Tag Archives: peaks

Sunrise, Lake Manley and Panamint Mountains

Sunrise, Lake Manley and Panamint Mountains
“Sunrise, Lake Manly and Panamint Mountains” — Sunrise on the Panamint Mountains reflected in the ephemeral waters of Lake Manly

This is a photograph that is normally not possible in Death Valley — The image of a snow-capped mountain range reflected in the extensive waters of a gigantic lake. These are the Panamint Mountains, rising to over 11,000 feet on the far side of Death Valley. This winter the playa was covered by the shallow waters of ephemeral Lake Manly.

It was hard to resist the symmetry of this scene with the reflection in the still water was a near duplicate of the distant scene. I made the photograph after the morning sun had arrived on the higher peaks, but before it had worked its way down to the valley floor, thus the dark band across the middle of the image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Argus Range Clouds

The typical assumption is that Death Valley and its surroundings are hot and dry. That is often the case — not much rain falls there in a typical year, and it can be unbearably hot. But the climate in and around the park is a lot more varied than many realize. I’ve been snowed on there several times, and not just in the mountains. I even recall seeing a few flakes one early April at Scotty’s Castle! This photograph — on a day with rain and snow in the mountains — comes from the last week of winter.

I made the photograph in Panamint Valley, on the west side of the Panamint Mountains, the tallest range in the park. Those mountains were at my back as I looked to the west. The high clouds marked the receding edge of a weather system that was producing rain and snow on the higher peaks. The fascinating band of “high fog” was forming over the edge of the snow-capped Argus Range in the wake of the front’s passage.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Desert Mountain Ridges

This is one of those “photograph the thing you did not go for” photographs, seen while mostly focusing on an entirely different subject. I was in Death Valley partly because I go there every year at about this time, and partly to photograph the rare reappearance of Lake Manly. (This lake reformed following heavy rains in the desert starting late last summer.) On this morning I went to a point high above the valley to photograph the broad setting of the lake and to use long lenses to isolate details. But the lake is nowhere in this photograph…

… because this scene was in the opposite direction! I arrived well before sunrise, and while I waited for some of that sun to arrive in the valley the horizon to the east put on a spectacular show. Obviously the pre-dawn sky was impressive with its intense and varied colors. But the vast area visible from this point produced beautiful atmospheric recession over the layered ridges stretching into the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Aspens, Peaks, and Evening Shadows II

Aspens, Peaks, and Evening Shadows II
Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Aspens, Peaks, and Evening Shadows II. © Copyright 2023 G Dan Mitchell.

Autumn aspen groves, lengthening early evening shadows, and snow-dusted peaks in the Eastern Sierra Nevada.

Seeing a photograph here with the Roman numeral “II” attached you may wonder if there is a version “I.” There is, of course, and the first of the pair was posted a few days ago. In this case, the only significant difference is that this is a “landscape” orientation view of the scene and the other version used the “portrait” orientation. When the subject allows it I often photograph in both orientations — partly for practical reasons and partly because they both seem to work!

The scene is a type that I like a lot, at the elevation where the forests we expect in the high country meet high desert sagebrush country. The aspen trees seem to like both, and they are frequently a bridge between the two types of terrain. Here it is late in the afternoon (or perhaps early in the evening?) and long shadows are starting to stretch across the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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