Tag Archives: playa

Flooded Playa

Flooded Playa
“Flooded Playa” — The flooded landscape of the playa near Manly Lake, Death Valley.

This is another in a series of photographs of the floor of Death Valley near Badwater, photographed from high in the Black Mountains early one morning. Following a historic storm in August of 2023, this part of the valley flooded, partially reconstituting the historic Lake Manly. There is still a lot of water, and many areas of the playa are currently inaccessible.

To make these photographs I used very long focal length lenses, which allowed me to isolate small areas in this vast terrain. The formations seen here are in a very flat area just upstream of Lake Manly. The area is mostly a salt flat in normal times. Here the blue water makes visible the many wandering channels through which the water flows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lake Manly Shoreline, Desert Mountains

Typically I might simply not attempt to photograph this scene. The glaring sunlight, while somewhat filtered by the clouds, was brightly lighting the white sand deposits along the shoreline of Lake Manly. Distance, haze, and backlight combined to mute the details of the Panamint Mountains. And this light was harsh, not the softer light of early morning or evening. But somehow I felt that the composition and the drama of the light and atmosphere held some promise.

The salt deposits reminded me of important things about this valley. They were a reminder — as is the water of ephemeral Lake Manly — that water played a major role in the formation of this place. And, as high as the water of the lake was at this moment, the yet higher salt deposits made it clear that this is not an unprecedented thing, and that even higher lake levels are still probably possible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Edge of Lake Manly

The star attraction of the season in Death Valley has been the reemergence of historic Lake Manly in the hottest, driest, and lowest area of the valley near Badwater. Geologists tell us that the original version of this lake once filled the valley floor, and there’s abundant evidence: old waterlines high on valley hillsides, the tufa formations, and the salt flats themselves. A huge and unusual tropical storm brought heavy rains to the area last year, and more recent precipitation has helped to keep it going.

Since seeing this lake is such a rare event, I made it the focus of my recent visit to the park. I photographed it several times, from different points of view, at different times of day, and in different conditions. I made this photograph very early in the morning from the overlook at Dantes View. As the shadows receded and sunlight arrived on the lake and surrounding terrain I made a series of photographs with long lenses, highlighting the abstract patterns and colors of the flooded playa.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Sky and Haze, Death Valley

Death Valley National Park is a huge place — not just as measured by its total area but also by the immense spaces we view there. In many places we look across dozens of miles toward objects so far away that they are obscured by the atmosphere even on clear days. We might look at a “nearby” destination and think, “I’ll walk there.” If we try, hours later our intended destination will still be in the distance.

This photograph, made at sunset in the central part of the great valley, is an example. If I had gotten in my car and started driving, it would have taken me an hour and a half or longer to reach the base of those mountains in the distance. In this scene the valley has already fallen into the shadows of the Panamint range and a final bit of soft side-light glances across the large wash in the foreground.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.