Tag Archives: north america

Big Creek Bridge

Big Creek Bridge
Mountains drop into the Pacific ocean at Big Creek Bridge, Pacific Coast Highway

Big Creek Bridge. Big Sur Coast, California. January 24, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Mountains drop into the Pacific ocean at Big Creek Bridge, Pacific Coast Highway

Back in January, probably on a hunt for big winter Pacific surf, I headed down the Pacific Coast Highway through the Big Sur Coast, making it all the way to the southern end of this spectacular route. This is often a very rugged meeting of land and sea, and in places the tall coastal mountains drop directly into the ocean. In order to find a path through this landscape, the road sometimes hugs the waterline and sometimes ascends high into these mountains.

If I recall correctly, I initially stopped here to scope out a possible photograph of the golden hour, with the plan being to stop here again on the way north. (In fact, that is what happened, and I did get a few good photographs of the spot in evening light — before the sun dropped below an offshore fog bank and the light died!) The bridge spans (with double arches) the end of the valley where Big Creek meets the ocean. On this afternoon a big winter swell was coming in from the northwest and producing lines of big waves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Breakwater, Bay

Breakwater, Bay
The shadow of a breakwater across a view of San Francisco Bay

Breakwater, Bay. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The shadow of a breakwater across a view of San Francisco Bay

I’ve had an obsession with the morning light coming across the San Francisco Bay ever since I started taking an early morning train up there and walking the waterfront, making photographs. The light varies, but it is almost always interesting — muted by fog, brilliantly bright when there is lighter haze, reflecting off the water when the skies are clearer. That latter was mostly the case on this morning, with only a few clouds left from a late-season rain storm that was clearing out.

I began photographing some pier not far from the South Beach Harbor, and as I walked out onto one of them I was intrigued by the overlapping patterns of breakwaters near the entrance to the harbor. As I looked to the right of that entrance the low breakwater cut the bright reflections of morning sun, placing an almost black line across the water parallel with the horizon line.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Merced River, Branches, El Capitan

Merced River Reflections
Merced River Reflections

Merced River Reflections. Yosemite Valley, California. November 30, 2005. © Copyright 2005 G Dan Mitchell – all rights reserved.

Branches in the still water of the Merced River with floating autumn leaves and the reflection of El Capitan, Yosemite Valley.

This photograph is almost a bit of an optical trick. I’ll let you look for a second and figure it out…

… Does it make sense now? The foreground is composed of some intertwining dead branches just above the surface of a very still section of the quiet, late autumn Merced River in Yosemite Valley. The leaves floating on and just beneath the surface of the water give it away. Because there are so many branches, their dark reflections seem, to me at least, to almost merge with the shapes of the actual branches, creating a complex pattern. And, reflected in the surface of the water and appearing as a backdrop to these elements, is the sunlit face of El Capitan.

I would love to tell a great story about making this photograph… but I don’t remember making it! I discovered it only recently while reviewing all of my old raw files, and all I can say for sure is that I made it on one of my annual late October trips to The Valley to photograph the fall colors. For those who follow the technical stuff, I made this photograph with some pretty low-level gear back at a time when I was experimenting with my first DSLR. The camera was the very humble (but better than some think, at least for this sort of thing!) Canon Digital Rebel XT, an early 8 MP body. Even more humble was the lens, the not so swell EFS 17-85mm Canon lens.

(Note: This was originally posted on September 21, 2011. I’m moving this photograph back up on the home page today as this is a new revision of the original photograph — the date of the revision is December 26, 2014)


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Parking Structure

Parking Structure
Parking Structure

Parking Structure. New York City. August 14, 2010. © Copyright 2014 G Dan Mitchell – all rights reserved.

Parking structure and urban scene near the Highline Park in New York City

When in New York City… visit the Highline Park, as we did on this 2010 summer visit. For those who may not know, the Highline Park is a novel New York location, a park high above the streets that occupies the right of way of an old elevated railway. It is widely regarded as one of the most innovative public spaces in this city, and it really is a remarkable place.

It is also a great place to do photography. There are plenty of people subjects there, and there is all of the other stuff that is worth shooting in New York, plus the elevated perspective provides a lot of views that are different from those seen from street level. We’ve all seen this urban parking structures, which stack cars up several deep in order to make more efficient use of limited space. But we don’t often see them from above, where the metal framing suggests planes that aren’t visible from below but which connect in interesting ways with the angled lines and planes of the other nearby buildings.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.