Tag Archives: point reyes

Winter Mist, Tomales Bay

Winter Mist, Tomales Bay
Morning mist rises above Tomales Bay on a cold winter morning.

Winter Mist, Tomales Bay. © Copyright 2013 G Dan Mitchell – all rights reserved.

Morning mist rises above Tomales Bay on a cold winter morning.

One advantage of living near iconic locations (in this case, the Point Reyes National Seashore) is that I can go there on short notice at times when few other visitors are around. Being only a short distance north of San Francisco and less than an hour’s drive from some populated areas of the greater Bay Area, a visit here on a summer weekend can be considerably less than a solitary experience. But on a freezing cold (literally!) late-winter weekday morning you might find yourself all alone in such a place.

I have passed by this spot many times, and this was not the first time I stopped to make photographs here. (Nearby and just out of sight are a couple of iconic regional photographic subjects.) On this morning it was the light that stopped me, along with the new grass on the coastal hills along the far shore. (Winter is our green season in much of California.) As I worked, the thin morning fog above the waters of Tomales Bay drifted slowly, backlit by the low-angle morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Elephant Seals in Surf

Elephant Seals in Surf
Two young elephant seals sparring in the surf at Point Reyes National Seashore.

Elephant Seals in Surf. © Copyright 2012 G Dan Mitchell – all rights reserved.

Two young elephant seals sparring in the surf at Point Reyes National Seashore.

This pair of young elephant seals was part of a larger group hanging out along the beaches inside the bay at Point Reyes National Seashore. The group was on a beach at the bottom of a steep hillside, so they were protected from human intrusion not only by law but also by terrain. I watched them for some time as they cavorted (or whatever it is they do) on the beach and in the shallow shoreline water.

While I can claim no expertise in elephant seal behavior, this pair appeared to be conducting a mild version of the often-violent sparring that goes on between the huge adult males. They position themselves face to face, then raise their heads with mouths agape and pointed toward the sky, sometimes pushing their necks into one another and occasionally biting.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Pasture, Estero, and Drakes Bay

Pasture, Estero, and Drakes Bay
Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

Pasture, Estero, and Drakes Bay. Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking across pastureland and Drakes Estero toward Drakes Bay and the California coast

I have a confession to make regarding Point Reyes. Although it is, relatively speaking, “in my local neighborhood” and I’ve gone there a lot, I have yet to fully wrap my mind around the place to the extent that I feel that I have fully photographed it or fully understand its character. I do have some photographs of the place that I like quite a bit, but when I go there I often find it more difficult to photograph than places like the Sierra, the Big Sur coast, California’s deserts, and similar. I love photographing the ocean, but here the features of the coast are perhaps more subtle, tending more toward beaches and bluffs and bay than to dramatic and rocky coastline. There are hills, but many are rather short, tend to be covered almost completely in forest in many cases, and tend to lack rocky outcroppings. The light can be very interesting, but there is often a fine line between too much and too little sun.

To summarize, I’m still working to figure out my vision of the place. Our most recent visit, in the middle of October during the northern California wildfires, was provided no exceptions to the challenge. There was no fog and the sky was almost clear… except that wildfire smoke often tended to blanket the terrain, producing a sort of yellow quality to the light. Because it is October, most of the green of meadows is long gone, and instead open areas are a kind of muted brown. Yet, I still want to photograph the place, and I know I’ll eventually “get it.” We did spend some time looking for photographs in the park this time, and this lovely inlet from Drakes Estero caught my attention as we traveled out toward the location of the Point Reyes Lighthouse. After we stopped and I looked more closely, I found the old stock fence to be an interesting addition to the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Low Tide, Fog, Drakes Estero

Low Tide, Fog, Drakes Estero
Thinning fog above Drakes Estero at low tide

Low Tide, Fog, Drakes Estero. Point Reyes National Seashore, California. July 23, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Thinning fog above Drakes Estero at low tide

I spend a mid-July day hiking — at least once I had completed my obligatory bakery stop at Point Reyes Station — a route at Point Reyes National Seashore that I’ve had my eyes on for some time. It is a trail that starts in the upper recesses of Drakes Estero and, if you turn at the right junctions, finally goes all the way to headlands above Drakes Bay. I had, in fact, started this hike at least once in the past, but always a bit spontaneously and too late in the day, and each time I had turned back before completing it. This time I planned more carefully, and I was on the trail in plenty of time to complete the round trip.

This is a spare landscape, mostly without the vertical scale of places like the Sierra or even of the Big Sur coastline. Bare bluffs run along the peninsula that runs out toward the actual “point,” and the view extends more in the horizontal than the vertical direction. But what it lacks in vertical relief, this landscape can make up for as a canvas on which effects of atmosphere and light may play. My plan was to begin my hike at about the time the morning fog broke up, and to then follow the fog/sun line as in moved toward the coast. I was not entirely successful (it never did clear at the coast) but I timed it just about right for the start of the walk. This photograph comes from that early section of the route, when the clear sky above the dissipating clouds reflected its blue color onto the waters of the estero.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.