Tag Archives: path

Forest Path, Autumn

Forest Path, Autumn
A Yosemite Valley trail winds among big trees and dense autumn foliage.

Forest Path, Autumn. © Copyright 2023 G Dan Mitchell.

A Yosemite Valley trail winds among big trees and dense autumn foliage.

My feelings about Yosemite Valley, the location of this photograph, are… complicated. The place is in my bones. I first visited decades ago when I was just a child — yes, I watched the original firefall. I’ve gone scores of times since then, and I have seen the place in all seasons and all kinds of conditions. There’s no question that it is an utterly remarkable, almost unbelievable landscape. On the other hand, the human impact can be troubling. There are traffic jams, the increasingly necessary rules and regulations are jarring, it can be smoky and smoggy. Honestly, I avoid the place as much as possible udring the summer months. And yet…

… it IS “in my bones.” And I keep going back. Autumn may be my favorite season, and on the right day and in the right places it is possible to escape the impediments to the enjoyment of the Valley’s beauty — perhaps during a quiet moment along a mostly-deserted trail that passes big trees, with the space between them filled by delicate branches of maples and dogwoods transitioning to autumn colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Canyon Bend

Canyon Bend
A bend in the canyon narrows, Death Valley National Park.

Canyon Bend. © Copyright 2022 G Dan Mitchell.

A bend in the canyon narrows, Death Valley National Park.

Slot canyons and “narrows” are among the most compelling desert landscapes. Most desert spaces tend to be exposed, open to the sky and wind, and blasted by the midday sun. The spaces seems horizontally oriented, often with a distant horizon and perhaps low mountains ascending from playas. The canyons contrast with this in almost every way. They are places of shade, often protected from wind, and the distant horizontal views are cut off, replaced by close surfaces covered with angles and curves.

It turns out that there are many smaller canyons in Death Valley. In fact they may be among the least-known and most interesting features of the place. There are a few that are popular, but most are a bit off the beaten path and some are downright difficult to get to. Their lonely quality is part of their charm, and I hope it stays that way. This particular spot presents a fascinating combination of the blue-light shadowed stratified walls, the water stained face in the warmer light above, and the canyon floor covered in gravel washed down by flowing water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Redwood Forest Trail

Redwood Forest Trail
A trail winds through redwood forest, past ferns and rhodendrons, Del Norte State Park.

Redwood Forest Trail. © Copyright 2021 G Dan Mitchell – all rights reserved.

A trail winds through redwood forest, past ferns and rhodendrons, Del Norte State Park.

As I write this post, it has been a 100+ degree day with wildfire smoke drifting across the Bay Area and mostly forcing us inside — and I know it is much worse in many other parts of California and the West. Barely more than two months ago we walked this coastal trail through redwoods on a cool June morning as fog drifted overhead and rhododendrons bloomed. How long ago that seems now! But looking forward an equal amount of time we can hope that this nasty, dry, hot summer will be behind us and, with luck, autumn rains will return.

Photographing redwood forests can be a tricky thing. Deep in the forest the light can be so low that exposures as long as a second or more a necessary. Meanwhile, even on the most still days there is always a slight bit of air motion, and the long palm fronds and hanging plans are virtually never still. And when the sun rises higher in the sky and sends a few beams of light to the forest floor, the difference between the sunlit spots and the shadows can be huge. In this photograph, in order to produce something that reflects what we see when we look around such a scene, I had to carefully control the brightness of the bits of sky at the top of the photograph and the stray beams of light along the trail… and then ensure that the dark areas were bright enough to make details visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Redwood Trail, Spring Morning

Redwood Trail, Spring Morning
Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Redwood Trail, Spring Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Early one June morning this year we parked the car and strolled along a trail into a coast redwood grove that is close enough to the Pacific that you pass people hiking to the water and you encounter fog forming over the coast hills. Not all redwood forests are this moist, but here the conditions create especially lush growth, and on this morning the drifting fog softened the light and muted more distant subjects, though it still had a bit of a directional quality.

On this visit I thought a lot about the difference between what the camera records and what the eye and mind see in the redwoods. When opening files from photography in the redwoods, the colors often seem more dull than the memory. Several possible explanations exist, but I’ve long had an idea about how our visual system accommodates different kinds of lighting, essentially normalizing them in ways that aren’t captured by the camera. This time I made a point of stopping and thinking long and hard about the way the colors looked to me while walking through the forest, and I realized that our visual system’s normalization process compensates for the bluish light and tells us that the colors are warmer than they objectively are. To my mind, it is more important that a photograph express what I saw in the place than it is that it achieve some standard of objective color balance that essentially lies about what I experienced… and what you see here is true to my experience in the redwoods.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.