Tag Archives: perspective

Window Maze

Window Maze
Cubist patterns of color, reflections, and perspective in the windows of a San Francisco builiding

Window Maze. © Copyright 2019 G Dan Mitchell – all rights reserved.

Cubist patterns of color, reflections, and perspective in the windows of a San Francisco builiding.

Continuing with the theme of “windows,” here is another photograph I recently made while walking in San Francisco. My San Francisco ambling typically has a general structure — I usually arrive at the Fourth Street Caltrain Station early in the morning, then typically start walking north (often along the waterfront, though not on this visit). I photograph as I go, and eventually reach a turn-around point, where I start back towards the train station on a different route.

I made this photograph on that return walk, and I was actually in a bit of a hurry — I had just enough time to get to the station and board before my train was to leave, and missing it would have meant an hour wait. These windows caught my attention and I paused very briefly to make two exposures. The objective reality of the scene is simple — a couple of “window walls” joining at a corner — but the subjective effect is quite complex and wild, with confusing combinations of elements (the windows themselves, what lies inside, and things behind me in the reflections), perspective lines, and color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Buildings, Wires, Fog

Buildings, Wires, Fog - Tall buildings soar into foggy sky in the financial district of San Francisco, California.
Tall buildings soar into foggy sky in the financial district of San Francisco, California.

Buildings, Wires, Fog. San Francisco, California. Augusts 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Tall buildings soar into foggy sky in the financial district of San Francisco, California.

I’ll keep the commentary short on this one – it is part of a series that already includes the commentary, and today I prefer not to write a lot. The photograph was made on a San Francisco walk that eventually took me across a short section of the Embarcadero and then up into the area just north of the financial district. From there I walked into that district and focused on photographing the tall buildings found there, looking for odd and interesting juxtapositions and thinking about how I could use the weather conditions – which included high clouds, sprinkles of rain, and ocean fog sliding in over the City and obscuring the tops of the buildings.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Towers and Sky

Towers and Sky - Two downtown San Francisco buildings and a patch of clear sky.
Two downtown San Francisco buildings and a patch of clear sky.

Towers and Sky. San Francisco, California. July 9, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Two downtown San Francisco buildings and a patch of clear sky.

Whether or not it is apparent, this photograph is the result of some simple shooting and some significant post-processing work. The shot was made handheld during an early evening walk through a portion of San Francisco’s financial district. In addition to looking for the usual street stuff, I was giving my attention to what was above me. I made a series of photographs of very tall buildings, shooting almost straight up and from very close to the bases of the buildings. In “street” style, I was working with a 50mm prime and framing subjects within the constraints of that lens. (Since the subject comes up in this context from time to time… no, I’m not making any statement about the “right” lens to use for street. Sometimes I just like to work with a prime. Sometimes I like to work with a zoom. Sometimes I like both!)

When photographing these subjects in this way, the vertical shooting angle and closeness to the buildings can eliminate the reflections of other buildings and let each structure be seen apart from its surroundings to some extent. In this photograph, the windows (almost) do not reflect anything but sky. In order to emphasize the presence of those windows I chose to apply a blue (!) filter in post, which also had the effect of making the sky almost perfectly white, especially after some curves adjustments. I applied a few other processes as well to get the look I was after here – but those can be my secret!

For probably 90% or more of my photography, I’m pretty much a tripod kind of guy. Working without the tripod, walking through urban areas, and responding somewhat quickly (as least compared to some of my landscape work) to subjects, and then moving on – all of this can be a welcome change from my more typical shooting style.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

One Front Street, San Francisco

IOne Front Street, San Francisco - maginary (urban) landscape based on the facade of the One Front Street building, San Francisco
Imaginary (urban) landscape based on the facade of the One Front Street building, San Francisco

One Front Street, San Francisco. San Francisco, California. July 9, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Imaginary (urban) landscape based on the facade of the One Front Street building, San Francisco.

This is another in a short series of photographs I did earlier this month in which I focused on shooting very close to the base of some downtown San Francisco buildings, aiming the camera nearly straight up in order to see their shapes more abstractly, and then working fairly freely in post to modify the images in ways that I felt were interesting. This one, and some of the others, are subject to enough post-processing that they probably fit into the category that I describes as “imaginary landscapes.)

I imagine that architects who create such things understand these buildings in ways far different from this in which the rest of us see them. A few things, likely completely obvious to the building designers, occurred to me. One, obvious now that I see it, is that the visual character of the buildings themselves is formed as much by what they reflect of their surroundings as it is by their own shape, texture, and material. Most of what constitutes this photograph, for example, is not the building itself (which is largely defined by the narrow non-reflecting portions) but by what in the surrounding environment is reflected on its surface and how those reflections are shaped and modified by the reflecting surface of the building. In this case, the building reflects itself in the right angles such as the one in the center of this shot, along with the sky, and sometimes the surrounding buildings. (Though the latter is removed when you aim the camera up so sharply.)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.