Many of you are familiar with Charlie Cramer’s beautiful photographs, but this week you have the chance to hear him make beautiful music, too. San Francisco Bay Area residents can join me and quite a few other photographers and musicians for a performance this weekend.
Saturday, January 18
7:30 PM
St. Mark’s Episcopal Church
1957 Pruneridge Ave., Santa Clara
The concert features organists Charles Cramer, Mike Cala, and Darryl Parker… and Charlie will talk about his photography and host an exhibit of prints, and more. See you there!
“A camera trained on the organ console will give us a big-screen view of all the organists in action – and a close-up view of all the buttons they have to push! The program includes Cala performing an improvisation accompanying a short silent film and Cramer’s illustrated presentation, _’How I Became a Photographer and Met Ansel Adams.’_ He’ll talk about the many connections between music and photography. Adams started off as a pianist, and Cramer will present some rarely-heard recordings of Adams playing the piano. Also included will be some of Cramer’s photographs. (http://www.charlescramer.com/) You can see more of Cramer’s prints at the reception following the recital.”
(The photograph seen here is Charlie’s “Bare Trees, Red Leaves” – used by permission of the photographer)
Autumn color foliage marches up the lower slopes of Zion Canyon, Utah
I was in Zion three times during October this year – it is a long story how that happened! On the final occasion, we were passing through the area on our way back to California at the very end of the month, having stayed the night before in Kanab and having a plan to stage the next day’s long return drive from St. George, Utah. The drive between those Kanab and St. George is not all that long, so we figured we would see what Zion might offer up as we passed through. Since we had photographed the high country along the Mount Carmel Highway earlier in the month, and since the fall color was rumored to be starting in Zion Canyon, we decided to head there in the morning. (In the end, we finished up here a bit sooner than we might have, so we ended up driving well past St. George, but that’s a different story…)
The height of the Zion Canyon color typically comes a bit later than this, so we figured that we might not see the very best color – but Zion is sort of like Yosemite in that there is something to see no matter what. After many days of shooting, this was one of those days when energy was at a bit of a low ebb. We started out in the upper end of the canyon, where we found some colorful red maples, but I don’t think any of use were necessarily quite “seeing it” at this point. So we moved down that canyon a bit, looking for whatever might turn up, and hoping for a bit more color that we were seeing. One of the last places we stopped to shoot was in this area from which features such as the Great White Throne and The Organ are visible. Here we were a bit more inspired, since there was a variety of things to see: the Virgin River, the flats along the river in the bottom of the canyon, a decent amount of developing fall color, towering rock walls, and evolving light. As I poked around along the river bottom I saw that some very colorful trees were visible up high along the base of the steepest cliff walls.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Autumn foliage begins to change along the base of the Organ and on the slopes of the Great White Throne, Zion Canyon
During three visits to Zion National Park and Zion Canyon during the past year, the area around “Big Bend” in the canyon has become a bit of a fixation for me. There is a lot to see and photograph here, and the lighting changes a lot during the course of the day. The bend in the canyon creates a sort of closed-in effect, and it is possible to focus both on the very small features and on the very large, including the canyon walls and more distant examples of vegetation climbing up the cliff walls.
Two major features make an appearance in this photograph. The near, darker columns are the base of a feature called “The Organ” that sits near the apex of the horseshoe bend that the canyon makes here as the Virgin River goes downstream. Beyond that are the huge walls of “The Great White Throne,” a towering feature in this portion of the canyon whose color is lighter than that of some of the other reddish rock cliffs nearby. I made this photograph fairly early in the morning before any direct sunlight had begun to affect the scene and when a certain amount of haze was still in the air. The foliage at the base of The Organ is just beginning to show the tiniest bit of autumn color, but higher on the cliffs of The Great White Throne there are trees that are well along on this transition.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The Organ and The Tower of Babel in early morning light, Arches National Park, Utah.
We had arrived in Moab, Utah the previous afternoon, and a quick reconnaissance into the Arches National Park in the early evening had impressed me quite a bit, to say the least! This was my first visit to Arches, and I had only a very general idea of what I might see, so coming upon the fantastic sandstone formations – towers, walls, fins, arches, and more – for the first time was a powerful experience. That evening I had a short time to photograph in conditions that were mixed – very nice light but tremendously strong winds that challenged my ability to use a long lens to pick out small sections of the landscape… and my ability to stay warm! In any case, the brief initial visit was enough to give me some ideas of what I might want to photograph early the next morning.
I was up early and into the park before sunrise the next day. Once again, it was cold – colder, actually – and very windy. I’m often fond of photographing big landscapes with long lenses that let me isolate elements from the larger scene and compress the distances, and I wanted to use that approach with some of the formations close to the “Park Avenue” and Courthouse Towers area of the park. With this in mind I stopped a an exposed spot that gave me a view of a number of these features, put on the long lens, set up the tripod… and then struggled with the tremendously windy conditions as the very beautiful light appeared. It was do-able, but not easy. This photograph includes the very early morning light on the faces of The Organ and the Tower of Babel, two huge sandstone fin-like sandstone towers, with high desert, a thin row of cottonwood trees, and more gigantic sandstone cliffs beyond.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
