Places like Market Street are so antithetical to almost the entirety of the rest of the world — they noise and bustle and crowds are truly an anomaly on this planet. In some places it is quite possible to see almost no evidence of that non-human world, except perhaps by looking straight up at the sky. Yet in places like this an image of that world, synthetic though it may be, is constructed — and it brings some quiet and stillness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mount Dana

Mount Dana
Evening light, Mount Dana and Dana Meadows

Mount Dana. Yosemite National Park, California. July 13, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Evening light, Mount Dana and Dana Meadows

On an evening early in my mid-July visit to Yosemite’s high country, I parked my car along Tioga Pass Road and next to a meadow that is an old friend of mine, shouldered my pack and tripod, and wandered slowly into the landscape, knowing that there was too much to see to warrant hurrying. I dropped to a low flat area, only to discover that water was flowing across it beneath the meadow foliage, so I spent a bit of time looking for a dry path through the section. A bit further on I climbed a low rise with glacial boulders and small trees on top, and I paused here to look for a while and then made a few photographs before moving on.

The photographs from this spot included some of this slope leading toward the summit of Mount Dana, the second tallest peak in the park at just over 13,000 feet of elevation. From my location in this subalpine meadow, the terrain gradually ascends through dense forest, with trees gradually becoming smaller, past the tree line to where only smaller shrubs and bushes grow, and on up to alpine tundra. Clouds shrouded the peak on this evening, leftovers from early thunderstorm weather. Of all these things, photographically I was most interested in the close meadow, rocks, and trees Oddly, when I returned home I initially ignored this photograph, but later on I went back and looked again and ended up feeling that it conveys a true sense of this sort of country.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Service Station, Billboards

Service Station, Billboards
Billboards tower over a service station in morning light, San Francisco

Service Station, Billboards. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Billboards tower over a service station in morning light, San Francisco

There are many kinds of landscapes to photograph, and I like most of them. This one happens to be an urban landscape, a subject that I like a lot. I made the photograph on one of my periodic walks through parts of San Francisco. This one, as most of them do, started at the Caltrain station very early in the morning and headed straight up toward Market Street. This gas station is right near a freeway interchange, and probably ideally situated for people arriving in or departing from downtown San Francisco.

I know that a scene like this may simply baffle some viewers, especially those who are more drawn to nature and natural landscape photographs with their depictions of unspoiled beauty. I understand. But even in the city there is beauty, and the light was especially wonderful on this morning — blue sky with scattered fog breaking up created a soft but still directional quality to the muted light. My eyes first went to the billboards, whose backsides here tower above the surrounding buildings — urban mountains or cliffs, perhaps? But alone they did not seem to make a photograph. But then I saw the light on that wall with the “PRINTING” sign, and the contrast between the blues of the sky and wall and the hot reds and yellows of the corporate colors on the gas station.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning, Tuolumne Meadows, Mount Dana

Morning, Tuolumne Meadows, Mount Dana
Lembert Dome and Mount Dana rise above Tuolumne Meadows on a cloudy summer morning

Morning, Tuolumne Meadows, Mount Dana. Yosemite National Park, California. July 13, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Lembert Dome and Mount Dana rise above Tuolumne Meadows on a cloudy summer morning

This is yet another of the stopped-on-my-way-somewhere-else photographs, often made unexpectedly as I encounter something I wasn’t really looking for and get distracted — though another way to put it is that I quickly fall into a different mode of seeing when I photograph, and I begin to recognize the potential in subjects that I might otherwise not have noticed. In this case I was headed towards a specific location that I had planned to visit this morning, with a rather specific subject in mind. I set out and, as almost always, my “photographer’s brain” engages and I start seeing potential photographs everywhere. There is a tricky balance sometimes between stopping for the thing I see right here and sticking to a plan to photograph that other thing that I want to see. (This is an old question in photography with the extreme answers ranging from “never pass up a subject in front of you for one that you might see elsewhere” to “make a plan and stick to it if you want to get the photograph you have in mind.” The truth is complex, situational, and depends as much on good fortune and good guesses perhaps as much as on any rational considerations.)

In any case, I skipped past a few opportunities/distractions but ended up stopping for this one. This is a fairly well-known view in this part of the Sierra, though not everyone sees it right at sunrise. I’ve often stopped to admire the scene and on occasion photograph it, usually with some beautiful haze partially obscuring distant details and perhaps making closer details clearer by contrast. Since I am familiar with the view and had a good idea of what I wanted the photograph to look like, stopping for a few minutes was sufficient to make the photograph… and I was back on the road to my original destination.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Market Street

Market Street
A scene along San Francisco’s Market Street

Market Street. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A scene along San Francisco’s Market Street

Here is another San Francisco street photography image, this one from the “act quick and grab before it is gone” school of photography. When I’m lucky I may spot a scene like this and find that the human (and other transitory) element is unusually static, and I can take a bit of time to compose and wait for other elements to appear in the scene. On the other hand, often it is a matter of making that photograph almost instantaneously before the person moves, the street is again filled with cars, or any of many other elements change.

In this case I was initially thinking about the figures on the far side of the street and the interesting beam of light reflected down onto the street from the windows of tall buildings. As I walked I turned to my left and saw the person in black leaning against the structure and I had just enough time to make one exposure before he moved. As to what such a photograph might tell us or might mean, I prefer to leave that to your imagination. What is the person actually doing? Why is he leaning on the wall? What, if any, compositional relationships to you see between him and the trash receptacle and the angled light?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Green Door, Brick Wall

Green Door, Brick Wall
Repainted and patched green door in the brick wall of an old San Francisco building

Green Door, Brick Wall. San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Repainted and patched green door in the brick wall of an old San Francisco building

On this mid-August morning I got up early, took the bus to the train and the train to San Francisco, then walked right up into the downtown core of the City. The walk began with among train commuters heading up toward Market Street, past construction zones, freeway interchanges, and lots of traffic. Once at Market Street I turned toward the Bay and walked slowly, stopping frequently to watch and photograph. At the end of Market I turned south and began my walk back to the train station along the Embarcadero.

Eventually I decided to leave the Embarcadero and follow smaller streets to cross back to the Caltrain station. Like so many parts of San Francisco today, this is an area in transition. There are still some gritty old buildings, but things are rapidly evolving in a much more upscale and expensive direction — and for now the gritty and the modern live side by side. But not for long. Given the price of real estate in this area, funky old buildings like the one with this doorway do not have much of a future. I imagine that almost all of them will be knocked down for more condos and townhouses, and those that remain will be cleaned up and gentrified in ways that retain only the stylish chic quality. Two things (at least) caught my attention about this doorway, at least sufficiently to make me stop for a minute and make a few exposures. First is the stark contrast between the pinkish color of the painted bricks and greens of the doorway. Second is the sum effect of paint over graffiti and then painting it over again, which often produces interesting cubist patterns on San Francisco architecture in places like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.